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> Ebook Star Trek: Signature Edition: Worlds in Collision (Star Trek: The Original Series), by Judith Reeves-Stevens

Ebook Star Trek: Signature Edition: Worlds in Collision (Star Trek: The Original Series), by Judith Reeves-Stevens

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Star Trek: Signature Edition: Worlds in Collision (Star Trek: The Original Series), by Judith Reeves-Stevens

Star Trek: Signature Edition: Worlds in Collision (Star Trek: The Original Series), by Judith Reeves-Stevens



Star Trek: Signature Edition: Worlds in Collision (Star Trek: The Original Series), by Judith Reeves-Stevens

Ebook Star Trek: Signature Edition: Worlds in Collision (Star Trek: The Original Series), by Judith Reeves-Stevens

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Star Trek: Signature Edition: Worlds in Collision (Star Trek: The Original Series), by Judith Reeves-Stevens

Of all the experiences shared by Captain Kirk and the crew of the Starship Enterprise™ during their first five-year mission, two were among the most perilous: a journey to the nonphysical realm of Transition where the massive computer known as Memory Prime was situated, and the nightmarish mission to Talin IV, a world poised on the brink of destruction that Kirk was forbidden to save.
In the twenty-third century, a hundred years before a sentient artificial life-form would be allowed to earn a Starfleet commission, the Federation considers the use of self-aware artificial intelligences to be little more than slavery, except for the immense computer system of Memory Prime -- the key hub in the Federation's vast network of interstellar library planets. There, the A.I.s known as Pathfinders inhabit Transition -- a virtual world so different from our universe that the A.I.s themselves debate whether or not the physical universe is real. But when an ancient enemy reaches out from the shadows of Vulcan's darkest history and threatens to destroy the Federation, Spock must risk his career, and his life, to enter the Pathfinders' realm.
Technologically and politically, Talin IV is little different from late-twentieth century Earth. But as a series of mysterious events pushes that world closer to self-annihilation, the Prime Directive prevents Captain Kirk and his crew from doing anything to prevent it. When the worst appears to happen and Kirk takes desperate action to give the Talin a chance to step back from the nuclear abyss, Talin IV is consumed by radioactive fire. Now, with a world destroyed and the Enterprise dead in space, the careers of Kirk and his crew are over. Disgraced and despised, Kirk has only one chance to redeem himself and his crew: Somehow, he must make his way back to Talin IV and discover what really happened, even if it means proving that a world died because he broke Starfleet's most sacred law.
Bonus: An Exclusive Interview with the Authors

  • Sales Rank: #1568732 in Books
  • Published on: 2003-11-04
  • Released on: 2003-11-04
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.25" h x 1.00" w x 5.31" l, 1.21 pounds
  • Binding: Paperback
  • 432 pages

About the Author
Judith & Garfield Reeves-Stevens are the authors of more than thirty books, including numerous New York Times bestselling Star Trek novels. Their newest novel of suspense, Freefall, is a follow-up to their Los Angeles Times bestseller, Icefire, and is set against the political intrigue and historical conspiracy surrounding the next race to the Moon.
In keeping with their interest in both the reality of space exploration and the science fiction that helps inspire it, in 2003 Judith and Garfield were invited to join a NASA Space Policy Workshop for the development of NASA's new goals as put forth in the agency's 2004 Vision for Space Exploration. Then, for the 2004 television season, the couple joined the writing staff of Star Trek: Enterprise as executive story editors. For more information, please visit www.reeves-stevens.com.

Excerpt. © Reprinted by permission. All rights reserved.
Chapter One

Humans, Glissa thought suddenly, as she caught the first unmistakable scent of their approach. You can't live with them and you can't live without them, but by Kera and Phinda, you can certainly smell them.

The short Tellarite shift boss looked away from the viewscreen blueprint she studied, then narrowed her deepset, solid black eyes to squint into the distance. All around her, she felt the thrumming of the thin air that passed for an atmosphere within the hollowed-out S-type asteroid. It was the pulse of the machines and fellow workers remaking its interior into a living world, a home for thousands. For Glissa, there was excitement in this job of world making, and fulfillment. Which is why the unexpected scent of humans was so unsettling. With them around, she feared the excitement would soon give way to drudgery.

The Tellarite twitched her broad, porcine nose as she tasted the circulating breeze, seeking more details of the human presence she had detected. In the soft, seasonless mists of her home world, natural selection had not been inspired to evolve keen eyesight. As an adult of her species, Glissa had long since lost the ability to see past two meters with any clarity. But she could hear with an acuity that surpassed most Vulcans, and could decipher scents and airborne pheromones at a speed and rate of accuracy to challenge all but the most sensitive tricorder.

It was those other fine senses that now confirmed for her what she had feared -- the telltale odor of the dreadfully omnivorous humans came to her from what could only be her second-shift crew of rockriggers. Even Glissa's near-useless eyes could make out the brilliant yellow streak of the safety cable that linked the blurry figures. The cable traced a sinuous route around the wide yellow warning bands that marked the overlaps of the artificial gravity fields on the asteroid's inner surface. Spinning the rock to produce centripetal pseudo-gravity would make working inside the asteroid much easier, but until the final bracing supports were in place, the engineers didn't want to subject the shell to the additional strain. So, in the interim, the asteroid's outer surface was studded with portable artificial-gravity generators, creating both amplified and null-gravity zones within the rock. As if that crazy-quilt arrangement didn't produce enough strain on its own.

Glissa sighed and the sound she made in her barrel chest was deep and guttural -- like the prelude to a particularly invigorating string of invective. But there was no such joy behind her sigh. She hadn't realized that the first shift was already over, let alone that it was time for the second to begin. And the lake-support pylons for the rock's eventual basin of freshwater supply were still not in place. They hadn't even appeared on the massive cargo-transporter platform waiting empty at the edge of the work site. At the rate her division was falling behind schedule, Glissa calculated she was going to have to endure at least another tenday of overtime before she had the slightest chance of taking a few shifts off to enjoy a good wallow in the communal baths on the rec station. And from the smell of things, it was definitely going to be another tenday of working with humans.

Of course, Glissa had nothing against humans personally, but not being from one of Miracht's ambassadorial tribes, she found it disagreeable to work with them. Who wouldn't have difficulty working with beings who could never seem to tell the obvious differences between time-honored constructive insults and improper personal attacks on their parentage, and whose lack of a sense of humor was second only to the Vulcans? Still, it took all kinds to make the worlds go round and, to be fair, she knew of few Tellarites who had the appetite to administer the monstrous bureaucracies that kept the Federation functioning.

She sighed again and rippled the sensitive underpad nodes of her hoof against the viewscreen's control panel -- one of dozens of similar viewscreens that were mounted on light poles ringing the work site. After erasing the blueprint from the two-meter-by-one-meter display, she sniffed the air more slowly to determine which particular humans she had been cursed with this time.

The twelve approaching rockriggers were still too far away for Glissa to recognize any features other than their individual yellow safety harnesses and helmets, but she could identify most of them by their scents. Seven, thank the Moons, were Tellarites themselves -- client workers from the Quaker commune that had hired Interworld Construction to reform this rock into a Lagrange colony. At least half the workforce on this project were client workers providing the commune with substantial labor savings.

But of the other five workers approaching, Glissa scented, all were human, and that was unfortunate because rockrigging and humans were never a happy combination.

The task of asteroid reformation was one of the few remaining hazardous occupations within the Federation that legally could not be done more efficiently or less expensively by drone machines. If the Council ever decided to relax the Federation's prohibitions on slavery to allow true synthetic consciousnesses to control robots, then perhaps the industry itself would be transformed. But until that unlikely day, rockrigging would remain the exclusive province of two basic types of laborers: dedicated client workers who welcomed the chance to literally carve out a world with their own bare hooves, and the hardcases who signed on with Interworld because they had exhausted all other options.

