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The definition of an owl had always pleased him: "I am the owl," he would whisper to himself after he had selected his prey, "and night-time is my time." Jean Sheridan, a prominent historian, returns to her hometown to attend the twenty-year reunion of Stonecroft Academy, where she is to be honoured along with six other members of her class. There is, however, something uneasy in the air: one woman in the group, Alison Kenall, a beautiful, high-powered Hollywood agent, died just a few days before, drowned in her pool during an early morning swim. She is the fifth woman in the class whose life has come to a sudden, mysterious end. At the award dinner, Jean does not suspect that among the distinguished people she is greeting is the "Owl," a murderer nearing the countdown on his mission of vengeance against the Stonecroft women who had mocked or humiliated him, with Jean his final intended victim.

• Sales Rank: #3300980 in Books
• Published on: 2005-03-30
• Original language: English
• Number of items: 1
• Dimensions: 6.93" h x .98" w x 4.29" l, 1.10 pounds
• Binding: Paperback
• 384 pages

About the Author
Mary Higgins Clark is the author of thirty-one suspense novels; three collections of short stories; a historical novel, and a memoir. She is the co-author with her daughter, Carol Higgins Clark, of five holiday suspense novels.

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0 of 0 people found the following review helpful.
Read this book!
By Amazon Customer
Great mystery! Makes me worry about going to a class reunion! Just when I thought I knew 'whodunnit'.....bam - things changed! Very good! I love how Mary Higgins Clark writes - they are interesting, suspenseful and they don't have filthy language! Wow!

0 of 0 people found the following review helpful.
Good mystery again
By Sandra W. Engle
That was great, kept me reading and I didn't know the "Owl" until the end. I should have picked it up at the beginning??? I love a good mystery.

0 of 0 people found the following review helpful.
A suspenseful and good read
By Zoe
You can always count a very interesting, engrossing read when the book is written by Mary Higgins Clark.

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? Download King John (Folger Shakespeare Library), by William Shakespeare

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Like most of Shakespeare’s history plays, King John presents a struggle for the English crown. The struggle this time, however, is strikingly cold-blooded and brutal.

John, the younger brother of the late Richard I, is the king, and a savage one. His opponent is a boy, his nephew Arthur, supported by the King of France and the Duke of Austria. After Arthur falls into John’s hands, John plots to torture him. Arthur’s capture gives Louis, the Dauphin of France, the opportunity to lay claim to John’s crown. John’s nobles support Louis, but he schemes to betray them.

The play finds its hero in another figure: the Bastard, Sir Richard Plantagenet, an illegitimate son of Richard I. Although he has an appetite for war, he also has a strong conscience and speaks with trenchant irony.

The authoritative edition of King John from The Folger Shakespeare Library, the trusted and widely used Shakespeare series for students and general readers, includes:

-Freshly edited text based on the best early printed version of the play
-Full explanatory notes conveniently placed on pages facing the text of the play
-Scene-by-scene plot summaries
-A key to the play’s famous lines and phrases
-An introduction to reading Shakespeare’s language
-An essay by a leading Shakespeare scholar providing a modern perspective on the play
-Fresh images from the Folger Shakespeare Library’s vast holdings of rare books
-An annotated guide to further reading

Essay by Deborah T. Curren-Aquino

The Folger Shakespeare Library in Washington, DC, is home to the world’s largest collection of Shakespeare’s printed works, and a magnet for Shakespeare scholars from around the globe. In addition to exhibitions open to the public throughout the year, the Folger offers a full calendar of performances and programs. For more information, visit Folger.edu.

• Sales Rank: #471570 in Books
• Brand: Simon & Schuster
• Model: 1668476
• Published on: 2006-01-01
• Released on: 2006-01-01
• Original language: English
• Number of items: 1
• Dimensions: 6.75" h x 1.00" w x 4.19" l, .38 pounds
• Binding: Mass Market Paperback
• 352 pages

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• Great product!

Review
"The Shakespeare Newsletter" It's hard to see how the New Folger Library's section on Shakespeare's language could be much better. An exceptionally good choice for an introductory text.

