Kamis, 10 April 2014

^^ Download Once Upon a Day: A Novel, by Lisa Tucker

Download Once Upon a Day: A Novel, by Lisa Tucker

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Once Upon a Day: A Novel, by Lisa Tucker

Once Upon a Day: A Novel, by Lisa Tucker



Once Upon a Day: A Novel, by Lisa Tucker

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Once Upon a Day: A Novel, by Lisa Tucker

Nineteen years ago, a famous filmmaker disappeared from Los Angeles, taking his two children, Dorothea and Jimmy, to a desolate corner of New Mexico. There he raised them in complete isolation without television, computer, radio -- not even a newspaper. Now, at twenty-three, Dorothea leaves in search of her missing brother -- and ventures into the outside world for the first time. Her search becomes an odyssey of discovery when Dorothea meets Stephen Spaulding, a cab driver dealing with his own mysterious history. With him as her guide, Dorothea uncovers the truth of her family's past and the terrifying day that changed her father forever. Together, they have a chance to discover that although a heart can be broken by the tragic events of a day, a day can also bring a new chance at love and a deeper understanding of life's infinite possibilities.

  • Sales Rank: #1742353 in Books
  • Brand: Tucker, Lisa
  • Published on: 2007-05-15
  • Released on: 2007-05-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.25" h x .60" w x 5.31" l, .69 pounds
  • Binding: Paperback
  • 368 pages

From Publishers Weekly
Starred Review. Tucker's complexly structured novel could be a tight wire act for a reader because the story has multiple narrators and follows two compelling story lines separated by almost two decades. Fortunately, Bean is a dexterous performer who is more than up to the challenge. She does an admirable job, not only reading chapters in alternating character voices but also enlivening dialogue within those chapters with subtle, compelling and entertaining voices for each character. She adapts a higher, airy lightness to portray Dorothea, who is thrust out into the modern world to discover family secrets after having been sheltered from the outside world for decades by her overprotective father. Bean portrays Dorothea's emotionally damaged brother, Jimmy, with a scratchy, raw rasp and her cab-driving protector, Stephen, with the laid-back ease of a lower register. (The only voice that seems off is Dorothea's father, who sounds like a robotic Hannibal Lechter.) Tucker's tale is a twisty one filled with surprising revelations and multiple emotional payoffs, and Bean maneuvers the terrain with ease.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
In what may well be her breakout book, after Shout Down the Moon (2004), the gifted Tucker tells a compelling love story with uncommon empathy and grace. Stephen Spaulding loses his family in a freak accident and with them any hope that his actions can make a difference. He gives up his medical practice and begins driving a cab. That's how he meets 23-year-old Dorothea, who seems to be dressed like a throwback to the 1950s, complete with saddle shoes. She's looking for her brother, who has run away from their New Mexico ranch. Stephen helps Dorothea track down the brother and, at the same time, learn why her father fled Hollywood, changing his children's names and keeping them completely isolated from the outside world. The plotline of the Hollywood story is, appropriately enough, over the top, but that detracts from the genuinely moving love story that develops between the wounded Stephen and the heartbreakingly naive Dorothea. Here's hoping the talented Tucker will rein in the melodrama the next time out. Joanne Wilkinson
Copyright © American Library Association. All rights reserved

Review
"A lyrically poignant reminder of the necessity of hope."
-- Publishers Weekly (starred review)

"Tucker's graceful prose and well-crafted characters create a compelling odyssey of transfiguration."
-- People (Critic's Choice)

"Tucker's most ambitious novel yet. It's a tragedy, a mystery, a romance, a twisted family story about loss, violence, obsession, and forgiveness."
-- The Boston Globe

"Tucker's new fable is self-consciously the stuff of fairy tales.... The book is charged with the sense that life is charmed, that chance encounters can change fates and remake them for the better."
-- San Francisco Chronicle

"Deftly written and emotionally convincing."
-- Marie Claire

Most helpful customer reviews

23 of 24 people found the following review helpful.
An exploration of family dysfunction in fiction that could be a True Hollywood Story
By Jessica Lux
Wow! Lisa Tucker has written a story of a family history and interpersonal drama which will consume the reader from the first chapter. I usually juggle a few books at once, but this one made me drop all others, and stay up late at night, devouring the story.

No plot summary can do this novel justice. Essentially, we have a family living in seclusion on a New Mexico estate. Dad Charles has raised his two children, now in their early twenties, with no contact with the outside world, in 1950's-style clothing, and they worship him and fear the outside world. All is well until the older brother, Jimmy, escapes on a quest to find their supposedly-dead mother, and his sister Dorothea follows him out into the world. I'm sure you've figured out the early-on twist by now--Mom isn't dead, and Dad kidnapped his kids two decades ago.

The story involves both the present time and flashbacks of the dissolution of marriage between Charles and Lucy, leading to his fanatic escape into desert seclusion with their two children. Charles, a famous actor and director, is an unbalanced and controlling man who smothers his family with love and protection. He actively ruins his young wife's acting career out of his fear and paranoia, which he sees as "love." One can only assume that Tucker started working on this novel well before the current famous Hollywood couple that pairs an older man (with infamous religious values) with a younger actress who seems to be cut off from family and friends (TC and KH), but the parallels are eerie. In fact, when I was absorbed in this story, I had to keep reminding myself that this isn't a true Hollywood story. It's larger than life, sure, but not hard to imagine as a factual memoir.

Tucker's novel has a real strength it its subtle exploration of family dysfunction. Again and again, we see the consequences of the effects of dysfunction, from Charles's own childhood relationship with his father, to Lucy's need for a father-figure-of-a-husband after her tumultuous childhood and early sexuality, to the effects of Charles's smothering on his own children. Even the way that Lucy and Jimmy learn the truth about their parents' relationship is extremely troubling to everyone involved. Tucker never overtly mentions therapy, but I certainly kept thinking, "Boy, he/she could use a good therapist at this point in their life."

Highly recommended! Clear your schedule before you pick this one up! Now I need to go read Tucker's first two novels...

23 of 26 people found the following review helpful.
Fine unassailable writing, and yet just not spectacular
By Nancy S. West
I am grappling for the right adjectives for a fair critique of this well-plotted, effectively narrated novel. I keep coming back to the fact that I wouldn't recommend it to anyone -- and I can't seem to articulate to myself why, except that there are simply too many wonderful books out there and life is too short to read unspectacular novels. I wouldn't insult this one by calling it mediocre, because Lisa Tucker clearly possesses plenty of skill as a novelist; and yet there was just nothing terrific about it. If an unpublished author handed me the raw manuscript, I'd be really impressed, because it is free of the kinds of errors that most aspiring writers make, and yet...as gripping and carefully woven as the plot is and as compelling as the characters are, I'm left with a big shrug. It just didn't sparkle for me at all. An earlier review called it "catnip for book groups," and I would have to say exactly the opposite. There just wouldn't be anything to debate; there's no nuance to grab hold of. On the plus side, it would be fair to say that the author wrapped up everything tidily in terms of plot -- it all fit together neatly and satisfyingly in the end. On the other side, when I finish reading a great novel I keep thinking about the characters, wondering what might have happened to them after the novel ended, etc.... and that's not happening for me with this one. It feels over-and-done. Even the theme of "everything can change in a day": as another Amazon reviewer essentially said (I'm paraphrasing from memory here), "I think we can all agree with that." Exactly: no one would disagree with that premise, but I find myself merely saying "True enough" and moving on. I don't think a great novel can be constructed on a theme which is essentially nothing more than a truism.

9 of 9 people found the following review helpful.
Too inconsistent for a higher rating
By T. Burket
I consider the novel a marginal four-star. Lisa Tucker has an interesting premise, where a dysfunctional family disintegrates, with one part living in a bubble in New Mexico. When the bubble bursts, Ms. Tucker has plenty of opportunity to unfold an interesting story.

She avoids too much of the "fish out of water" premise or "country bumpkin meets the city" that could have caused the story to descend into predictable gags or stale ideas. Instead, the thread with Dorothea and Stephen is easily the core of the novel, even though at its root the premise is highly unrealistic. I credit an author who can take an idea that seems very improbable and turn it into something that drives the narrative and keeps the reader engaged.