As far as Glissa was concerned, the hardcase humans who worked for Interworld -- some fugitive, all desperate -- might just as well be Klingons for all the honor and diligence they exhibited. But the making of worlds was honorable work for a Tellarite, and no one had said it would ever be easy. So humans, with their unique and unfathomable mix of Vulcan logic and Andorian passion, were officially tolerated by Interworld, even if it meant that Glissa and the other shift bosses did have to watch their language.

As Glissa turned back to the viewscreen to call up current work assignments and detailed plans for the second shift, the shift-change alarm sounded from speakers in the towering lightpoles that encircled the five-hundred-meter-wide work site. She peered up at the wall of the rock four kilometers over her head, and could just make out the smeared constellations of the lightpoles surrounding the work sites on the airless half of the rock's interior as they flickered to signal shift change for those workers in environmental suits who could not use sound alarms.

Puzzled, Glissa checked her chronometer and saw that the change signals were on time. But that meant the second shift crew was also arriving on time, and in all the years Glissa had spent with Interworld, one of the few things she had learned to count on was that hardcase humans were never on time. It was almost a religion with them.

For a moment she was concerned at the break in tradition and order -- few things were worse to a Tellarite than an unexplained mystery. She quickly retasted the air, but there was no denying the scent of humans in the approaching workers. She sniffed again, deeply, questioningly...and then the answer came.

0 Glissa raised her hoof to the unfocused form of the human who led the team and waved. "Sam?" she growled. "Sam Jameson?"

The lead figure raised his much too long and scrawny arm to return the wave and Glissa felt a sudden thrill of hope. If Sam Jameson had been promoted to work as her second-shift team leader then there was an excellent chance that Glissa's division might make up for lost time. He had only been with the company for four tendays but had already proven himself to be a most remarkable being, human or otherwise.

"I thought I smelled the foul stink of your furless human meat!" the Tellarite blared deafeningly as Sam finally came within range of her vision.

"It's a miracle you can smell anything through the stench of that slime-encrusted skrak pelt you call fur!" Sam shouted back.

Glissa's huge nostrils flared with pleasure. Here, at last, was the exception to the rule: a cultured human who truly understood the subtle nuances of Civil Conversation. She could almost feel the hot mud of the rec station oozing up around her as she anticipated the rewards of meeting her schedule.

The Tellarite held out her hoof and Sam Jameson grasped it without hesitation, returning the proper ripple of greeting against Glissa's underpad nodes as best as any human could, considering how the creatures were crippled by the ungainly and limited manipulatory organs they called fingers. If Glissa actually stopped to think about it, it was a wonder any human could pick up a tool let alone invent one. They might as well have arms that ended with seaweed fronds.

As the second-shift crew gathered behind their team leader and began disengaging the safety cable from their harnesses, Glissa thought for a moment to come up with an appropriate statement of Civil words to convey her satisfaction that she would once again be working with Sam. She looked up at the human, nervously smoothed the fine golden fur of her beard, and hoped that her pronunciation would be correct.

"Damn it, Sam, why the hall are they punishing me by making you work my shift?"

Glissa could tell from the quick smile that crossed Sam's face that she had got something wrong. Odd that Sam's face was so easily read, though. The long, blond-brown hair and thick beard he wore certainly helped, making Sam look less like a dormant tree slug than most barefaced humans did, and much more like an intelligent being. Too bad about the puny down-turned nose though, and those human eyes, beady little green dots ringed by white like those of a week-old Tellarite corpse...they could make Glissa shudder if she stared at them too long.

But Sam looked away to the iron wall beneath his feet and leaned forward, dropping his voice to a whisper low enough that only a Tellarite could hear him.

"Hell, Glissa," Sam said gently. "You meant to say 'hell,' not 'hall.'"

Glissa nodded thoughtfully, appreciative that Sam had kept this part of their conversation private. "Which one is the underworld and which is the corridor?"

"Hell is the underworld. Humans don't get too excited about corridors. At least, not in Civil insults."

Glissa decided she would have to start making some notes if she were to keep up with Sam. "But the 'damn it'...?"

"Perfect," Sam said, still whispering. "Proper place in the sentence, good intonation, very impressive...." But then he stepped back in midsentence, looked up from the ground, and raised his voice again for all to hear. "For a beerswilling, gutbellied warthog, that is."
rd

Glissa's cheeks ballooned out into tiny pink spheres as she snorted her delight. She wondered if Sam liked mud wallows. Perhaps he might like to be invited to join her in one. For the moment, though, there was work to do, and clever repartee and Civil Conversation must be put aside. But at least with Sam Jameson taking part, she felt sure the excitement of her job would remain. There would be time enough for friendship later.

After the shift briefing had been completed -- in record time thanks to the way Sam was able to reinterpret the shift's goals for the other, more typical humans on the crew -- the incoming chime of the cargo transporter finally sounded. It was deeper than the sound that came from most systems, since to save credits this project used only low-frequency models -- less power hungry but not certified for biological transport. As Glissa watched the first load of twenty-meter-long, black fiber support pylons materialize, she felt certain that her division's schedule would finally come back on line within a few shifts.

Sam Jameson didn't disappoint her. Cajoling the Tellarite client workers with appropriate Civil insults and adopting a more conciliatory tone for the humans, Sam had the crew latch antigravs to the pylons and clear the pad in record time, load after load. Glissa was still amazed at how easily the rockriggers took his orders. Perhaps his secret was that he used a subtly different approach with each individual, acknowledging that each was worthy of individual respect. Perhaps it was the way he moved among them, never shirking his turn at heavy labor the way some other shift leaders did. However he accomplished it, Glissa was impressed, and saddened, too. For whatever Sam Jameson had been before he came to Interworld, she was certain of one thing: he had not been a rockrigger.

By the time the main meal break came, a full shift's work had already been accomplished and, under Sam's direction, the crew actually seemed eager for more. For once Glissa was able to sit down to her tak and bloodrinds without feeling panic over the swiftness of time. She wished that she might share her meal break with Sam -- she had thought of something exceptionally vile to call him and was looking forward to an equally inventive response -- but she saw that he, as always, took his meal alone.

The other humans on the crew sat together, talking among themselves, occasionally glancing over at Sam where he sat against a large boulder. On the other hoof, the Tellarite client workers stood around and stared into the distance. Through one of the hundreds of visual sensors which fed images to the viewscreens in deference to the limits of Tellarite vision, Glissa observed them sampling the air with twitching noses.

Then she saw what they were waiting for. Two Tellarite pups -- barely out of the litter pen -- waddled along a safety path, guiding a small tractor wagon stacked with food trays. In actual fact, the meter-long tractor wagon guided the toddlers through the maze of gravity warning bands and the viewscreen showed that both were securely attached to the wagon by their harnesses.

The pups' mother was one of Sam's team and she welcomed her offspring proudly as they brought food to her and her fellow workers. Glissa was impressed with the seriousness of the young pups and the way they wore their commune's ceremonial red scarves, at such odds with the puffs of white fur that stood out so sweetly from their round little forms, like softly shaped clouds captured in blue overalls.

As she watched them on the screen, she heard familiar hoofsteps approaching. It was Sam.

"Are our pups as appealing to humans as they are to us?" Glissa asked, seeing that he, too, watched the young Tellarites at their work.

"The appeal of babies is universal," Sam said. "But it's such a shame those two will grow up to resemble something as ugly as you."

Glissa grunted happily and gestured to the slight rise of a digger's ridge beside her. "I have never met any human quite like you, Sam." Glissa spoke without using a Civil intonation.

Sam paused, then sat down next to her, resting his arms on his knees and swinging his safety helmet idly from his hands as he watched the pups. They had finished eating and were now wrestling furiously, tumbling over and over each other with excited squeaks and snorts. "Then I suspect you haven't met too many humans at all," Sam said.

Glissa folded her food tray shut, remembering what she had heard about what humans thought of bloodrinds. "I have met many humans here. Just none like you."

Sam shrugged but said nothing. He glanced up to check the time readout on a viewscreen. There were still a few minutes left in the break.

"Why are you here, Sam Jameson?"

For a moment, Sam's eyes changed in a way too alien for the Tellarite to understand. "Why are you here, Glissa?"