About the Author
William Shakespeare was born in April 1564 in the town of Stratford-upon-Avon, on England’s Avon River. When he was eighteen, he married Anne Hathaway. The couple had three children—an older daughter Susanna and twins, Judith and Hamnet. Hamnet, Shakespeare’s only son, died in childhood. The bulk of Shakespeare’s working life was spent in the theater world of London, where he established himself professionally by the early 1590s. He enjoyed success not only as a playwright and poet, but also as an actor and shareholder in an acting company. Although some think that sometime between 1610 and 1613 Shakespeare retired from the theater and returned home to Stratford, where he died in 1616, others believe that he may have continued to work in London until close to his death.

Barbara A. Mowat is Director of Research emerita at the Folger Shakespeare Library, Consulting Editor of Shakespeare Quarterly, and author of The Dramaturgy of Shakespeare’s Romances and of essays on Shakespeare’s plays and their editing.

Paul Werstine is Professor of English at the Graduate School and at King’s University College at Western University. He is a general editor of the New Variorum Shakespeare and author of Early Modern Playhouse Manuscripts and the Editing of Shakespeare and of many papers and articles on the printing and editing of Shakespeare’s plays.

Excerpt. © Reprinted by permission. All rights reserved.
Shakespeare's Life

Surviving documents that give us glimpses into the life of William Shakespeare show us a playwright, poet, and actor who grew up in the market town of Stratford-upon-Avon, spent his professional life in London, and returned to Stratford a wealthy landowner. He was born in April 1564, died in April 1616, and is buried inside the chancel of Holy Trinity Church in Stratford.

We wish we could know more about the life of the world's greatest dramatist. His plays and poems are testaments to his wide reading -- especially to his knowledge of Virgil, Ovid, Plutarch, Holinshed's Chronicles, and the Bible -- and to his mastery of the English language, but we can only speculate about his education. We know that the King's New School in Stratford-upon-Avon was considered excellent. The school was one of the English "grammar schools" established to educate young men, primarily in Latin grammar and literature. As in other schools of the time, students began their studies at the age of four or five in the attached "petty school," and there learned to read and write in English, studying primarily the catechism from the Book of Common Prayer. After two years in the petty school, students entered the lower form (grade) of the grammar school, where they began the serious study of Latin grammar and Latin texts that would occupy most of the remainder of their school days. (Several Latin texts that Shakespeare used repeatedly in writing his plays and poems were texts that schoolboys memorized and recited.) Latin comedies were introduced early in the lower form; in the upper form, which the boys entered at age ten or eleven, students wrote their own Latin orations and declamations, studied Latin historians and rhetoricians, and began the study of Greek using the Greek New Testament.

Since the records of the Stratford "grammar school" do not survive, we cannot prove that William Shakespeare attended the school; however, every indication (his father's position as an alderman and bailiff of Stratford, the playwright's own knowledge of the Latin classics, scenes in the plays that recall grammar-school experiences -- for example, The Merry Wives of Windsor, 4.1) suggests that he did. We also lack generally accepted documentation about Shakespeare's life after his schooling ended and his professional life in London began. His marriage in 1582 (at age eighteen) to Anne Hathaway and the subsequent births of his daughter Susanna (1583) and the twins Judith and Hamnet (1585) are recorded, but how he supported himself and where he lived are not known. Nor do we know when and why he left Stratford for the London theatrical world, nor how he rose to be the important figure in that world that he had become by the early 1590s.

We do know that by 1592 he had achieved some prominence in London as both an actor and a playwright. In that year was published a book by the playwright Robert Greene attacking an actor who had the audacity to write blank-verse drama and who was "in his own conceit [i.e., opinion] the only Shake-scene in a country." Since Greene's attack includes a parody of a line from one of Shakespeare's early plays, there is little doubt that it is Shakespeare to whom he refers, a "Shake-scene" who had aroused Greene's fury by successfully competing with university-educated dramatists like Greene himself. It was in 1593 that Shakespeare became a published poet. In that year he published his long narrative poem Venus and Adonis; in 1594, he followed it with The Rape of Lucrece. Both poems were dedicated to the young earl of Southampton (Henry Wriothesley), who may have become Shakespeare's patron.