I was less interested in the sections that focus on Charles and Lucy, with their relationship again based on a highly improbable beginning. That's ok, of course, because the first meeting of Charles and Lucy is less important than Lucy's humble origins and their effect on her psyche and the resulting family dysfunction. We also eventually get more insight into why Charles developed into the controlling man obsessed with safety.

The two characters were too annoying for my tastes, which muted the pleasure of the novel. That may be my own issue, as it's kind of funny that I don't have a problem in novels with bad guys and creeps - it's the annoying people.

Of course, Ms. Tucker needed them to be annoying but not evil, given that their children turned out reasonably OK and to set up the last section of the novel that moved toward a relatively unsurprising ending. The very ending (the last scene) with two of the main characters was a nice touch.

Ms. Tucker's key psychological premise is that a lifetime can be dominated by a single event or just a single moment, normally a traumatic event rather than a pure moment of joy, and that lifetime ripples into the people around you. I don't think anybody would deny that, and we all may have people in our circles who have direct experience. For example, my own father used to talk about the impact of losing his mother at a young age and seeing his father drop dead when the son was 13. For many people, events like that are not easily shaken and may be the basis for the rest of their lives.

Therefore, it's fine to have this premise be fundamental to a novel's theme and story line. In this case it was a matter of watching the problem unfold in a forward direction for two characters (Lucy and Stephen, as we know what their "events" were) and wondering what the domino was for another (Charles, as we know how he turned out, but not why). The resulting story is good enough. I just would not call it especially insightful.

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Rabu, 09 April 2014

** Free PDF Submarine! The Classic Account of Undersea Combat in World War II, by Cap. Edward L. Beach USN (Ret.)

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Submarine! The Classic Account of Undersea Combat in World War II, by Cap. Edward L. Beach USN (Ret.)



Submarine! The Classic Account of Undersea Combat in World War II, by Cap. Edward L. Beach USN (Ret.)

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Submarine! The Classic Account of Undersea Combat in World War II, by Cap. Edward L. Beach USN (Ret.)

The classic nonfiction World War II submarine combat thriller, written by a man who actually fought the battles.

The war beneath the waves.

For the World War II submariner, every day was a life-or-death trial: going to sea for months at a time; existing in dank, claustrophobic conditions; enduring long stretches of monotonous silence punctuated by adrenaline-spiked episodes of paralyzing fear and victorious elation. It was a duty few men could handle—and even fewer would survive.

This is the true story of those brave men who served and too often died under the ocean surface, written by a man who was there. Edward L. Beach masterfully weaves his gripping experiences aboard the USS Trigger with those of other boats fighting the war in the Pacific. Part action-packed combat chronicle, part testament to the courageous sacrifices made by those who never came back, this is a compelling eyewitness account of the war as few have seen it.

  • Sales Rank: #433314 in Books
  • Brand: Brand: Pocket Star
  • Published on: 2004-09-01
  • Released on: 2004-09-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.75" h x .70" w x 4.19" l, .39 pounds
  • Binding: Mass Market Paperback
  • 368 pages
Features
  • Used Book in Good Condition

Review
The Philadelphia Inquirer A genuine World War II thriller....A firsthand account of a lot of guys with a lot of nerve who shortened the war by taking tremendous gambles.

Time The dramatic underside of the Pacific War, as told by a veteran submariner.

About the Author
Edward L. Beach, Captain, USN (Ret.), was the bestselling author of Run Silent, Run Deep and a dozen other books about the navy, including Around the World Submerged -- a chronicle of his record-breaking 1960 circumnavigation of the globe in the USS Triton. He died in 2002.

Excerpt. © Reprinted by permission. All rights reserved.
Chapter One: Trigger

My story begins on January 1, 1942. Two and a half years out of the Naval Academy, and fresh out of Submarine School, I reported to Mare Island Navy Yard for "duty in connection with fitting out USS Trigger (SS237), and on board when commissioned." Before presenting myself at the office of the commandant I drove down to the submarine outfitting docks looking for my future home. There she was, a great black conning tower sticking up over the edge of the dock, with a huge white 237 painted on her side. A swarm of dusty nondescript men were buzzing around her, and wood scaffolding, welding lines, hoses, temporary ventilation lines, and other miscellaneous gear hung haphazardly about.

"There's my new home," I thought, "wonder if I'm looking at my coffin." To me, she certainly wasn't impressive, beautiful, or anything at all but an ugly chunk of steel. "No life, no spirit, no character," I thought.

I remembered my old "four piper" destroyer, which I had left three months before after two years of steaming up and down and across the Atlantic on Neutrality Patrol. She was old -- launched within a week of the day I was born -- and ungainly, but she was a lovely thing to me. I knew and loved every part of her. I'd cussed at, slaved over, and stolen for her, and when orders arrived for me to report to Submarine School I'd sent back a dispatch saying I wished to remain where I was. But the Bureau of Navigation had insufficient applications for Submarine School and had decided to draft a few. One of the draftees was Ensign Beach, and here I was.

As I turned my back on number 237, I did not know that two and a half of the most crowded and thrilling years of my life were to be spent with her. She was to become the ruler of my life, and the most beautiful and responsive creature I had ever known; a hard, exacting mistress, but loyal, generous, and courageous. All ships have souls, and all sailors know it, but it takes a while to learn to commune with one. It took me a long time, for Trigger had to find her own soul, too, but in the end she was my ship, and nobody else's. I never became her skipper, but I spent nearly a year as her exec, and when finally I left her I was the last "plank owner" left -- except for Wilson, the colored mess attendant. Having three times failed to cajole Wilson into taking a transfer and a rest, I finally booted him off ahead of me, with the remark that nobody was going to be able to say he'd been aboard longer than I. Five hours after I left, good old competent Wilson was back aboard. He is the only man alive who can say he served with Trigger from her birth to just before her death.

On January 30, 1942, Lieutenant Commander J. H. Lewis read his orders, and put submarine number 237 in commission. From that moment Trigger was a member of the United States Fleet. In no other type of ship is it so vital that all hands know their jobs and be constantly alert. A submarine operates in three dimensions, and her very ability to float, submerge, or surface is an expression of the will and effort of her personnel. Neptune is her medium, her friend, her protector, and she embraces the sea eagerly at every opportunity -- carefully, with wholesome respect. You never hear a submariner speak of the sea as his enemy, for subconsciously he recognizes this peculiar relationship. He uses the sea and knows its properties. The effect of bright warm sunlight on it, for example, interests him greatly. The type of bottom, far down though it may be, affects him and what he does. The temperature of the water, the depth, and the amount of marine life -- all are of consuming importance. All sailors -- submarine or surface -- know one great experience in common. They have a certain feeling of identity with their ships, and in extreme cases may even be said to be possessed by them. In analyzing the submariner you are invariably struck by these two traits: the sense of loyalty to his ship, and an indefinable oneness with, and deep understanding of, the sea.

Naturally, this temperament is rare. The men who have it are hard-working, thorough, and idealistic. The submariner is always aware that an error during underwater operations jeopardizes everyone's life. Always present, too, is the realization that any slip, any mistake, is unworthy.

Because a ship, no matter how modern and fine, is only as good as her crew, the United States Navy concentrates on its men as the most important factor affecting over all efficiency. If they lack judgment and initiative, so does the ship. If they lack the indomitable spirit, the absolute determination to succeed, so will the inanimate steel. But if they possess these attributes, they and their ship are unbeatable.

The embodiment and personification of this perspective is the captain. His men and his ship reflect his will, and a properly organized crew operates with the unity of purpose of an ant colony. Whatever the state of the individual and of internal affairs, the composite exterior is smooth, unruffled; it acts under a single directive force -- a single brain -- the captain's. It is in tacit recognition of this basic understanding that a sailor, in speaking of a ship other than his own, frequently will use the pronoun "he" instead of "she."

Weeks and months of strenuous training and organization go into a new submarine before she is considered ready to venture against the enemy. All our crews are organized into three sections, each able to dive and surface the ship, fire torpedoes, and run all machinery -- in fact, operate the entire mechanism of the vessel. On patrol each section customarily stands watch for a period of four hours in rotation. While off watch the members of a section eat, sleep, make necessary repairs, and, if there is nothing else to do, read magazines, play cards, or write letters.