"To build new worlds," the Tellarite answered proudly.

A new expression appeared on Sam's face, and Glissa at least knew human misery when she saw it. "As if there weren't enough out there to begin with?"

Glissa didn't understand. She tried another approach. "You are not a hardcase."

The human smiled sadly at that, but still there were undercurrents to his expression that she couldn't read. "What makes you think I'm not?"

"Interworld is not known for asking too many questions of those who want to be rockriggers. The human hardcases we get seem to be those who are one step away from shipping out on the next Orion freighter." Then she peered closely at him, suddenly recalling how little sense of humor humans had. "Perhaps I should point out that I have used the term 'freighter' in a sarcastic sense, if that makes my joke more logical."

Sam looked away from her, his eyes somehow appearing to be more reflective, as if their moisture content had suddenly been elevated.

"Are you all right, Sam?"

"I'm fine," he said, and smiled again with that same gentle sadness. "You just reminded me of someone I knew...a long time ago."

"A close friend?"

"I think so. Though he might not want to admit it."

"The human hardcases we get seem not to have friends, Sam."

The human stared up at the far wall of the rock, but she felt he was looking at something else which only he could see. "On Earth, centuries ago, there was an...organization much like Interworld's rockriggers."

"They built things? Surely not worlds so long ago, but...continents perhaps?"

"It was a military organization."

"How human. No offense intended," Glissa quickly added because this was not turning out to be a Civil Conversation.

"None taken," Sam said. "It was called La Légion étrangère. It was the place to go to when there was no place else. No questions asked. They didn't even need to know a real name."

"Sometimes...that is a preferable circumstance," Glissa said as diplomatically as she was able. "Is it preferable to you?"

He turned to her and his face was unreadable. "No questions asked," he repeated.

"Too bad, Sam. You look like a being who has many answers."

He shook his head. "One answer is all it would take, Glissa. And I don't have it." He hefted his helmet to put it on. "That's why I'm here. That's why I'm a hardcase."

Glissa reached out to him, to place a soothing hoof on his shoulder. What was the answer he searched for? What possible reason could bring him here? "Sam, if there is anything that -- "

The asteroid shifted.

A field of pulsed gravity swept over the work site. Glissa saw the bright spots of the lightpoles undulate as local gravitational constants fluctuated wildly. She grabbed at the rock beneath her, feeling herself rise up and down as if caught in a raging surf. Gravity warning alarms erupted from a hundred speakers, echoing shrilly from the hard iron floor of the rock.

"What is it?" she growled.

Sam's strong arms pushed her down between two iron ridges. He had expertly, instinctively, hooked his feet beneath a small ridge overhang at the first ripple of motion. "Harmonic interference," he shouted over the sirens. "One of the gravity generators must have cut out and the others didn't compensate in time."

Sam looped a safety strap around a second overhang, then fed it through one of Glissa's harness clips, fastening her safely in place. "Don't worry. It's self-correcting. There'll be a couple more fluctuations as the fields spread the load but we'll be all right."

"The pups?" Glissa squealed, unable to turn her head to the viewscreen as a high-g wave slammed her to the ground.

Sam craned his neck to look over to where the client worker had been eating and the youngsters had been playing. "They're fine, they're fine. They're still hooked to the tractor wagon." He grabbed onto Glissa as a low-g wave rippled back, sending him half a meter into the air. "See? It's getting weaker."

"How do you know so much about artificial gravity fields?" the Tellarite demanded.

But before Sam could answer, the asteroid shifted again as another gravity generator failed -- and another, twisting the rocky shell in two directions at once. A low rumbling sound began, mixed with the shriek of tearing metal. Sam turned to the source, eyes widening like the face of the dead as he saw -- "The lake bed!"

Glissa grunted with a sudden and terrible knowledge. "The pylons are not in place. The lake bed cannot -- "

The first pressure siren wailed, drowning out the gravity warning alarms.

"No!" Sam fixed on something Glissa couldn't see.

"What is it?"

"NO!" Sam untangled himself from Glissa's harness and unhooked his feet from the rock ledge.

"Sam, what?"

"The children!" As Sam leapt over Glissa and scrambled away, the wind began.

Glissa struggled to sit up. The wind could only mean the thin lake bed floor had cracked in the stress of the gravity harmonics. And there was nothing beneath it except the vacuum of space.

The Tellarite heard the screams of her work crew mix with the wild screech of disappearing air and the clamor of sirens and alarms. She slapped her hoof against the nearest viewscreen control, calling up image after image until she tapped into a sensor trained at the lake bed.

"Dear Kera," she whispered as she saw the pups trailing at the end of their safety cables, only ten meters from a ragged tear in the rock floor through which debris and white tendrils of atmosphere were sucked into nothingness. "Dear Phinda," she cried as she saw Sam Jameson, crouching against a ridge near the youngsters, attaching a second cable to an immovable outcropping of metal.

Glissa switched on the panel communicator's transmit circuits. If she could send this image to cargo control perhaps they could lock onto Sam and the pups. Surely the risk of being transported at low frequency was better than the certain death of being sucked out into space. If only the pups' cables would hold. If only Sam would stay in position.

But the cables were anchored to the small tractor wagon and the winds were pushing it closer and closer to the fissure. And no matter how little Glissa knew of the real Sam Jameson, she knew enough to know that nothing could keep him from going to the pups.

Glissa called out coordinates to cargo control as Sam pushed himself up from the safety of the ridge and moved out into the open, slowly playing out his safety line, pulled taut by the force of the gale that blew against him.

He moved across the open lake bed in the finally stabilized gravity as if he were aware of nothing but the infants, now only six meters from the opening into space. Rocks and debris flew past him. Some hit him. But he ignored their impact and the blossoms of red human blood that they brought. Glissa had never been able to completely understand much of what Sam felt, but at this moment, his intent so fixed, his concentration so powerful, she was sure that the human felt no fear.

Sam reached the slowly skidding tractor wagon. Its in-use lights were out, its power exhausted by fighting the inexorable wind. He wrapped his arms around its sensor pod, trying to stop its movement. Glissa switched sensors and brought up an image of Sam as he strained against the impossible pressure. His cable was pulled to its limit. Glissa could see his arms tremble with the force he was exerting. But the tractor still slid forward. The squealing infants still slipped toward the inescapable pull of the vacuum.

Sam's eyes blazed, and of the few human emotions Glissa could recognize, she knew it was anger that lit his eyes. Then he reached to his harness and disengaged his cable. Glissa called out to him to stop though she knew he would never hear her.

The tractor wagon bounced a meter forward on the lake bed as Sam swung around it and began crawling down the length of the youngsters' cable. He reached them as they were only three meters from the fissure. And it was widening, Glissa saw with sickened certainty. Where was cargo control?

Two meters from the fissure, Sam had both round forms in his arms. He pushed against the gale and the floor. But where was he going? And then Glissa saw his plan. There was a smaller ridge almost within reach. With an effort which she would not have thought was possible for a human, Sam pushed the pups into position against it. If they didn't move, they would be safe as long as the atmosphere lasted. But how could he keep them there when the ridge wasn't large enough for him as well?

Glissa could only moan as she saw what the human did next. He removed his harness -- his last hope for survival -- and wound it around the infants, using its straps to tie them firmly into place.

"Please, no," Glissa prayed to the twin Moons as she saw Sam's fingers desperately try to dig into the unyielding surface of the metal ridge. She prayed to the mists and the mud and all the litters of heaven but it was the heavens that were claiming the human now.

Sam slipped from the ridge. He fell toward the fissure. Toward space. Toward the stars.

And he caught himself on the opening, arms and legs braced to hold on for a few more hopeless seconds.

Glissa caused the sensor to close in on Sam's face and fill a hundred viewscreens throughout the rock so his heroism and his sacrifice would be remembered by all.

What manner of human was he? What manner of being? He had no chance yet still he struggled. And on his face, an instant from oblivion, poised above an endless fall into the absolute night of space, there was still no fear in him.