It seems no coincidence that Shakespeare wrote these narrative poems at a time when the theaters were closed because of the plague, a contagious epidemic disease that devastated the population of London. When the theaters reopened in 1594, Shakespeare apparently resumed his double career of actor and playwright and began his long (and seemingly profitable) service as an acting-company shareholder. Records for December of 1594 show him to be a leading member of the Lord Chamberlain's Men. It was this company of actors, later named the King's Men, for whom he would be a principal actor, dramatist, and shareholder for the rest of his career.

So far as we can tell, that career spanned about twenty years. In the 1590s, he wrote his plays on English history as well as several comedies and at least two tragedies (Titus Andronicus and Romeo and Juliet). These histories, comedies, and tragedies are the plays credited to him in 1598 in a work, Palladis Tamia, that in one chapter compares English writers with "Greek, Latin, and Italian Poets." There the author, Francis Meres, claims that Shakespeare is comparable to the Latin dramatists Seneca for tragedy and Plautus for comedy, and calls him "the most excellent in both kinds for the stage." He also names him "Mellifluous and honey-tongued Shakespeare": "I say," writes Meres, "that the Muses would speak with Shakespeare's fine filed phrase, if they would speak English." Since Meres also mentions Shakespeare's "sugared sonnets among his private friends," it is assumed that many of Shakespeare's sonnets (not published until 1609) were also written in the 1590s.

In 1599, Shakespeare's company built a theater for themselves across the river from London, naming it the Globe. The plays that are considered by many to be Shakespeare's major tragedies (Hamlet, Othello, King Lear, and Macbeth) were written while the company was resident in this theater, as were such comedies as Twelfth Night and Measure for Measure. Many of Shakespeare's plays were performed at court (both for Queen Elizabeth I and, after her death in 1603, for King James I), some were presented at the Inns of Court (the residences of London's legal societies), and some were doubtless performed in other towns, at the universities, and at great houses when the King's Men went on tour; otherwise, his plays from 1599 to 1608 were, so far as we know, performed only at the Globe. Between 1608 and 1612, Shakespeare wrote several plays -- among them The Winter's Tale and The Tempest -- presumably for the company's new indoor Blackfriars theater, though the plays seem to have been performed also at the Globe and at court. Surviving documents describe a performance of The Winter's Tale in 1611 at the Globe, for example, and performances of The Tempest in 1611 and 1613 at the royal palace of Whitehall.

Shakespeare wrote very little after 1612, the year in which he probably wrote King Henry VIII. (It was at a performance of Henry VIII in 1613 that the Globe caught fire and burned to the ground.) Sometime between 1610 and 1613 he seems to have returned to live in Stratford-upon-Avon, where he owned a large house and considerable property, and where his wife and his two daughters and their husbands lived. (His son Hamnet had died in 1596.) During his professional years in London, Shakespeare had presumably derived income from the acting company's profits as well as from his own career as an actor, from the sale of his play manuscripts to the acting company, and, after 1599, from his shares as an owner of the Globe. It was presumably that income, carefully invested in land and other property, which made him the wealthy man that surviving documents show him to have become. It is also assumed that William Shakespeare's growing wealth and reputation played some part in inclining the crown, in 1596, to grant John Shakespeare, William's father, the coat of arms that he had so long sought. William Shakespeare died in Stratford on April 23, 1616 (according to the epitaph carved under his bust in Holy Trinity Church) and was buried on April 25. Seven years after his death, his collected plays were published as Mr. William Shakespeares Comedies, Histories, & Tragedies (the work now known as the First Folio).

The years in which Shakespeare wrote were among the most exciting in English history. Intellectually, the discovery, translation, and printing of Greek and Roman classics were making available a set of works and worldviews that interacted complexly with Christian texts and beliefs. The result was a questioning, a vital intellectual ferment, that provided energy for the period's amazing dramatic and literary output and that fed directly into Shakespeare's plays. The Ghost in Hamlet, for example, is wonderfully complicated in part because he is a figure from Roman tragedy -- the spirit of the dead returning to seek revenge -- who at the same time inhabits a Christian hell (or purgatory); Hamlet's description of humankind reflects at one moment the Neoplatonic wonderment at mankind ("What a piece of work is a man!") and, at the next, the Christian disparagement of human sinners ("And yet, to me, what is this quintessence of dust?").