The progress of Trigger from building yard to Pearl Harbor is slow. First come the builders' trials, including the testing of all machinery to be sure that it operates as designed; then the first few dives, slowly and carefully; then more dives, gradually increasing the tempo of the operations. Finally, when the crew becomes quite expert in diving against time, try to catch them by surprise! Eleven seconds for all bridge personnel to get below and shut the hatch! By this time the vents are opened, and water is pouring into the tanks. Also by this time the engines are shut off; inboard and outboard exhaust valves are closed; motors are disconnected from the engines and connected to the batteries; the bow planes are rigged out; and the ship is half under water. In twenty seconds water pours around the bridge plating and covers the hatch, now tightly shut, through which, just a moment before, eight men had scrambled. Fifty seconds, and all that may be seen of the submarine is the top of the tall towerlike periscope support structure. Sixty seconds, and the ship is completely out of sight, cruising under water with possibly a little foam to mark the place where she disappeared. If you look hard enough you might notice a thin rod the size of a broom handle project vertically out of a wave for a moment and then disappear. Sixty seconds, and a ship displacing 1,800 tons, more than 300 feet long, rushing across the waves at a speed of 20 knots, has completely submerged. No time for error, no time to wait for the flash of genius to tell you what to do. Only by constant repetition of each tiny operation leading to accomplishment of the great operation is it possible to perform this tremendous feat.

Trigger's first test dive was in San Francisco Bay. After the first few weeks of tests in the shallow waters of the Bay, she left for San Diego, where she remained for a month completing her training. Then back to Mare Island for final loading for war.

Fill her up with torpedoes, diesel oil, food, and spare parts. Make any necessary repairs and take care of the many last-minute items which always come up. Then, one May afternoon about two o'clock, good-bye -- this is it! The admiral comes down to the dock, shakes hands with the skipper, wishes him good luck and good hunting. The ship backs into the Mare Island Slough, twists gracefully, and is gone, through Carquinez Straits, past Alcatraz, and under the Golden Gate Bridge. Trigger probably had a soul already, but we were too new to each other, too much taken up with the details of operating her complicated mechanism, to appreciate it.

No one who saw it will ever forget the awful vista of Pearl Harbor. Although we had been prepared for it, the sight of four of our great battleships lying crushed into the mud staggered us. That day I first sensed a more purposeful note in the gentle throb of the Trigger's diesels, but she was only a neophyte, just joining up, and almost apologetically nosed her way into her berth at the Submarine Base.

We expected to get additional training and indoctrination at Pearl Harbor -- such, we understood, was the normal routine for a new arrival. But all we received was an additional officer -- another ensign, Dick Garvey -- and next day Trigger was at sea again, bound for Midway to join a group of boats on station off that island. Things were tense in Pearl Harbor, and "strategic planning" was in an uproar -- although it seemed to know fairly well what it was doing. The Jap fleet was coming, that we knew, and maybe -- maybe -- we'd get a shot at it!

Our chance came suddenly. A dispatch addressed for action Trigger said: MAIN JAP LANDING EFFORTEXPECTED JUNE SIXTH X CLOSE MIDWAY AND PATROLSUBMERGED TWO MILESOFF SHORE BEARING ZERO SIX ZERO. All night long we raced through the darkness, and shortly before dawn sighted the lights of Midway, dead ahead. With just an hour to go before daylight would force us to submerge, we had to cut the eastern reef much too close for comfort, and suddenly, catastrophically, with a horrible, shattering smash, Trigger ran head- on into a submerged coral wall! Her bow shot skyward. Her sturdy hull screamed with pain as she crashed and pounded to a stop.

When all forward movement had ceased we hurriedly took soundings. Plenty of water aft, but only six feet or so under our bow, with zero feet a few yards ahead, where the malevolent coral mass alternately glistened in the starlit blackness and gurgled as a wave washed over it. Apparently this reef had very steep sides; that was a break -- maybe we could get her off. We backed emergency -- no luck. We were much too firmly aground. Only one thing to do: lighten ship, and this task we feverishly began. We also sent a message to ComSubPac telling him of our trouble, and one to Midway, asking for help.

And then came dawn -- the day the Japs were to land -- and here poor Trigger lay, bruised, battered, and hors de combat. At any moment we expected to see the enemy fleet, and high and dry as we were, our complete destruction was inevitable.

As it grew light a pint-sized tug steamed out of the channel from Midway lagoon, put a hawser on our stern, and nonchalantly began to pull. We backed with everything we had -- no luck. We didn't budge. Then, to our dismay, the hawser broke. Surely this was the end!

But as the tug maneuvers to get the remains of the hawser to us again, Gunner's Mate Third Class Howard Spence, one of the lookouts, suddenly shouts, "She's moving!" Incredulously we look over the bow at the reef, and if you look hard enough, the slightest movement is discernible. No time to figure it out. All back emergency! Maneuvering, make maximum power! The four faithful diesels roar. Clouds of smoke pour out of the exhaust trunks. The reduction gears whine in a rising crescendo, and the propellers throw a boiling flood of white foam over our nearly submerged stern. Line up your eye with the bow and the reef. She trembles. The water foams along her sides and up past her bow. Her stern is now completely submerged. She feels alive! Is that a slight change? Yes -- yes -- she moves! She bounces once and is off the reef. She is free! Thank God!

For the second time I sensed a quick, live spirit in the Trigger. It seemed as though she responded just a little more when the chips were down.

It wasn't until several days later that we learned the Japs had been thoroughly beaten the day before, and what was left of their fleet had been in headlong flight.

Although we knew Trigger had a gaping hole in number one ballast tank, we remained on patrol for a few days, in case some Jap ships might still be around. Finally we returned to Pearl for repairs, and after dry-docking we started the training period we should have had when we first arrived.

The Grunion had just arrived from New London, and she and Trigger went through their training together. My classmate and close friend, Willy Kornahrens, whose wedding I had attended in New London a few months before, was aboard Grunion. And when Trigger set forth on her first patrol, bound for Attu, Grunion followed a few days later. When she reached Attu, we were shifted to Kiska, and then after about a week Grunion and Trigger exchanged areas.

As we were heading back to Attu, we sighted a submarine and instantly submerged. The other submarine must have dived also; Captain Lewis couldn't see her through our periscope.

We could not be sure whether it was a Jap submarine or Grunion, and I made a mental note to ask Willy next time I saw him. It's one of the things I shall never find out. A week later we intercepted a message from Grunion, which I decoded out of curiosity:

FROM GRUNION X ATTACKED TWO DESTROYERS OFF KISKA HARBOR X NIGHT PERISCOPE SUBMERGED X RESULTS INDEFINITE BELIEVE ONE SANK ONE DAMAGED X MINOR DAMAGE FROM COUNTERATTACK TWO HOURS LATER X ALL TORPEDOES EXPENDED AFT...and then the message, which until that moment had decoded perfectly, turned into an unintelligible jumble.

GRUNION was never heard from again. For several days we intercepted messages addressed to her, but she never acknowledged any of them.

Years later I read an account of an interview with a Japanese submarine skipper, now master of an American-owned merchant ship operating out of Yokohama. As skipper of the I-25 he had made three patrols from Japan to California. On one return trip, when passing the Aleutians, he had torpedoed a surfaced submarine. The date he gave was July 30, 1942, which tallied exactly with our interception of Grunion's last transmission.

We sank no ships on this first patrol, and returned to Pearl Harbor for reassignment. Upon our arrival Captain Lewis was hospitalized with pneumonia, and Lieutenant Commander Roy Benson, irreverently known as "Pigboat Benny" during his days on the Naval Academy faculty, took command of Trigger.

It took Trigger a long time to develop her personality. I felt the impact of her rowdy, brawling, fierce spirit a third and fourth time, and after that it was as if we had always been together. In a way, I suppose, I became a sort of slave to her rather terrifying presence, but she gave me far more than she received.

That third time was when I watched her first ship sink, and heard her snarl. It was on her second patrol.