Tears streamed from Glissa's small eyes because she did not know what she witnessed. He faced the stars and death with a ferocious defiance she could not imagine. They shall name this world for you, Glissa thought. I swear it, Sam. Sam Jameson. My friend. And with that vow, the human's hands slipped for the final time.

The stars had won.

But the howl of the wind abruptly stopped as a near-deafening transporter chime overpowered the wail of the sirens and alarms.

Glissa peered closely at the viewscreen as Sam slowly rolled away from the fissure. Within it, the familiar glow of the transporter effect sparkled from the smooth metal walls. Cargo control had not transported Sam and the pups out, they had transported pressure sealant in.

Glissa tapped her hooves to her forehead in thanks to the Moons, then unhooked her harness and ran out to the lake bed to welcome Sam to his second life. But when she joined him, others had arrived before her. And she was shocked to see anger and disgust in their eyes.

The Tellarite pups, now only sobbing fitfully, were cradled by their mother and her fellow workers. The fissure had become nothing more than a long scar mounded with the hardened blue foam of pressure sealant. Sam sat slumped against the ridge that had protected the pups, his work clothes torn, blood streaming from a dozen wounds. But the humans clustered near him offered no help. They only whispered among themselves.

Glissa pushed through them and went to Sam's side.

"I'd think twice about doin' anything for 'im," one of the humans said. He was taller and heavier than Sam, and wore a punishment tattoo from a penal colony.

"What do you mean?" Glissa demanded as she knelt to cradle Sam's hands in her hooves. "He saved those pups."

"Use your eyes," a second human said. Female this time, as big as the one with the tattoo. "Didn't you see him on the viewscreens?"

"Of course," Glissa answered uncertainly.

"And you didn't recognize him? From the holos? From the updates? Before he grew the beard?"

Glissa turned to Sam. "What are they saying?"

The woman kicked a stone toward Sam. "Go ahead. Tell her what we're saying. If you've got the stomach for it."

"Sam?"

"That's not his name, Boss," a third human said scornfully. He was shorter, rounder, more compact, from a high-g world, and he moved forward to stand before Sam and Glissa. He glared down at the wounded human and the Tellarite beside him.

"You're Kirk, aren't you?" the short human said, and Glissa's nostrils flared at the mention of that terrible name. "The one who was captain of the Enterprise, aren't you?"

Glissa stared deep into Sam's eyes. "No," she whispered. "No, not you."

But his eyes held that one answer at least.

Glissa let the human's hands slip away from her hooves.

"Murderer!" the human woman said as she kicked another stone at the wounded man's side.

"Butcher!" The short human spat on the wounded man's boots.

Glissa stood up, torn, dismayed, but knowing that her job had to come first. "That's enough!" she growled at the rockriggers. "We've still got half a shift to put in and I want you back at work -- now!"

They hesitated and Glissa gave them a snarl that needed no translation. Muttering among themselves, they left the lake bed.

The human she had known as Sam Jameson looked up at her as if to speak, but she raised a hoof to silence him, trying to suppress the shudder of revulsion that passed through her. This monster already had a world named after him. "There is nothing more to be said. I will have your account closed out and book your passage on the next outbound shuttle. You should...you should leave here as quickly as possible. Before too many others find out." She had to look away from him. "The company will not be able to guarantee your safety."

The human said nothing. Glissa left him to join the client workers and explain what had happened for those who didn't understand Standard. As if the name Kirk needed translation. As if the entire universe didn't know of his crimes.

While Glissa and the other Tellarites talked in low grunts and whispers, the two pups slowly approached the wounded human, watching with concern in their large black eyes as he stood up unsteadily and his blood dripped slowly to splatter on the ground.

One of the youngsters, braver than the other, stepped forward and solemnly untied his scarf. With tiny hooves, he held it out to the human, who stared at the scarf, as if uncertain about accepting it.

"Please," the young Tellarite said. "Let me help."

The human started, and as Glissa and the other Tellarites watched, he looked down into the pup's earnest eyes almost as if he were seeing someone else's face, hearing words that someone else might have said to him long ago. He spoke gently to the pup as he took the scarf and held it to his wounds. Then he turned and walked away, head upright, each step certain.

Glissa felt unexpected tears roll from her eyes as she watched him leave, for in all the worlds in all of space, she knew there was no place left for James T. Kirk to go.

Introduction, interview, and additional text copyright © 2003 by Paramount Pictures.

All Rights Reserved.

Star Trek® Memory Prime copyright © 1988 by Paramount Pictures. All Rights Reserved.

Star Trek® Prime Directive copyright © 1991 by Paramount Pictures. All Rights Reserved.

Most helpful customer reviews

33 of 35 people found the following review helpful.
Classic Trek Recycled
By David Hindman
The Signature Editions are very nice trade paper books. The only thing that isn't made too clear until you dig a little deeper (past the introduction) is that these books are compilations of two or three previously published books. In this case, Worlds in Collision is made up of "Memory Prime" and "Prime Directive." The descriptions of the stories on the back cover don't say this. The only place in the book that makes mention of this is the copyright page, listing the original copyright dates for the two books.
I bought the book because I'd read "Prime Directive" shortly after it was out, but I had borrowed it from my sister-in-law, and I wanted a copy for myself. "Memory Prime" is a bonus for me, and I don't know if I will ever read it. They're nice for trade paper, and if you don't have the books in original form it can be a good buy - literally 2 or 3 for the price of one. "Imzadi Forever" is a compilation of "Imzadi" and "Triangle: Imzadi II." "The Q Continum" is made up of 3 TNG books: "Q-Space," "Q-Zone," and "Q-Strike," which make up an interesting trilogy. "Pantheon" is made up of "Reunion" and "The Valiant," and I haven't read either of those.
"Prime Directive" is a good story, with Kirk kicked out of Starfleet (along with everyone except Scotty) for violating the Prime Directive. It's a good story for Classic Trek fans.
There are some extras, which include an introduction, and a section with interviews from the authors. I don't know that these would be enough incentive for me to purchase the book if I owned one or both of the stories.
I would suggest that you purchase "Worlds in Collision" if you're a Classic Trek fan and haven't read either of the books it's made up of. "Prime Directive" is worth the money by itself.

5 of 5 people found the following review helpful.
Two great Star Trek stories packaged together
By R S Cobblestone
Like a lot of industries, the Star Trek "corporation" is intent on making profits. That is the nature of the beast, giving customers what they want. Worlds in Collision is a repackaging of two other Star Trek stories: Memory Prime, and Prime Directive. I hadn't read these as separate books, so I was delighted to get both full-length books, packaged together, at a very reasonable price. Woo-hoo!

These are great Star trek stories, full of intrigue, and rich with the Star Trek personality development I expected. Of the two, I liked Prime Directive the most, but the galaxy is a pretty big place, and I really don't like it when folk, scattered throughout the quadrant, seem to show up at the same place at the same time. Literary license, I guess.

Good for reading level 7 and up. I look forward to discovering additional bargains!

3 of 3 people found the following review helpful.
Good stories!
By Trek Reader
Let's say you've done the most basic reading on this site and realize that this book consists of two previously published stories, with very tiny font. Are the STORIES worth it? Absolutely.

Prime Directive, in my opinion, is one of the very best Star Trek novels out of the hundreds that have been written. It's incredibly tightly written, well-placed, and seamlessly weaves together 5 different narratives to bring the entire crew together for an astonishing sci-fi climax. Fantastic character moments for every major crewmember of the Enterprise, great humor involving some Orion pirates, nuclear wars- this book has got it all. The ending is one of the most imaginative, science-fictiony climaxes of any Star Trek book, and makes you appreciate the wonder of the universe (or multiverse).

Memory Prime is nowhere near as good, but it's still above average. Frankly, this whole book is worth it for Prime Directive; think of Memory Prime as a bonus. If you haven't read Prime Directive and you can stand the small font, get this book now. (Otherwise, get the regular edition of Prime Directive with bigger font!)