As intellectual horizons expanded, so also did geographical and cosmological horizons. New worlds -- both North and South America -- were explored, and in them were found human beings who lived and worshiped in ways radically different from those of Renaissance Europeans and Englishmen. The universe during these years also seemed to shift and expand. Copernicus had earlier theorized that the earth was not the center of the cosmos but revolved as a planet around the sun. Galileo's telescope, created in 1609, allowed scientists to see that Copernicus had been correct; the universe was not organized with the earth at the center, nor was it so nicely circumscribed as people had, until that time, thought. In terms of expanding horizons, the impact of these discoveries on people's beliefs -- religious, scientific, and philosophical -- cannot be overstated.

London, too, rapidly expanded and changed during the years (from the early 1590s to around 1610) that Shakespeare lived there. London -- the center of England's government, its economy, its royal court, its overseas trade -- was, during these years, becoming an exciting metropolis, drawing to...

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0 of 0 people found the following review helpful.
Five Stars
By Catherine E. Simpson
Yea it did and more!!!

10 of 10 people found the following review helpful.
Shakespeare's First Falstaff
By James M. Rawley
KING JOHN has one of Shakespeare's best death scenes and a character, Faulconbridge the bastard son of Richard the Lion Hearted, who is a first draft for Falstaff -- and better integrated into the play's main action than Falstaff is. It's unique among Shakespeare's works in being about Realpolitik in a genuine historical context -- as if a modern American playwright should write a play about George Washington's political compromises, complete with a presentation of the real historical situations that led up to them. Faulconbridge is there to make cynical comments, and yet remain loyal to King John, who almost, but not quite, becomes a child murderer in the course of the action. Earlier, the complexities of wartime politics are revealed when a town refuses to admit either the King of England or the King of France as its rightful ruler until the two kings have fought out the question first -- whereupon the two kings decide to agree on a truce, just long enough to wipe the town out together, then go back to fighting one another. The play is a wonderful mix of history and ironic commentary, one of two plays of Shakespeare's that is entirely in verse (the other one is RICHARD II, which he wrote just before KING JOHN), and it's tragically poetic and satiric in equal measure. Shakespeare never wrote anything else quite like it. If he wrote better plays, they were also different kinds of plays: this one is unique. The Folger edition has excellent notes for beginning students; the Oxford edition is for more advanced students, and also exceptionally good.

6 of 6 people found the following review helpful.
A little too close to the current political environment
By E. M. Van Court
Although I didn't really take pleasure in reading this one, it absolutely confirms the timeless nature of Shakespeare's works.

A king of England (who arrived at the throne under a cloud only hinted at in the play) leads his nation in war with France, and in the process orders ugly things be done in his name. Sycophants, schemers, and cynics critique his every move (without really accepting any responsibility themselves). An illegitimate cousin is the harshed critic and the voice of reason throughout. In the end, the innocent lose their lives, the king has to make sleazy deals, and it draws to a grim conclusion.

If you are a passionate fan of the Bard's comedies, you might give this one a pass.

Even in my four sentence summary, the timeless and unchanging reality of international politics comes through. There is a bit of dark relief though; whatever you think of politicians today, regardless of the hyperbole of people who exercise their First Amendment rights without exercising common courtesy or rational thought, the current crop of political leaders are neither better nor worse than the inspirations for a play written four hundred years ago.

Historically, the mildness of the political rhetoric is worthy of note, in contrast to the venom of others in England in the time. This is another play that benefits from an appreciation of the complexities and conflicts of Elizabethan England.

Reading this one was not pleasure, but possessed a grim satisfaction.

E. M. Van Court

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The sisters are looking to mentor a young wicca just coming into her powers. But soon the Charmed Ones discover that their prodigy is in fact a changeling. They need to find the real witch, and fast...but where?

• Sales Rank: #3522339 in Books
• Published on: 2004-05-04
• Original language: English
• Dimensions: 7.01" h x .59" w x 4.37" l, 1.10 pounds
• Binding: Paperback
• 224 pages

About the Author
Constance M Burge is the creator of the TV show. Diana G Gallagher is the author of many TV tie-in novels, including Star Trek and the more junior Sabrina the Teenage Witch. She lives in Ocala, Florida.

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It's Howling Time in Known Space again! Back to the frontlines of the top selling space war in all of science fiction.