A day or so after arriving off the eastern coast of Kyushu, the southernmost island of Japan, shortly after 0100, we sighted a large black shadow, blacker than the night. A few true bearings indicated that the shadow moved, and we knew it for what it was -- a cloud of smoke from the funnel of a ship. So we commenced to close this unwary fellow, went to battle stations, and soon made out the silhouette of a moderate-sized freighter. Although he was darkened, Captain Benson and I could see him plainly from the bridge at about four thousand yards' range. He was steaming along steadily, puffing out a fair-sized cloud of dense black smoke, with not so much as a hint of a zigzag, or of having sighted us.

Here was one of the reasons for American supremacy over the Jap whenever they met. Undeniably, our low black hull was harder to see than the lofty-sided merchantman, but nevertheless he was so plainly visible that his inability to see us was then, and continued to be, astounding. We turned Trigger's bow toward him, and ghosted in, presenting at all times the minimum possible silhouette.

He sees nothing, steams blindly and confidently along. Closer and closer we draw. Make ready the bow tubes! Estimated range, 1,500 yards. Track, ninety starboard. Gyro angle, five left. Stand by! He's coming on -- coming on -- Fire One! One, two, three, four, five, six, seven, eight, nine, ten. Fire Two!

Two white streaks leave the bow and, diverging slightly, arrow for the point ahead of the freighter where our calculations say he will be at the instant the torpedoes get there. This is the longest minute in the world. Depending on the range, of course, the torpedoes must travel about a minute before they reach a target, and during that minute a target making 15 knots goes 500 yards, or a quarter of a nautical mile. Few ships are as long as 150 yards.

So we watched our two white streaks of bubbles. "Torpedoes running all right, looks good!" Suddenly we are galvanized into action. If those torpedoes stop the target, on our present course we will run right into him! If they miss, he'll be sure to see us passing so close under his stern and make a follow-up shot immeasurably more difficult by radical maneuvers, to say the least. Besides, he might happen to have a well-trained armed guard aboard.

Left full rudder! All ahead full! Trigger's bow commences to swing left as she gathers speed. The ship is just crossing in front of the torpedo wakes now. Will they get there or will he skin by? All hands on the Trigger's bridge watch tensely. Let's go -- what's wrong with those torpedoes?

Wham!...Wham! Two perfect geysers of water rise alongside the freighter's bow. Almost immediately he slows down, his bow sinks deep, his stern rises. Lights flash on and off about the decks. A cloud of smoke and escaping steam envelops his bridge and center section. Some hardy soul finally unlimbers a gun on the stern and shoots about wildly.

Trigger slid past the now-stopped and crazily canted stern, at a distance of about two hundred yards, and that's when I heard her snarl. All right, it was just the rumble of the hydraulic plant, or the echo of the diesel exhaust returning from the hull alongside -- so say you land lovers. I know better. She snarled a message of hatred for all things Japanese, and a warning that this was but the beginning.

We circled slowly about half a mile away, waiting for our victim to sink, debating the advisability of hitting him again. Morning twilight began to seep in from the east, softening the darkness into a musty, unhealthy greenishness, tinged with the dampness of the unhappy sea. Two lifeboats were in the water, long oars sticking out in every direction, the round black heads of their crews bobbing jerkily back and forth as they frantically plied their oars -- and caught innumerable crabs.

They were ludicrous and pathetic, but we felt no pity. Only twenty miles from land, these fellows would probably cause trouble for us when they got ashore. Besides, well we knew what had happened to certain of our people who had fallen into the clutches of the Jap. Why shouldn't we sink the two boats and make sure there was no one to tell the tale? But of course, we couldn't.

So we circled, and our target, still barely under way, also circled, bow now at the water's edge. Suddenly a cry, "He's going!" Slowly at first, irresistibly, then more quickly, his bow plunged down and his stern swooped into the air, until he was straight up and down in the water, his long, dusty stack flat on the greedy, splashing sea. The old-fashioned counter stern, crude square rudder, and massive propeller, still slowly revolving, hung high above us, dripping and gleaming. Loud rumblings and crashing noises -- his cargo tearing loose from its stowage and falling through the forward bulkheads -- came loudly to us as we stared from the bridge of the Trigger. He dipped a little lower, the stack disappeared, and the great steel fabric began to swing back and forth, about ten degrees from the vertical. Then, as though in the grip of some playful Gargantuan monster, the hull commenced to lurch, and twice spun completely around, accompanied by squeaks and groans of tortured steel and a bewildered cacophony of internal crashings and bangings. Still lower he sank, till only his propeller and after deckhouse were out of water. At this juncture some shred of lost dignity returned, the lurches ceased, the stern remained momentarily poised about fifty feet in the air, and then quietly, without fuss, slipped swiftly beneath the sea.

Just as the stern disappeared we heard a loud explosion and felt a heavy shock through the water. Evidently his boilers had finally exploded. The water boiled a bit as the tip of the wreck went down, and then, as if to eradicate all signs of the tragedy, hurled itself from all directions upon the cavity suddenly formed in its midst. It met itself in the middle of the whirlpool and, having overdone its enthusiasm, unavoidably bunched up, forming an idiotic topknot surmounted by a little plume of smoke, to mark the grave.

Dawn was approaching, so we dived.

The next night we surfaced even closer to the shore near the Bungo Suido, the southern entrance to the Inland Sea, hoping for another contact. We got one almost immediately.

"Object bearing zero eight zero!" from a lookout. We look, and there against the gloomy hills flanking the Bungo Suido we see a peculiar white V. No radar in these early days.

"What is it? Can you make it out?"

"No, sir. It looks mighty funny, though!" The V gets bigger.

"What in the Sam Hill -- -- ?"

The explanation, when it hits, is blinding. "My God! A destroyer -- coming right at us!"

"Clear the bridge!" "Dive! Dive!" The diving alarm sounds. "All ahead emergency! Two hundred feet! Rig for depth charge! Rig for silent running!" Down we go, but with maddening slowness. Trigger, in common with her sisters, always "hangs" on a dive at about thirty-five feet. Full dive on everything, making emergency speed, we can do no more.

We can hear it now. A throb, throb, throbbing noise coming from outside the hull, steadily and rapidly increasing in volume -- thum, thum, thum, thum, thum, thum, THUM, THUM! Only one thing it can be! Pray we can get under! Shut all watertight doors and bulkhead flappers, secure all unessential machinery. "What's the depth now?" "Thirty-six feet." Will she ever break through? All hands are out of their bunks, all officers in the control room, startled by this unexpected dive.

"What is it? What is it?" Then they hear this horrible drumming noise, THUM, THUM, THUM, THUM, look at the depth gauges, and fall silent.

Forty feet. She's going through at last. Fifty feet. We're under! And not a split second too soon, for the drumming at that moment increases to an unbearable pitch, resounding through Trigger's thick hull until all other noise is drowned out, and thinking is frozen in the hypnotic rhythm which rises to an incredible, screaming, maddening horror of sound that stops the heartbeat, then abruptly drops in tone, continues loud, but evidently dimishing now.

We look at each other and smile weakly. Click...WHAM! swish! click, WHAM! swish! click -- WHAM -- WHAM -- WHAM! swish swish swish. We knew that was coming. This little evening is just starting. These are the first Japanese depth charges we've heard, but we knew what they'd sound like. First the click, as the first concussion wave hits you. Then the noise of the explosion, and afterward a prolonged swishing of water through your superstructure. The length of time between the "click" and the "wham" is a rough measure of the distance of the depth charge. If the click and explosion come close together, he's getting warm. If they come almost simultaneously, he's hot.

Trigger was strong and ruggedly built, but the shock of the exploding depth charges shook her sturdy hull as though it were made of light sheet metal. The noise was as if a giant were swinging a thousand-pound sledge hammer time after time against her side. We inside were flung about by each succeeding shock, until we hit upon the idea of not leaning heavily upon any piece of gear secured to the ship. With each charge the whole hull whipped, the great steel frames bent, and piping, ventilation lines, and other internal gear set up a strong sympathetic vibration, until we thought they would fall off the bulkheads and overhead. We had something new -- light bulbs separated from the overhead light fixtures by two-inch pieces of insulated wire -- hence few bulbs were broken although they danced around crazily. Broken bits of cork and dust flew through the air and carpeted the deck. With ventilation and air conditioning secured, the temperature shot up to 120 degrees, and all hands began to shed clothes; our uniform became sandals and skivvy-shorts with towels or rags flung around our necks.