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Senin, 03 Februari 2014

** Download Ebook Said the Shotgun to the Head, by Saul Williams

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Said the Shotgun to the Head, by Saul Williams

The greatest Americans
Have not been born yet
They are waiting quietly
For their past to die
please give blood
Here is the account of a man so ravished by a kiss that it distorts his highest and lowest frequencies of understanding into an Incongruent mean of babble and brilliance...

  • Sales Rank: #274108 in Books
  • Published on: 2003-09-01
  • Released on: 2003-09-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.00" h x .60" w x 6.12" l, .55 pounds
  • Binding: Paperback
  • 192 pages

From Publishers Weekly
Williams co-wrote and starred in the film Slam, was featured in the documentaries Slam Nation and I'll Make Me a World, and rapped to Rick Rubin-produced tracks on his hybrid album Amethyst Rock Star. Following The Seventh Octave (1998) and S/he (1999), Williams's third print collection (this time with no CD), is described as an "epic," and begins with a chilling epigraph from Paul Robeson on the warped combine of Western values, creativity, star power and suicide. It prefigures the set of toxic contradictions Williams attempts to negotiate, moving quickly into big-fonted oracular mode, channeling "those ships that never sailed/ the ones with their seacocks open/ that lied scuttled in their stalls/ TODAY/ i bring them back/ HUGE AND INTRANSITORY"-simultaneously invoking thwarted ambition, sexual exposure, the Middle Passage, and attempts to "lie" (dissimulate as well as collapse) through it all. Throughout the book, Williams draws on messianic postures and pronouncements that are non-starters, dragging out the most shopworn heresies and tropes: "we will wait through the degenerate course/ of your repeated history/ we will wait for the past to die." Yet such moments are repeatedly undercut by brief, understated bouts of lyrical intimacy and self-scrutiny: "i cannot make/ your past disappear/ only rabbits, my love/ only rabbits." It is through their juxtaposition that readers glimpse the pathos of a poet struggling with a literally unspeakable historical past, and deeply unworkable present-as well as levity in the futility of trying to dispel it all with corporate-backed, art-based bunnies. (A mock interview between a "Journalist" and "Maned Character" delves into the contradictions of being published by MTV.) The end result is an oblique attempt at moving past flawed concepts of gender, violence, race, religion and exchange, proceeding by sheer will and sometimes a "turn the music up" determination. Despite an absurdly overblown conclusion, it works-almost despite itself.
Copyright 2003 Reed Business Information, Inc.

Review
Amsterdam News [Saul Williams is] a mighty talent. He takes readers on epic voyages into frontiers that offer a refreshing awakening of the mind and a roller coaster ride into an abyss of demons, deities, occult symbols, and more.

Zack de la Rocha , Said the Shotgun to the Head is an invitation to live and die in the moment, a confrontation of the politics of empire, a dare to transform oneself in the face of fear and a post 9-11 love song all in one.

The Washington Post Astonishing...poet. The internal rhyme, metrics, and imagery are so fleet...that they're humbling.

About the Author
Saul Williams is an acclaimed poet, musician, and actor. The film Slam, which he cowrote and starred in, won the Grand Jury Prize at the Sundance Film Festival (1998), and the Camera d’Or at the Cannes Film Festival. He has contributed to The New York Times, voiced Jean-Michel Basquiat in Downtown 81, and cut records with Rick Rubin and Trent Reznor. He has spoken at more than 200 universities where his poetry has been added to the curriculum of dozens of creative writing programs, and has taught poetry/performance workshops around the world. He recently starred in the Broadway musical Holler If Ya Hear Me. His books include S/HE, ,said the shotgun to the head., and The Dead Emcee Scrolls. He lives in New York. Visit his website at SaulWilliams.com.

Most helpful customer reviews

6 of 6 people found the following review helpful.
Not what I expected, But not Disappointing
By John Allen
Though the pagecount may seem misleading considering some pages only contain a line or two of text, the book is a 7 x 6 installation piece as well as a good read. The text seems to act as a character throughout the book due to it's continuously interesting style and placement as well as it's ability to mimic the emotion invoked in the poem. A must have for anyone who enjoys new art and isn't afraid of deep thoughts.

10 of 12 people found the following review helpful.
Read and Read Again!
By Sal Paradise
Saul Williams is one of my favorite poets. He gathers material from everyday life and transcends into something I would say ethereal. It's really difficult to put this particular one continuous poem piece into words of compliment, but I'm still reading this book. I've read over it at least 20 times and pick up something new everytime. Great for long road trips or quiet evenings.

6 of 7 people found the following review helpful.
Genius
By Linda M. Price
Saul Williams is amazingly tallented. This book of poetic stream of wordplay gave me chills many times over. I recommend it to anyone who wants their conceptions of how words can be put together completely altered. Brilliant crafting.

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Minggu, 02 Februari 2014

^^ Get Free Ebook Great Tales and Poems of Edgar Allan Poe (Enriched Classics), by Edgar Allan Poe

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Great Tales and Poems of Edgar Allan Poe (Enriched Classics), by Edgar Allan Poe

Born to an unfortunate heritage, orphaned, unsympathetically raised, and then abandoned, Edgar Allan Poe struggled for greatness in an adverse social and economic climate -- a setting not improved by his fiery temperament and caustic criticism of others. Poe's melancholy brilliance, his passionate lyricism, and his tormented soul would make him one of the most widely read and original writers in American literature. Here, in one volume, are his classic short works: masterpieces of horror, terror, humor, and adventure -- and the finest lyric and narrative poetry of this ill-fated genius whose influence on both prose and verse continues to this day.

Pocket Books' Enriched Classics present the great works of world literature enhanced for the contemporary reader. This edition of Great Tales And Poems Of Edgar Allan Poe contains the original Pocket Books introduction, first published in 1951, along with an updated selection of critical excerpts, and suggestions for further readings.

  • Sales Rank: #2493863 in Books
  • Published on: 2003-04-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 1.11" h x 4.18" w x 6.92" l, .50 pounds
  • Binding: Mass Market Paperback
  • 480 pages

Most helpful customer reviews

6 of 6 people found the following review helpful.
Literary Best Buy
By Robert N. Schroeter
You'll not find better literature for this price anywhere else. If you're a fan of Poe's work, then there's probably no reason on earth why you shouldn't own this book. My two favorite sotries are "the cask of amontillado", and "the black cat". The introduction is short and informative, and leads perfectly into Poe's work. If you've been made to read any of his work in college or highschool and think you'd like to see more of that genre, you won't be disapointed. There are other collections of Poe's work, but this is an extremely inexpensive alternative to the same great stuff. The only thing that I truly disliked about this edition is that the actual print is extremely small and not clear at all.

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Sabtu, 01 Februari 2014

^ Fee Download The Shadow Of The Lion (Heirs of Alexandria), by Mercedes Lackey, Eric Flint, Dave Freer

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The Shadow Of The Lion (Heirs of Alexandria), by Mercedes Lackey, Eric Flint, Dave Freer

It is the year 1537. The great winged Lion stares over a Venice where magic thrives. The rich Venetian Republic is a bastion of independence and tolerance. Perhaps for that reason, it is also corrupt, and rotten with intrigue.

But for the young brothers Marco and Benito Valdosta, vagabond and thief, Venice is simply home. They have no idea that they stand at the center of the city's coming struggle for its very life. They know nothing of the powerful forces moving in the background. They have barely heard of Chernobog, demonlord of the North, who is shifting his pawns to attack Venice in order to cut into the underbelly of the Holy Roman Empire. All Marco and Benito know is that they're hungry and in dangerous company: Katerina the smuggler, Caesare the sell-sword, Montagnard assassins, church inquisitors, militant Knights of the Holy Trinity, Dottore Marina the Strega mage ...and Maria. Maria might be an honest canaler, but she had the hottest temper a boy could find.

Yet among the dark waters of the canals lurk far worse dangers than a hot-tempered girl. Chernobog has set a monster loose to wreak havoc on the city. Magic, murder and evil are all at work to pull Venice down. Fanatical monks seek to root out true witchcraft with fire and sword. Steel-clad Teutonic knights, wealth traders, church dignitaries and great Princes fight and plot for control of the jewel of the Mediterranean.