The first colonists from Earth named the planet Wunderland. Generations later, the felinoid alien invaders called Kzin came and turned it into a hell for humans. Touched on in other accounts of the Man-Kzin wars, here for the first time is the decades-long saga of Wunderland: how the Wunderlanders first learned of the Kzin attacks on Earth by slower-than-light communications, barely in time to prepare to fight back. How the valiant human defenders turned to guerilla warfare in the Wunderland jungles and caves after the feline warrior race had destroyed or seized the cities. How, after the war ended in an ignominous defeat for the Kzin, some humans and Kzin worked for good will between the two species-their work complicated by humans wanting revenge and Kzin who still saw humans as a somewhat annoying food source. And how a human-Kzin team was sent to investigate a mysterious asteroid and found a threat not only to both species, but to the entire galaxy. The humans wanted to destroy it, but the Kzin wanted to exploit it, and the only hope was a Kzin telepath raised by humans from a cub. Which side would he choose, monkey or warcat?

• Sales Rank: #163642 in Books
• Brand: Brand: Baen
• Published on: 2005-03-01
• Released on: 2005-03-01
• Original language: English
• Number of items: 1
• Dimensions: 6.75" h x 1.00" w x 4.25" l,
• Binding: Mass Market Paperback
• 480 pages

Features

• Used Book in Good Condition

Review
"Masterful handling of hard SF embedded within a rich background of character and plot."

About the Author
Larry Niven has authored many New York Times bestsellers, both alone (The Integral Trees , The Smoke Ring, The Ringworld Throne) and in collaboration with Jerry Pournelle (The Mote in God's Eye, Lucifer's Hammer, Footfall). His Known Space series, from which the fabulously successful Man-Kzin Wars books derive, is a landmark of modern science fiction, as popular as Heinlein's Future History series and Asimov's Foundation series. When Arthur C. Clarke appeared on a talk show and was asked to name his favorite science fiction writer, he immediately answered "Larry Niven." Winner of a Nebula award and five Hugo awards, Niven is among the foremost SF writers of the new century. His latest novels are Rainbow Mars (Tor) and The Burning City, with Jerry Pournelle (Pocket).

Hal Colebatch has had stories in previous volumes of the Man-Kzin Wars series. His recent book, Blair's Britain, was selected by the London Spectator's Taki as a book of the year. He has also written mainstream fiction, biographies, plays, poetry, and several hundred articles. He has a Ph.D. in Political Science, and has been an advisor to two Australian Federal Ministers. He practices law in a suburb of Perth, Australia, where he lives with his wife and two stepchildren.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Interesting, entertaining and well-written.
By James Yanni
Again, we have four novellas by various authors set in Larry Niven's universe. This collection is a bit confusing in that the first two stories actually take place BEFORE the stories in the ninth collection in the series, the third slightly after them, and the fourth quite far in the future. Other than that, however, the stories are quite well-written and the first two actually fill in a bit of backstory that was missing from the previous entry in the series.

1 of 1 people found the following review helpful.
A great overview of the Kzin invasion and aftermath
By Joy V. Smith
Man-Kzin Wars X: The Wunder War (Baen, 2003/2005)

I enjoyed this volume also, though it wasn't as funny as my favorite stories in Man-Kzin Wars XII. There are some memorable characters--humans and kzin. I look forward to reading more about them. I truly admired Leonie, though there were other characters who were "heroes" also--Dimity, Vaemar, Raargh, and many more. Plus great plots and background, and I enjoyed observing the kzin and monkeys--uh, humans--grow and think and decide that maybe the "aliens" have some redeeming values. I've ordered Man-Kzin Wars IX and XI and will have to track down the earlier books to reread. All the stories in X are by Hal Colebatch, btw. Though I love the humor and interaction in Aquilo Advenio and String (XII), these stories are well written and enjoyable too and worth rereading to catch all the connections. And I appreciate the way some kzin telepaths have been able to overcome their drug-induced limitations (String and Peter Robinson). Speaking of Peter Robinson, the slavers in stasis boxes are some of the scariest characters in the series. I wonder if there's a companion available yet to connect the characters and history? (A chart with arrows would be nice.)