Leveling off at sixty feet, finding we had successfully withstood the initial salvo of depth charges, "He can't get away with this!" Benson said. "We have tubes full of fish. We can play rough too!" So began one of the war's strange battles. Since he had only moonlight, the enemy destroyer could probably not see our periscope, but it was light enough to see him through it.

Battle stations! We'll fix this bastard! He has contact on us by sound. We'll have to wait him out, wait till he lines himself up for a shot. Up periscope. Bearing 045. Angle on the bow five starboard. Oh, oh! He's starting a run. Pass astern this time, but close. No chance to shoot. Here he comes! Hang on! click -- WHAM swish-swish-swish, click -- WHAM swish, WHAM, WHAM, WHAM, WHAM! swish, swish, swish, swish, swish! Trigger shivers and reels from the pounding, but all still seems well. Check through the boat. Report all damage. Now is the time to find out if, indeed, she is "well and truly built." One area in the after end of the forward engine room seems to be the center of shock effect. When you stand there on the deck plates each explosion throws you a foot into the air. A weak spot? Hope not, but we'll soon find out.

Back in the conning tower. Bearing 285, range 1,500, angle on the bow zero. Here he comes! Still no shot. Down periscope! Coming right overhead this time. The fast Thum -- Thum thum of his screws is the same as before. Here it is! WHAM -- WHAM -- WHAM -- WHAM -- WHAM! Really close that time! Locker doors burst open to strew their contents on the decks running with human perspiration. One man gets sick and vomits into a slop bucket, but the bucket overturns and the slop gets all over its sides and on the deck. Someone throws a rag on the mess on deck, leaves it. A valve wheel flies off a gauge in the conning tower, bounces twice on the deck plates, ringing fantastically loud in the silence between charges, then drops into the periscope well, ringing as it caroms off the steel sides of the well until it splashes into the bilge water at the bottom. A hoarse whisper more like a cry from below, "Pump room's flooding!" We stare at one another, aghast. "How bad?" Penrod Schneider, our executive officer, dives down the pump room hatch. It must not be too bad -- water hasn't welled out of that hatch yet. It never does. "Grease fitting in negative tank flood valve operating gear carried away, sir. We put a plug in it. Not much water come in." The speaker is covered with grease, sweat, and salt water. He glares indignantly. Somebody got excited down below, panicked. Evidently not this guy. "Very well," says the skipper.

"Screws slowing down bearing zero seven zero," says the sound man.

"Up periscope! Yes, he's turning. Bearing -- mark! -- zero six five. Angle on the bow ninety port. Range, two oh double oh. As soon as he swings toward us, we'll swing toward him, let him have a whole salvo, set shallow, down the throat! Bearing -- mark! -- zero two five. Angle on the bow thirty port. He's swinging toward. Right full rudder, port ahead full. Steady on one six five....All ahead one third. Where is he, Sound? Keep the sound bearing coming!"

"Zero one zero, screws speeding up. Shifting to short scale!"

"Stand by forward! I see him! Bearing, zero zero seven-a-half, range, one two double oh, angle on the bow five port. Here he comes again. Bearing, zero zero seven. Bearing, zero zero six-a-half. Gyro angles, one right. Stand by -- zero zero six -- five-a-half -- Fire ONE! Fire TWO! Fire THREE! Fire FOUR!"

"Forward room reports all torpedoes fired electrically, sir."

"Torpedoes running on zero zero zero, sir. Merging with target's screws."

WHAM! WHAM! We look around unbelievingly. Can those have been hits? Impossible. Prematures!

What about the other two? Thirty seconds. Any time now. Thirty-five seconds. Forty seconds. Forty-five seconds. Oh, God! We've missed!

"He's seen the fish! He's turning away! That explosion dead ahead must have worried him, anyway. We've spoiled this run for him. Here's a sixty-starboard angle on the bow. Chance for another shot! Bearing zero zero five. Stand by forward! Bearing zero one zero. Gyro forty right. Stand by...fire FIVE! Fire SIX!"

But we hear no explosions even though we see one torpedo pass directly beneath him.

"Take her deep, boys. We're dry forward now, and there's nothing else to do."

Down we go and prepare for a beating.

We got it, too, but after a while the Jap went away, and a little later so did we. No doubt he enthusiastically reported destruction of one United States submarine -- for a night or two later Tokyo Rose said she regretted to inform all American submarines that off the Bungo Suido one of their number had recently fallen victim to a destroyer of the Imperial Japanese Navy. And then she played a recording of "Rocked in the Cradle of the Deep!"

Plagued with more bad fish, we sank one other ship, a large tanker, and damaged still another before running out of torpedoes and having to return to Pearl Harbor. There we found to our dismay that since we had not seen our tanker sink, we could not get credit for him. We vowed that we would not make this mistake again!

Copyright © 1946, 1947, 1948, 1949, 1950, 1952, by Edward L. Beach

Copyright renewed © 1980 by Edward L. Beach

Most helpful customer reviews

40 of 41 people found the following review helpful.
"All ships have souls"
By Michael J. Mazza
"Submarine!", by Edward L. Beach, tells the story of several submarines of the United States Navy during World War II. The overarching narrative begins in 1942, with narrator Beach "fresh out of Submarine School." We watch Beach rise up the ranks as we learn of his fellow submariners and their ships.

Beach treats the subs as characters themselves; he notes, "All ships have souls, and all sailors know it" early in the book. He develops this theme throughout the book. The interwoven stories of the subs are arranged as chapters, each focusing on one or two ships.

Beach's prose at its best is exciting and action-packed, at times reminding me of an old-fashioned motion picture adventure serial. Yet at times he also attains an epic gravitas, and ultimately the book is quite moving. The one criticism I will make is that at times the book felt like it could have used a more judicious editorial hand; I believe that the book's 354 pages might have been reshaped into a leaner and more efficient text without sacrificing the essentials of the narrative.

I found "Submarine!" especially fascinating for the wealth of technical and tactical details that are interwoven into the adventure; it's a virtual encyclopedia of submarine information. Among the many topics covered are test diving, the use of a sub to plant a minefield, dealing with defective torpedoes, how two subs can work together to attack a target, the uses of the periscope, "silent running," and much more.

Within the book are certain chapters that really stand out, and can even stand alone as self-contained mini-epics. Among these is the story of the encounter between the U.S. sub _Archerfish_ and the Japanese supercarrier _Shinano_, a behemoth 50 times as massive as the sub. This section contains some of the book's best writing. "Submarine!" is an important and entertaining contribution to the canon of American war literature.

25 of 25 people found the following review helpful.
One of the best personal accounts of WWII
By J. Jeffrey Donahue
It has been over 30 years since I read this book, yet it is still fresh in my mind. The book is basically the personal war diary of Edward Latimer Beach as he served on various American submarines in the Pacific in World War II. He had the distinction of serving under Dick "Killer" O'Kane, one of the leading American submarine aces of the war. He was also fortunate to be transferred off the USS Trigger before she was sunk, and ended the war with his own sub (the first member of the 1939 Naval Academy Class to receive a command). The book is extremely well written, which is unusual for an "I was there" type war history. Highly recommended, and once you start reading it you will not want to put it down.

14 of 14 people found the following review helpful.
Wish I had read it when I was in the Navy
By Amazon Customer
I regret that I ignored the rich history of the Silent Service for the 4 years I served on a submarine. I was in the "nuclear world" and didn't care much about the small, "inferior" subs of WWII. If I had only read this book back then, I would have seen how wrong I was. This book highlights the glory days of the US Submarine. I was amazed at how intense and exciting the world of fleet boats was. CAPT Beach does an excellent job of telling the technical details without sounding like a boring training manual, and telling the exciting tales of sinking ships and withstanding depth charges without sounding like a cheesy Hollywood movie. I like how the chapters jump back and forth: Every other chapter is written in the first person from CAPT Beach's own experiences (mostly on the Trigger), then the in-between chapters are a 3rd person telling of another submarine's story. After having read this, I have a newfound respect for the WWII submariner... a respect that I could have benefitted from 10 years ago.