And somehow all of these, from thieves to mages to princes, must gather around Marco and his brother Benito, under the shadow of the great winged lion of Venice.

  • Sales Rank: #854745 in Books
  • Published on: 2003-09-01
  • Released on: 2003-09-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.75" h x 1.70" w x 4.13" l, .92 pounds
  • Binding: Mass Market Paperback
  • 936 pages

From Publishers Weekly
The prolific Lackey (the Bardic Voices series, the Urban Faerie series, etc.) and cohorts Flint (1632) and Freer (The Forlorn) whip up a luscious bouillabaisse of politics, intrigue, love and black magic set in an "Other-worldly, New-Age Venice." Like the actual 16th-century city-state, the authors' Venice of the 1530s is a dangerous place, filled with as many illicit love affairs as murders. Garbage and occasional dead bodies float in the stinking canals. The city is also a target for would-be foreign conquerors: the Vatican, the Holy Roman Empire, the Grand Duchy of Lithuania and Poland, and the small city-state of Ferrara, ruled by Enrico Dell'este, who surreptitiously watches his grandsons, Marco and Benito, the story's water-rat heroes. Around Benito, a thief, and Marco, a canal doctor, swirl a host of characters, major and minor: the men and women who ply the gondolas and rafts; the spy Caesare Aldanto, the boys' supporter; plus courtesans, whores, monks, priests, knights, shamans, undines and the demon Chernobog. Meanwhile, the winged lion of St. Mark's, symbol of Venice, is stirring, and its shadow falls on Marco as the city's future ruler. The authors' use of contemporary American vernacular "get real," "fat chance," etc. instead of pompous period speech keeps the pages turning fast, but the last-minute stampede of fantastic monsters that abruptly resolves the story's various conflicts makes for a clunky climax. In a book this fat the glossary at the end is essential.
Copyright 2002 Cahners Business Information, Inc.

From Booklist
Three writers (the others are Eric Flint and Dave Freer) collaborate on this massive concoction of alternate history, high fantasy, and historical romance set in the sixteenth-century Venice of an alternate world in which Catholicism is factionalized, the Hohenstauffens instead of the Habsburgs rule the Holy Roman Empire, magic works, and the grand duke of Lithuania is trying to use that magic against his enemy, the emperor. The central characters are half-brothers Marco and Benito Valdosta, grandsons of the duke of Ferrara who are hiding from their grandfather's enemies by posing as Venetian street (or canal) urchins. In a complex web of incidents, coincidences, luck good and bad, and the mixed motives of sympathetic and unsympathetic characters, the boys' personal fates become central to Venice's survival in the face of the northern menace. Brevity isn't the soul or any other part of this book, and the appended glossary is utterly necessary. Yet rich plotting, vivid characterization, and splendid evocation of Renaissance ethics and culture should make readers turn all the pages. Roland Green
Copyright © American Library Association. All rights reserved

Review
"The prolific Lackey and cohorts Flint and Freer whip up a luscious bouillabaisse of politics, intrigue, love and black magic. . . . The authors' use of contemporary American vernacular . . . keeps the pages turning fast. . . ."

"[A] massive concoction of alternate history, high fantasy, and historical romance . . . rich plotting, vivid characterization, and splendid evocation of Renaissance ethics and culture should make readers turn all the pages."

." . . a sweeping alternate history. . . . The authors deftly wield the juxtaposition of fantasy and history into a finely crafted story."

"[A] top pick . . . fast-paced action and complex, believable settings."

"A luscious bouillabaisse of alternate history, high fantasy, and historical romance."

Most helpful customer reviews

21 of 21 people found the following review helpful.
Ringing Changes on the Middle Ages!
By Walt Boyes
I love historical novels, especially the really well researched and lushly written kind, like the late, and very much lamented Dame Dorothy Dunnett wrote, and I love science fiction, fantasy and alternate history. Mercedes Lackey, Dave Freer and Eric Flint have managed to write an alternative historical fantasy about 16th century Venice. So I got three of my favorites in one shot.
This novel is long. But it never flags. The pace is headlong, but the descriptions are clear, crisp and detailed. And the characters are wonderful, especially the little people, the spearcarriers, and the supporting cast.
A case in point is the use of a certain Basque priest as a main supporting character. It plays great without knowing who that character is based on, but it adds piquancy indeed to know that the character is really St. Ignatius Loyola, the founder of the Jesuits.
The magic isn't intrusive where it shouldn't be, and is organic... that is, it doesn't just come from anywhere, and there are clear rules about how it works.
The magic isn't nearly as important to the plot as the convoluted and terrifyingly complex politics in the story. Remember, this is the same part of Europe that was still reading Macchiavelli as a "How To" textbook.
I read snippets before publication, and I can't wait for the next one. The collaboration of Lackey, Freer and Flint is greater than each of them alone. And since Lackey and Flint are known for being extremely good on their own, and Freer is too, just not as well known, that's saying a lot.
Buy this book. You will be swept away.
The Bananaslug. at Baen's Bar.

17 of 18 people found the following review helpful.
At first daunting, but ultimately very satisfying
By Joseph Rodriguez
I must admit, I wasn't particularly looking forward to this book. While I love certain of Mercedes Lackey's writing - especially her Elemental Masters and Free Bards series and her historical retellings of fairy tales - I've never warmed up to her Valdemar books, and I'd never read anything by (or even about) her two co-authors, Eric Flint and David Freer.
I started the book, and was underwhelmed. While the concept seemed interesting - an alternate Renaissance Italy where magic works - the execution seemed clunky, introducing over a dozen major characters within the first chapter or so (a common mistake in historical novels). But within the first few chapters, I found myself caught up by the characters and the events that tied their lives together. By this point, the book had become so gripping that I couldn't stop until I finished it - and at 800-some pages, that takes a while! This is a wonderful book, and has persuaded me to check out some books by Flint and Freer while I'm at it. Certainly if you're at all interested in historical fantasy (especially dealing with alternate histories) you should give this book a chance.

23 of 26 people found the following review helpful.
Not a juvenile - thank the Lord!
By M. Allegra
I really enjoyed this collaboration of Lackey, Flint and Freer. I had been rather disappointed with Lackey's latest offerings (except The Serpent's Shadow)and, while I love and adore Flint, his books with Freer are lightweight bordering on silly. This book really worked for me. I couldn't identify the various authors which is often a problem with collaborations and the plot moved seamlessly from one story line to another. Unlike other reviewers,I had no problem with following the plot, the characters or the intrigue and I don't believe other Lackey or Flint fans will have trouble either. Nor is the Shakespeare reference difficult for any high school student who has read Romeo and Juliet!
The story, set in an alternate world Venice, is an adventure, a fantasy, a court intrigue, a romance, in other words, something for all tastes but in a unified package with great and sympathetic characters. Don't let the heft of the package put you off - The Shadow of the Lion is long but well written, using an easy to read vernacular. Highly recommended.

See all 65 customer reviews...

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Rabu, 29 Januari 2014

^ Get Free Ebook Change of Heart: A Novel, by Jodi Picoult

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Change of Heart: A Novel, by Jodi Picoult

The acclaimed #1 New York Times bestselling author presents a spellbinding tale of a mother's tragic loss and one man's last chance at gaining salvation.

Can we save ourselves, or do we rely on others to do it? Is what we believe always the truth?

One moment June Nealon was happily looking forward to years full of laughter and adventure with her family, and the next, she was staring into a future that was as empty as her heart. Now her life is a waiting game. Waiting for time to heal her wounds, waiting for justice. In short, waiting for a miracle to happen.

For Shay Bourne, life holds no more surprises. The world has given him nothing, and he has nothing to offer the world. In a heartbeat, though, something happens that changes everything for him. Now, he has one last chance for salvation, and it lies with June's eleven-year-old daughter, Claire. But between Shay and Claire stretches an ocean of bitter regrets, past crimes, and the rage of a mother who has lost her child.

Would you give up your vengeance against someone you hate if it meant saving someone you love? Would you want your dreams to come true if it meant granting your enemy's dying wish?

Once again, Jodi Picoult mesmerizes and enthralls readers with this story of redemption, justice, and love.

  • Sales Rank: #967533 in Books
  • Brand: PowerbookMedic
  • Published on: 2008-03-04
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x 1.41" w x 6.12" l, 1.42 pounds
  • Binding: Hardcover
  • 464 pages
Features
  • Great product!

From Publishers Weekly
Picoult bangs out another ripped-from-the-zeitgeist winner, this time examining a condemned inmate's desire to be an organ donor. Freelance carpenter Shay Bourne was sentenced to death for killing a little girl, Elizabeth Nealon, and her cop stepfather. Eleven years after the murders, Elizabeth's sister, Claire, needs a heart transplant, and Shay volunteers, which complicates the state's execution plans. Meanwhile, death row has been the scene of some odd events since Shay's arrival—an AIDS victim goes into remission, an inmate's pet bird dies and is brought back to life, wine flows from the water faucets. The author brings other compelling elements to an already complex plot line: the priest who serves as Shay's spiritual adviser was on the jury that sentenced him; Shay's ACLU representative, Maggie Bloom, balances her professional moxie with her negative self-image and difficult relationship with her mother. Picoult moves the story along with lively debates about prisoner rights and religion, while plumbing the depths of mother-daughter relationships and examining the literal and metaphorical meanings of having heart. The point-of-view switches are abrupt, but this is a small flaw in an impressive book. 1,000,000-million copy first printing.(Mar.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review
"Picoult is a rare writer who delivers book after book, a winning combination of the literary and the commercial." --Entertainment Weekly

About the Author
JODI PICOULT is the author of eighteen novels, including the #1 New York Times bestsellers House Rules, Handle With Care, Change of Heart, Nineteen Minutes, and My Sister’s Keeper. She lives in New Hampshire with her husband and three children. Visit her website at www.jodipicoult.com.

Most helpful customer reviews

162 of 180 people found the following review helpful.
Not Jodi's finest...
By Bethany Mac
I wanted to love this book. I really, really did. After hearing Jodi speak at the National Book Conference last September, and from being a fan for many years, I'd been waiting anxiously for March 4th to come around, and so was beyond thrilled last month when my boss at the bookstore where I worked parttime (not a Jodi fan herself) snuck an ARC in my mailbox before anyone else saw it.

If you know and love Jodi's books, you know that they follow a formula, and you're ok with that. They all center around a legal/ethical/social/medical issue that's come to a head; typically have at least one sassy yet insecure single female in an investigative/advisory role (who frequently finds love by the end of the story), and all end with a twist. This twist leaves the reader in one of any number of states - lost in thought, changed on a certain issue, outraged at society, or drowning in a pool of tears. (Almost literally on that last one - in fact, when My Sister's Keeper came out in bookstores, one promotion included a pack of kleenex with every sale; also, Jodi told the story at the NBF about how her daughter, upon finishing the book, stormed upstairs, slammed her bedroom door, and would not speak to her for the rest of the day). For Jodi's fans, this formula works, though reading a number in a row (as I did when I first discovered her 6 years ago) can become tiresome (I took a long break after that, and in fact skipped the two books between My Sister's Keeper and Nineteen Minutes - 2 of my three favorites, along w/ Plain Truth).

So having a background in bioethics, and being fascinated by criminology, I eagerly awaited this book and had the high hopes that I'd count it among my favorites. But this book, though gripping, made me roll my eyes WAY too often. Being a fan of Jodi's means that, in exchange for finding that rare book that you cannot put down, you also often have to suspend a bit of disbelief and roll along with some fairly unbelievable plot devices. Trust me, I'm willing to do that. But imbuing a character with supernatural abilities? Really? I just don't think this 'hook' was necessary to keep a reader's attention on a story dealing with as loaded and controversial a topic as the death penalty.

Additionally, there was WAY too little focus on the background of the victim's family and the events leading up to the murders for which the main character, Shayne, was sentenced to death. The book made me feel very little sympathy for the woman whose daughter and husband were murdered, simply because her character was hardly fleshed out. Way too much focus was put on characters that, though entertaining and interesting, could easily have retreated to the background while still being worthwhile to include - particularly Maggie Bloom and the priest.

I was also pretty annoyed that The Twist of the book seems to impact everyone besides Mrs. Nealon. Far be it from me to dance around the issue of whether or not to include a spoiler here - as a Jodi fan, I definitely know better. Suffice it to say - once you know what the twist is, especially if you've ever had a child you've loved, you may also think it was just too 'easy' that her reaction seemed like such an afterthought.

That all being said, there were some positives. As a bookseller, I've gotten to a point where, if I see one more book called or 'the Mona Lisa Lexicon' or 'the Codex Conspiracy' or 'the Templar Legacy' (wait, I think that's a real one) or any other book trying to steal the thunder of the DaVinci code in all its trite glory, I will just cry. So when this book seemed to head in that territory, I very nearly stopped reading. But in the end, Jodi gave that genre a nice little ironic kick in the butt, and for that it earned 2 stars alone. The 3rd star is because, somehow, at the end of any Jodi novel, no matter how blah, I still have goosebumps for a good 20 minutes after putting it down.

See my review of Nineteen Minutes to know that I bow to Jodi at her best, but unfortunately, this was just not it. Better than Salem Falls, but no Plain Truth or My Sister's Keeper. In any case, keep an open mind and enjoy! I'm anxious to hear what others think...

99 of 109 people found the following review helpful.
Picoult tackles the death penalty and the lost books of the New Testament in her latest offering
By Jessica Lux
Jodi Picoult's fifteenth novel is set around an angel-like death row inmate with a profound desire to donate his heart to the sister of his victim. The challenge? Lethal injection would render the organ useless. The inmate starts performing miracles from prison (turning water into wine, reviving a dead pet, healing terminal illness) and media quickly labels him the next Messiah. Admirers start congregating outside the prison campus. A national dialog opens, and the mother of a dying child must ask herself if she can put away her hatred to accept the donated heart of her deceased child's killer.

Change of Heart, like other Jodi Picoult novels, is told in brief chapters from over a dozen points of view. She tackles a new moral dilemma - the death penalty - complete with a true crime shock factor, courtroom drama, tension-filled romance, and an incredible twist at the end. Picoult has done her research and also introduces the Gnostic texts - namely the Gospel of Thomas, disregarded as the Church as heresy when it was discovered and published in 1975 - as a key plot element. The work comprises 114 sayings attributed to Jesus. Picoult artfully portrays her death row inmate, Shay Bourne, as a man eerily similar to that described in the Gospel of Thomas.

Picoult succeeds at creating a general outline of Shay Bourne as a religious figure via a number of inventive modern-day twists on New Testament writings. Once she created the setting of a religious novel, however, she used miracles to escape plot holes willy nilly. How does the heart of a 30 year-old man possibly match that of a teen girl? Oh, it's a miracle. The same priest who convicted Shay as a jury member is assigned as his spiritual advisor? Miraculous coincidence. Let's not even mention that the entire plot twist which makes our convicted murder a martyr is (a) exploitative of child abuse as a hot button issue and (b) flimsily based upon the defendant just "not mentioning" most of the story surrounding the murder of his victims during his first trial.

In other novels, the author has balanced the stronger elements of her formula against the weaker ones. My Sister's Keeper had a touching, tension-filled romance that helped carry the book, for example. In Change of Heart, the romance is weakly developed, one-dimensional, and requires a stereotypical over-stressed, weight-watching, desperate female character. The courtroom drama is for pure literary effect - fans of legal thrillers will instantly notice that lawyers seem not to have consulted their clients at all before throwing them on the stand and that arguments are occasionally based on legally irrelevant but passion-fueled aspects of the moral dilemma at hand.