My only gripe about this book is the cover art. It is a complete slap-in-the-face to the very men the book is about. The most glaring thing is the Navy SEAL trident right in the middle. This book is about WWII submarines. The SEALs didn't even exist until much later and have nothing to do with this story. The submariner's insignia known as the "dolphins" should be there instead. The other mistake is the photo, which is of the USS Nautilus, the Navy's first nuclear-powered submarine, which also didn't exist until several years after WWII and was completely different than the submarines discussed in the book. It should be a photo of the USS Trigger, since that's what the majority of the book is about, or one of the other legendary submarines in the book. I still rate the book 5 stars because of the content, but the cover designer should be fired.

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!! Fee Download Richard II (Folger Shakespeare Library), by William Shakespeare

Fee Download Richard II (Folger Shakespeare Library), by William Shakespeare

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Richard II (Folger Shakespeare Library), by William Shakespeare

Richard II (Folger Shakespeare Library), by William Shakespeare



Richard II (Folger Shakespeare Library), by William Shakespeare

Fee Download Richard II (Folger Shakespeare Library), by William Shakespeare

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Richard II (Folger Shakespeare Library), by William Shakespeare

Shakespeare’s Richard II presents a momentous struggle between Richard II and his cousin Henry Bolingbroke. Richard is the legitimate king; he succeeded his grandfather, King Edward III, after the earlier death of his father Edward, the Black Prince. Yet Richard is also seen by many as a tyrant. He toys with his subjects, exiling Bolingbroke for six years.

When he seizes the title and property that should be Bolingbroke’s, Richard threatens the very structure of the kingdom. Bolingbroke returns with an army that is supported by nobles and commoners alike, both believing themselves oppressed by Richard. This sets the stage for a confrontation between his army and the tradition of sacred kingship supporting the isolated but now more sympathetic Richard.

The authoritative edition of Richard II from The Folger Shakespeare Library, the trusted and widely used Shakespeare series for students and general readers, includes:

-Freshly edited text based on the best early printed version of the play
-Full explanatory notes conveniently placed on pages facing the text of the play
-Scene-by-scene plot summaries
-A key to the play’s famous lines and phrases
-An introduction to reading Shakespeare’s language
-An essay by a leading Shakespeare scholar providing a modern perspective on the play
-Fresh images from the Folger Shakespeare Library’s vast holdings of rare books
-An annotated guide to further reading

Essay by Harry Berger, Jr.

The Folger Shakespeare Library in Washington, DC, is home to the world’s largest collection of Shakespeare’s printed works, and a magnet for Shakespeare scholars from around the globe. In addition to exhibitions open to the public throughout the year, the Folger offers a full calendar of performances and programs. For more information, visit Folger.edu.

  • Sales Rank: #42822 in Books
  • Brand: Shakespeare, William/ Mowat, Barbara A. (EDT)/ Werstine, Paul (EDT)
  • Model: 1668472
  • Published on: 2005-07-01
  • Released on: 2005-07-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.75" h x .90" w x 4.19" l, .35 pounds
  • Binding: Mass Market Paperback
  • 352 pages

About the Author
William Shakespeare was born in April 1564 in the town of Stratford-upon-Avon, on England’s Avon River. When he was eighteen, he married Anne Hathaway. The couple had three children—an older daughter Susanna and twins, Judith and Hamnet. Hamnet, Shakespeare’s only son, died in childhood. The bulk of Shakespeare’s working life was spent in the theater world of London, where he established himself professionally by the early 1590s. He enjoyed success not only as a playwright and poet, but also as an actor and shareholder in an acting company. Although some think that sometime between 1610 and 1613 Shakespeare retired from the theater and returned home to Stratford, where he died in 1616, others believe that he may have continued to work in London until close to his death.

Barbara A. Mowat is Director of Research emerita at the Folger Shakespeare Library, Consulting Editor of Shakespeare Quarterly, and author of The Dramaturgy of Shakespeare’s Romances and of essays on Shakespeare’s plays and their editing.

Paul Werstine is Professor of English at the Graduate School and at King’s University College at Western University. He is a general editor of the New Variorum Shakespeare and author of Early Modern Playhouse Manuscripts and the Editing of Shakespeare and of many papers and articles on the printing and editing of Shakespeare’s plays.

Most helpful customer reviews

81 of 85 people found the following review helpful.
Middle aged and finally able to read Shakespeare
By Gilgamesh
I cannot more highly recommend this particular book, No Fear Shakespeare's Hamlet.

I am approaching 50 years old and my only real experience trying to read Shakespeare was in high school where we were assigned roles in class and made to read, without comprehension, Romeo and Juliet and Julius Cesar. In the interim, I tried watching a few plays and dragged my kids to see the play Taming of the Shrew, which they hated because they couldn't understand the language nor the plot. Rather than becoming a Shakespeare hater, I've always felt inadequate and dumb for this huge hole in my education.

My current inspiration to try Shakespeare again was my desire to try and help my high school aged son become more educated and cultured than I have been.

I tried first with the Folger annotated editions of Shakespeare. They look excellent and define the unfamiliar words, but I still could not make sense of a substantial portion of the dialogue. I guess maybe I'm just dumb, I don't know.

Anyway, I saw good reviews about this No Fear series, and I ordered several. So far I have read the modern English translations of Hamlet, Macbeth, Othello, King Lear, and The Tempest. While I feel a bit like I'm 'cheating', I actually have really enjoyed all the plays and at least now I know the plots and the characters and even some of the more subtle themes. I can't answer the complaints that the translations don't adequately translate Shakespeare's meanings. There are a few side notes that point out double meanings and things like that, though there are not extensive footnotes or sidenotes.

To answer those who rate these books one or two stars, my answer is that they are at least a door into the world of Shakespeare for those of us unable to navigate the originals on our own. And they only take a couple of hours to read. It's not like this is a lifetime commitment or anything. The book only costs five bucks, so why not invest a couple of hours and read it? And, for me, I liked the plays so much that I AM now going to dig out the Folger editions and read the originals, with the No Fear books available in case I get in trouble. These modalities of trying to appreciate Shakespeare are not mutually exclusive.

Well, hopefully that's helpful to someone. I wanted to write this so that people would know that these books are not just for lazy students hoping to avoid reading the originals or somehow 'cheat' in their English classes. I'm not a Shakespeare scholar or teacher and never will be, just an ordinary guy, but for me, these books were the window of opportunity that I had been searching for. Two thumbs up, most definitely.

42 of 42 people found the following review helpful.
Best Shakespeare Edition Available: Arden
By Drew
The Arden editions of Shakespeare are the best available. While they cost a lot more than the standard cheap editions, they have so much more. The Folger editions (probably the most widely available editions of Shakespeare) have footnotes that are quite general and never do they have enough. In addition, they really don't have that much extra information on the play--only a small essay analyzing the modern issues of the play. The Arden editions are truly the scholarly editions of Shakespeare. Ninety percent of the time that I have a question on the text, a footnote provides more information. In addition, a lengthy introduction is included. Everything is documented. While at this point I don't care that much about how the quarto version of Hamlet said "no", when the folio version said "so", it's nice to know that if I have a specific question, the answers in there. My thoughts on Hamlet: Don't fret about understanding the material, just dive in. Shakespeare offers interesting plots to the beginners and vivid prose to pick over to the advanced scholar.

1 of 1 people found the following review helpful.
Great book!
By BackBae
Love this book! The Arden Shakespeare editions provide so much supplemental material. I used it for my summer Literature class, and I think because I used this book, I got an A.

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# PDF Download Little Earthquakes, by Jennifer Weiner

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Little Earthquakes, by Jennifer Weiner

From the New York Times bestselling author of In Her Shoes comes a hilarious and warmhearted story of three young women who find friendship against the background of new motherhood.