So how can I give this book four stars? Easy. If you picked up a Jodi Picoult novel, you know what elements to expect. You've accepted that you'll have to suspend belief during the legal proceedings. In Change of Heart, she succeeds with some great flourishes re-casting the son of God in the modern day. She's provides a powerful look inside the death penalty which is sure to inspire valuable dialog among readers. I learned a thing or two about religious texts, inspiring me to do some additional research on my own after finishing the book. I'm giving my copy of the book to a friend who might enjoy it.

In a recent interview, Jodi Picoult stated that she is at work at a new novel about a wrongful birth suit in which a mother sues her obstetrician for not disclosing that her child would be severely impaired.

28 of 30 people found the following review helpful.
Typical Jodi, but very predictable
By S.C.
I first became a fan of Picoult's after reading My Sister's Keeper on a friend's recommendation 3 years ago. Like most, I cried my eyes out reading the last 30 or so pages of the book and was hooked after that point. I've since read most of Picoult's 15-book library, most recently this book, Change of Heart. While I was excited for a new book of hers, I still haven't found another one that moved me like My Sister's Keeper yet. From reading the book jacket, I was hoping this one would come close. Unfortunately, it didn't even compare. While the story was told in the same manner as My Sister's Keeper (each "chapter" was a different character's voice) and made it a quick read (460 pages that I finished over the course of a weekend), it was much too predictable. I guessed what the "twist" in the plot was about 25 pages into the book (and my guess was confirmed around page 400) and found it so closely mirroring the storyline of Stephen King's "The Green Mile" that I was almost embarrassed for Picoult's lack of originality). While this book's main character is supposedly a Messiah and King's death row inmate was just supposed to be supernatural, without any sort of religious affiliation, the similarities will be clearly apparent to anyone that's seen the movie or read the book (one of the glaring similarities includes bringing a fellow inmate's dead pet back to life; a bird in this book, a mouse in King's). Despite these things, I still couldn't put the book down since it was such a quick and easy read, it was entertaining enough, and Picoult is an extremely gifted writer, even if her originality is lacking. I must agree with some of the other reviews in that Picoult does not develop a few of the key characters enough, particularly the mother/wife of the victims, June Nealon, and I found that the story line suffered because of it. One of the things that draws me to her books is her intricate character development that takes the reader into the mind and body of that character and makes them a part of the story. I felt that Lucius' character didn't add much in the way of plot development and didn't need to be focused on as much as he was.

One thing that I always appreciate about Picoult's books is the extensive research she does as she's writing them. Because of this I can appreciate the laws, doctrines, gospels, etc. that she speaks of in her novels and know that she's done her fact-finding and not making up laws to suit her story. Her legal and religious research is apparent throughout the book and I found it to be a good learning experience.

A warning - this book heavily involves religious doctrine, the Bible (both Old and New Testaments), unpublished Gospels of the New Testament. While I am not at all religious and can't count on one hand the number of times I've been in church in my life so I found no issues reading this book and was not offended in any way as I'm quite open to other belief systems, others may be quite sensitive to the ideas presented. Picoult treads a very thin line with several characters including the Priest who is in the midst of a moral and religious crisis, a reformed atheist, an outlandish televangelist, and the ACLU lawyer who was raised Jewish, but considers herself Agnostic and is fighting on behalf of the death row inmate, Shay who many believe is the second coming of Christ.

Overall, it's an entertaining book, but don't bother spending the money on it. Borrow it from a library, wait until it's available on paperback, or borrow it from another Picoult fan that bought it with high hopes on the first day it was released (me!).

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Sabtu, 25 Januari 2014

~ Ebook Download The Real World Paris, by K.M. Squires

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The Real World Paris, by K.M. Squires

Adam v. Leah
Christina and Her Peanut Butter v. C.T.
Leah v. Mallory v. the People of Switzerland
Ace v. Parisian Taxi Driver
C.T. v. Random Guy in Bar
Simon v. Six Americans
FIND OUT EVERYTHING YOU WANTED TO KNOW ABOUT THE CAST THAT TURNED THE CITY OF LIGHTS INTO THE CITY OF FIGHTS!
The Real World celebrates the joie de vivre in its thirteenth season, adding a language barrier and general culture shock to the already harrowing experience of sharing a house with six strangers -- and your life with the world. Here's the who's who and what's what on the cast that took up residence in a kickin' French chateaux: Ace, Adam, Christina, C.T., Leah, Mallory, and Simon.
Was C.T. living a secret double life? How does everyone feel now about getting kicked out of the restaurant in Switzerland? Does Ace still hate everything about Paris? Inside this book is the back story on the backstabbing, including the truth behind the tulips, the first and final impressions each of the roomies made on the others, and what the neighbors had to say about late-night hot-tubbing and snowball fights. Find out who plans on staying in touch, who wished the show never had to air at all, how many times Mallory flipped the cameras the bird, and much more.
WITH NEVER-BEFORE-SEEN PICTURES TAKEN BY THE CAST AND CREW!
Bonus: An exclusive peek at "The Real Deal," the document given to Real World cast members containing the dos and don'ts of life in front of the cameras....

  • Sales Rank: #3163362 in Books
  • Brand: MTV Books
  • Published on: 2003-12-02
  • Released on: 2003-12-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.13" h x .38" w x 7.37" l, .93 pounds
  • Binding: Paperback
  • 176 pages
Features
  • Great product!

About the Author
K.M. Squires is the author of Real World: Las Vegas, Making the Band: O-Town and the New York Times bestsellers 98 Degrees: The Official Book and 'N Sync: The Official Book. She lives in Manhattan with her husband, Ronnie.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Five Stars
By Michael Leisure
LOVE IT!!!

2 of 2 people found the following review helpful.
Good Book
By A Customer
If you were a fan of this season & followed it all the way out you will enjoy this book! I watched each and evry episode and I also enjoyed reading the book! I think you should get the book even if you didn't watch this season but are a complete fan of the real world!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

2 of 6 people found the following review helpful.
Not True
By Carl
I am good friends with CT from real world Pairs, and after reading this book and I can tell you most of it is not true. It is all exagerated, and lies.

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Jumat, 24 Januari 2014

~ Free Ebook Recipes for Cherubs, by BABS HORTON

Free Ebook Recipes for Cherubs, by BABS HORTON

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Recipes for Cherubs, by BABS HORTON

Recipes for Cherubs, by BABS HORTON



Recipes for Cherubs, by BABS HORTON

Free Ebook Recipes for Cherubs, by BABS HORTON

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Recipes for Cherubs, by BABS HORTON

  • Sales Rank: #6727171 in Books
  • Published on: 2008
  • Format: Import
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.80" h x .4" w x 5.12" l, .65 pounds
  • Binding: Paperback
  • 400 pages

Most helpful customer reviews

3 of 4 people found the following review helpful.
Babs Horton is an absolute treasure!!!
By Edrice
I have just discovered Babs Horton. When I was but a few pages into this book, I found and ordered her others immediately. I knew I didn't want this book to ever end. Having now read all of them, I find myself feeling as if I have lost a dear and treasured friend. I want more of her writing, her stories, her characters, her wonderful worlds.
She is truly magical, a gifted and beautiful writer. I loved all of her books equally, and was enchanted by her particular themes, which are delightfully echoed in all of her writing.
What I don't understand is why she is not a best seller, why her name is not a household word, and why I had to stumble across her accidentally, rather than finding her in the mainstream.
I cannot recommend her highly enough. She is a rare treat, an absolute delight and one of a kind. It seems that I'm going to have to re-read each and every book she has written. I cannot get enough of her writing.

3 of 4 people found the following review helpful.
One Delicious Recipe!!
By annie
I came across this book quite by accident and, as so many times in the past with both good and bad results, fell victim to its cover. The results were, I'm happy to report, quite good! This book has it all; humor, mystery, romance, engaging characters, and interesting locales. The plot spins out effortlessly and keeps you guessing, and second-guessing, to the end. I couldn't wait to begin my second Babs Horton novel and, now that I've read the last page, its on to the third! Treat yourself to an embarrassment of riches in the form of Babs Horton books and enjoy!

See all 2 customer reviews...

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