  • Sales Rank: #1746376 in Books
  • Published on: 2004-09-14
  • Released on: 2004-09-14
  • Original language: English
  • Number of items: 1
  • Dimensions: 1.40" h x 6.36" w x 9.38" l,
  • Binding: Paperback
  • 432 pages

Amazon.com Review
Jennifer Weiner, whose novels Good in Bed and In Her Shoes earned her a place among women's book club aficionados everywhere, proves she still has the touch with Little Earthquakes, a tale of love, heartbreak, redemption, and friendship. Weiner's novel centers around four new mothers, all of whom must learn to adjust their lives and their marriages to deal with the challenges of raising children.

Ayinde is a beautiful, biracial newscaster who moves to Philadelphia after her husband, a star player for the NBA, is traded to the 76ers. She meets Becky, an overweight chef who plays the "pregnant or just fat" game every time she passes a mirror, and Kelly, an overachieving event planner who has her whole life mapped out down to the most minute details, after going into labor at a prenatal yoga class. The three become fast friends, and come to rely on each other for everything from burping techniques to intense emotional support. The group grows to include Lia, a semi-famous Hollywood starlet who leaves her husband and returns to Philly after a sudden tragedy.

While Little Earthquakes may leave little to the imagination, and some of the characters are laughably stereotypical (the Mama's boy Jewish doctor and the cheating ball player, to name a few), it is Weiner's gift for creating compelling characters with whom her readers can identify that make her such a successful storyteller. --Gisele Toueg

From Publishers Weekly
In her first and second bestsellers, Good in Bed and In Her Shoes, Weiner came up with female characters so smart, lovable and mordantly funny that they reminded readers that Bridget Jones wasn't the first single woman to light up a bestseller list or the big screen—there were Sheila Levine, Mary and Rhoda, the Golden Girls. Now, just as the star-studded movie version of In Her Shoes is about to be released, Weiner delivers the interwoven tale of four new mothers who come to form a tight posse in contemporary Philadelphia. The heart of this third-person narrative is Becky, an overweight but thoroughly appealing chef at a chic bistro. Married to an adoring doctor and living in a cozy row house, the warm, nurturing Becky is the latest incarnation of Weiner's previous protagonists, as Weiner's fans will recognize as she rushes to help another woman who collapses into sudden, crushing labor pains after a prenatal yoga class ("Being in labor all by herself —no husband around, no friend to hold her hand—was about the worst thing she could imagine," Becky thinks. "Well, that and having her midriff appear on one of those 'Obesity: A National Epidemic' news reports"). The woman whom Becky helps is Ayinde, the gorgeous wife of an NBA superstar. Picturesquely if improbably, she, Becky and another expectant mom, perky blonde Kelly (who was also at the fateful yoga class and lent a helping hand) become fast friends. Eventually, Lia, a beautiful young actress who has left Hollywood for her hometown of Philadelphia in the wake of a tragedy, joins the group. For much of the story, Weiner, a wonderful natural writer and storyteller, renders her characters and their messy, sometimes wrenching lives in details that resonate as the real deal. In the end, alas, she slips in a soapy Hollywood ending. Still, this is a rich portrayal of new motherhood and a fun ride. Weiner's readers will root for her to trust ever more her ability to float between comedy and pathos, leaving the shallows for true and surprising depths.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
Weiner's third novel is the story of four women in Philadelphia who bond over pregnancy and motherhood. Becky, Kelly, and Ayinde meet in yoga class, and the three become friends when Ayinde's water breaks one day after class and they take her to the hospital. Becky is a chef with an adoring husband and an annoying mother-in-law; Kelly is frustrated when her husband loses his job and drags his feet looking for another; Ayinde's husband is a famous basketball player whom she suspects of infidelity. What brings the women together is their love for their newborns. The fourth woman, Lia, watches the group from afar; she's an actress who walked out on her husband after a devastating tragedy. Weiner seamlessly and gracefully weaves the four women's stories together. The fact that her second novel, In Her Shoes (2002), is being made into a movie starring Cameron Diaz should draw plenty of readers; once they pick up the book, they'll find a warm, often funny, touching look at the challenges and joys of new motherhood and marriage. Kristine Huntley
Copyright © American Library Association. All rights reserved

Most helpful customer reviews

0 of 0 people found the following review helpful.
One of her finest works to date!
By Barbara Gianelli
This book is funny, wise, happy and sad, and impossible to put down! For everyone who wants children, and everyone who already has them, this book gives you an inside look at the reality and wonder of that first year. Told from five women's points of view, this is a book you will think about, (& miss) after you've finished the last page.

0 of 0 people found the following review helpful.
exellent book by excellent author!!
By Jessica A. Sharer
yet another fabulous book by one of my favorite authors! i became a fast fan after reading "good in bed" and have every one of her books, even collections of short stories featuring stories of her's.. i am not married, nor have any children, but i almost know what to expect, since weiner has a way of almost making YOU a character, like a fly on the wall... childbirth, dealing with sleepless nights, and endless days, not being able to get your baby to 'latch on' to feed, and sore nipples.. also products to buy.. like baby snugglis, baby einstein (which i have seen babies under a year old watch and do sign language with!) and the such. i recommend this book to anyone who likes a good story with a great story line that you can't stop reading (i stayed up until 4 am reading until i finally fell asleep with the book on my face LOL)... no filler BS to move the story along. believe me, once you read a book by jennifer weiner, you will want to read them all!

16 of 17 people found the following review helpful.
Buy one for you and one for a friend or family member
By Kindle Customer
Brilliant. Truly a compelling and fabulous read. I'd read and loved her first two books, but this one far surpassed them for me.

All four main characters are well-realized, complicated, interesting women. As they negotiate new parenthood and the various changes in self, worklife, and relationships with family and partners, the characters must find their own solutions and Weiner avoids the easy answers. While Weiner does a wonderful job capturing the mundane practical dilemmas of diapering, cell phone calls from work, mothers-in-law, and so on, she also explores the challenges of how you reconceive your own family after becoming a parent, how you reshape a partnership when you go from being a couple to being a family, and how you revise your sense of self once you're a parent.

I especially appreciate how Weiner renders her main characters' male partners in nuanced tones, even while staying firmly focused on viewing the world through the four women's experiences.

This is a book I'll be giving my brother, my close friends, and my mother, among many others. It's absolutely not just for new mothers, though that's certainly one group of people who might enjoy the book. It is a compelling read for anyone interested in well-developed characters dealing with tightly plotted storylines in a well-realized physical world. Beautifully done.

WARNING: if you find yourself lost in sadness related to losing a child, this may well be a healing book, but you should be prepared to cry.

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Jumat, 04 April 2014

@ PDF Ebook The Right Words at the Right Time Volume 2: Your Turn!, by Marlo Thomas, Bruce Kluger, Carl Robbins, David Tabatsky

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The Right Words at the Right Time Volume 2: Your Turn!, by Marlo Thomas, Bruce Kluger, Carl Robbins, David Tabatsky

From big cities to farm communities, from office cubicles to hospital wards, from Normandy Beach to Boston's Fenway Park, the contributors to this remarkable volume -- selected from among thousands in a nationwide search --- tell riveting stories about the words that changed their lives forever.

  • Sales Rank: #1684094 in Books
  • Brand: Atria
  • Published on: 2006-04-25
  • Released on: 2006-04-25
  • Original language: English
  • Number of items: 1
  • Dimensions: 1.30" h x 8.70" w x 7.10" l, 1.10 pounds
  • Binding: Hardcover
  • 432 pages
Features
  • Great product!

From Publishers Weekly
"That Girl" Thomas follows up her bestselling inspirational volume, which collected stories from luminaries describing times when well-chosen words impacted their lives, with this collection of personal essays from more than 90 "ordinary Americans,", selected from thousands of submissions to a national contest. From the experience of a naval officer who comes to a major career decision in a Burger King to a woman's epiphany at a Zen Buddhist Monastery in Japan, these simple, touching stories highlight the moments when the right phrases or comments made a life-changing difference. Divided into thematic sections like "At a Crossroads," "Taking Chances," and "Letting Go," Thomas's new title may be a little Chicken Soup-esque, but this is no canned concentrate-this is genuine, home-cooked comfort food. Proceeds benefit St. Jude Children's Research Hospital.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review
"These essays are uplifting. They come from people in all walks of life. In telling their stories so honestly, these writers give us new ways to approach old problems. In some cases, they remind us of life lessons we've learned but sometimes forget to practice."-- "The Daily Sentinel"

About the Author
Marlo Thomas graduated from the University of Southern California with a teaching degree. She is the author of six bestselling books: Free to Be…You and Me; Free to Be…a Family; The Right Words at the Right Time; The Right Words at the Right Time, Volume 2: Your Turn!; Thanks & Giving: All Year Long; and her memoir, Growing Up Laughing: My Story and the Story of Funny. Ms. Thomas has won four Emmy Awards, a Peabody Award, a Golden Globe, and a Grammy, and has been inducted into the Broadcasting & Cable Hall of Fame for her work in television, including her starring role in the landmark series That Girl, which she also conceived and produced. She is the National Outreach Director for St. Jude Children’s Research Hospital, which was founded by her father, Danny Thomas, in 1962.

In 2010, Ms. Thomas launched her website, MarloThomas.com, on The Huffington Post and AOL. She lives in New York with her husband, Phil Donahue.

Bruce Kluger and David Slavin began writing and producing satire for National Public Radio's All Things Considered in 2002. Their cultural and political commentary has appeared in countless publications, including the Los Angeles Times, the New York Times, the Chicago Tribune, and dozens of other newspapers. Their work has also been featured prominently on the Huffington Post and Salon.com, which ran their acclaimed "Memo to George" series during the Bush II administration. Their satirical children's biography, Young Dick Cheney: Great American (AlterNet Books), was published in 2008. In 2009, Bruce coauthored Dear President Obama: Letters of Hope from Children Across America (Beckham Publications) and David contributed to the special 35th anniversary rerelease of Marlo Thomas's landmark children's book, Free to Be . . . You and Me (Running Press Kids). Bruce and David live one block from each other in New York City.

Most helpful customer reviews

11 of 11 people found the following review helpful.
A Perfect Gift
By Thomas M. Loarie
I bought this book out of curiousity and found it to be special. Ms. Thomas beautifully illustrates the serendipity of life and its impact on our life's direction. Her collaborators share their stories of events and words that shaped their lives...for some it was a subtle word, for others it was a major event.
As important as these words and events were, they were not as obvious for those transformed until years later when they could look back seeing the fork in the road and the direction the event/word took them. The shared stories come from all walks of life. The book is a good reminder for all on how each of us has the power to impact and transform another's life in a positive way every day.
This is a great gift idea, especially for those who are in transition (between careers or stages of life), or are weathering one of life's storms.

0 of 0 people found the following review helpful.
It's the second time I made this purchase. My ...
By Amazon Customer
It's the second time I made this purchase. My first book was lost in a move. It is a book to keep and gift.

0 of 0 people found the following review helpful.
Words to live by
By amazin
Rife with life lessons. Great gift for the graduates of 2016 or 1976 or anywhere between.

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Selasa, 01 April 2014

# Free Ebook Star Trek: Signature Edition: Duty, Honor, Redemption (Star Trek: The Original Series), by Vonda N. McIntyre

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Star Trek: Signature Edition: Duty, Honor, Redemption (Star Trek: The Original Series), by Vonda N. McIntyre

Cadets that enter Starfleet Academy have two mantras drilled into them from their very first day. They must do their duty for the Federation and Starfleet, and they must strive to honor their oath as Starfleet officers. Among those who have best embodied these guiding principles and who have strived to live up to the coda "to boldly go ™" are those who once served aboard the Starship Enterprise under the command of Captain James T. Kirk. Who then, was better to guide the next generation of officers? After Kirk became an admiral, the officers of the Enterprise were promoted, and several became Academy instructors. Transformed from a ship of the line to a training vessel the Enterprise's days of active duty are behind her -- until a frantic message from a distant outpost interrupts a training exercise and pulls the ship back into action.
Admiral Kirk is forced to take command of the Enterprise in order to stop an old nemesis from commandeering what could be the most deadly weapon ever devised. In the course of his actions, the crew will find itself facing death...and life -- as they deliberately violate their Starfleet oaths, travel through time to save Earth, and ultimately earn redemption in the eyes of the Federation.
Now, for the first time ever in one volume here are the novelizations of three Star Trek® films: Star Trek II: The Wrath of Khan,® Star Trek III: The Search for Spock,® and Star Trek IV: The Voyage Home,® all by award-winning author Vonda McIntyre.

  • Sales Rank: #653851 in Books
  • Brand: Brand: Pocket Books/Star Trek
  • Published on: 2004-10-26
  • Released on: 2004-10-26
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.25" h x 1.10" w x 5.31" l, 1.29 pounds
  • Binding: Paperback
  • 464 pages
Features
  • Used Book in Good Condition

About the Author
Vonda N. McIntyre is the author of several fiction and nonfiction books. McIntyre won her first Nebula Award in 1973, for the novelette “Of Mist, and Grass, and Sand.” This later became part of the novel Dreamsnake (1978), which was rejected by the first editor who saw it, but went on to win both the Hugo and Nebula Awards. McIntyre was the third woman to receive the Hugo Award. She has also written a number of Star Trek and Star Wars novels. Visit her online at VondaNMcIntyre.com.

Most helpful customer reviews

11 of 11 people found the following review helpful.
A treat for those who enjoyed Star Treks II, III and IV
By Ian McLean
This is a handsome trade paperback which reprints Vonda N McIntyre's excellent novelizations for Star Treks II, III and IV ("The Wrath of Khan", "The Search for Spock" and "The Voyage Home").

The only changes to the original books are the correcting of errors, such as "McGivers" for "McGiver". Sulu also goes back to the rank of "Commander" (where McIntyre had promoted him to captain in her novelizations, as per the dropped scene from ST II that was never picked up on by the other movies).

If you've never read the ST II or ST III novelizations before, you are in for a treat. Heaps of great scenes and characters that were never in the movie! Lots of background on Saavik, Peter Preston, the Genesis Project scientists and even an explanation for why Spock's mother Amanda was not present at his Fal Tor Pan ceremony in ST III. The ST IV novelization doesn't add as much new stuff, but is still enjoyable.

The size of the print in this omnibus is very tiny and I feel sorry for people who order this book thinking it's an all-new novel, but there is so much to like about these "Signature Edition" books. I bought this even though I already have first editions of all the movie novelizations. The cover is eye-catching (the lower quarter of Kirk's colour portrait) and matches the other six books in the "Signature Edition" reprint series. Oh, there is one new component, too: a three-page essay on "Harve Bennett: The Man Behind the Movies" by Terry J Erdmann.

6 of 6 people found the following review helpful.
Thoroughly enjoyable
By Elim Garak
'Duty, Honor, Redemption' is the compilation of the novelizations of Star Trek II, III and IV. As with most Star Trek novelisations, it is well worth the read. Reading it made me feel like I was meeting up with an old bunch of friends that I hadn't seen in years.

The books are written faithfully to the films, obviously taken from the script, with extra scenes added here and there, most of which is I suspect scenes that never made it to the final film.

Vonda N. McIntyre does a mesterful job with all the characters she writes for, and, in particular, Saavik. Ms Mcintyre explores Saavik's Romulan side in much more detail than the films.

One of the most interesting aspects of these books, for me, were the sections detailing what the Enterprise did immediately after Star Trek II, in particular, the scene where Kirk, Estaban and Carol Marcus debate the future of the Genesis Project. Another fascinating section are Saavik's eerie premonitions of Mr Spock. Having recently rewatched Star Trek III, I found it to be a little too fast paced at time, and I think it could have benefited from some of this material.

This book is a thrilling and fascinating read. I highly recommend it.

5 of 5 people found the following review helpful.
Awesome Book!
By Mark Lopa
This is a great way to get the novelizations of the three best Star Trek movies in one book. Tthese three movies came about at the end as a trilogy, and anyone who enjoyed the movies will love this book.

As far as Nan Lewis's several reviews with one star about buying books only to find out at home they were re-releases, a simple look at the back of the books would reveal this. Why would someone buy a book without knowing anything about it? That one-star reviews are not for the content, but the reviewer's foolishnes.

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