8 of 9 people found the following review helpful.
A quite bizarre review!
By Kevin Dunn
I found the previous review quite bizarre.
I read this long - 140,000 words - book in a single enthralled sitting, and was not distracted by any spelling or other errors. After reading the review printed below I went through it again carefully, and found no substantial errors - one or two, like a paragraph not fully indented somewhere, that was about it. I'm a free-lance writer and I'm used to looking for such things.
What I did find was a number of subtle jokes and linkages between the stories that I'd missed the first time around. This is a book that re-pays re-reading because re-reading reveals new depths to both the stories and the characters.
The previous reviewer's complaint may be because the author, Hal Colebatch, is Australian and there are some Australian spellings. These are very minor variations, not errors.
What matters is that the stories are excellent - fast-paced, exciting and in some cases moving.
I was near a tear at the very end of "The Corporal in the Caves" when the meaning of the last word sank in, and laughed out loud at the end of "Music Box," with its wonderful relaxation of tension after the nail-biting drama and tragedy of the preceding chapters, and the transformation of Nils Rykermann from the bitter guerrilla (did i spell that right?) warrior and exterminationist into the kindly professor.
More very soon, please!

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~~ Download PDF The Song Reader, by Lisa Tucker

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Sure, we were a small family, but it wasn't lonely. We had the endless stream of my sister's customers and, of course, the music. Every day, all day, our stereo would play and Mary Beth would talk about the lyrics, what they really meant.
Leeann lives with her beautiful older sister -- the world's first and only "song reader." Everyone in their small town thinks Mary Beth is special, and Leeann does, too. Mary Beth helps people figure out how they really feel by using the songs they can't get out of their minds. And her advice is always right. But when Mary Beth makes a terrible mistake and half the town -- including the family of the one boy Leeann cares about -- turns against Mary Beth, Leeann will have to rethink everything she knows about her own family. She will have to be the stronger sister for a change. But she will also have a chance to discover that even an "ordinary" girl like herself can sometimes figure out what the music really means...

• Sales Rank: #1658879 in Books
• Brand: Downtown Press
• Published on: 2005-05-01
• Released on: 2005-05-01
• Original language: English
• Number of items: 1
• Dimensions: 6.75" h x 1.00" w x 4.19" l, .41 pounds
• Binding: Mass Market Paperback
• 368 pages

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• Great product!

Amazon.com Review
Two sisters, Leeann and Mary Beth, have the debut novel The Song Reader firmly in their grip. Author Lisa Tucker seems almost entranced by her main characters, a teenager and her older sister whose mother is dead and father has disappeared. They've put together a cheery and eccentric life in their small midwestern hometown. Mary Beth--beautiful, empathetic and smart--practices an art she calls song reading. Clients come to her and tell her the songs that are stuck in their head, and she decodes the song to help them with their problems. Says her little sister Leeann, the novel's narrator: "She could take a customer who had all kinds of problems--poverty and family quarrels and lost love and even illness--and point her finger at the one thing that, if they found it and dealt with it, would give them the strength to handle all the rest." Leeann sees Mary Beth's song reading--and everything else about her sister--as admirable and glorious. But Mary Beth's gift leads her to a secret truth about a prominent neighbor, and the fragile structure of the girls' orphaned life comes tumbling down. Each secret seems to domino another until the sisters' whole complex emotional history is laid bare. The Song Reader can be a little willfully twee with its wacky characters and unlikely scenarios, but Tucker has so thoroughly imagined her protagonists' psychological workings that the book exerts an undeniable pull. --Claire Dederer

From Publishers Weekly
Tucker's assured debut novel is an achingly tender narrative about grief, love, madness and crippling family secrets. Preteen Leeann Norris introduces readers to her world: recently orphaned when her mother was killed in a car accident, she lives with her older sister, Mary Beth, who supports them by waiting tables and performing "song readings" for locals in their small Missouri town. Rather than reading palms to tell people's future, Mary Beth analyzes the songs stuck in their heads, explaining what the song fragments reveal about her clients' psyches. The plot device is fascinating, but what cleaves the reader to the page is the relationship between the two sisters-one determined to track down their long-missing father, the other equally resistant to looking at the past. When Mary Beth's song reading uncovers a local scandal, the community turns against her, and her resolve to help those around her crumbles. Leeann must become the stronger sister, and her quest to find their father finally succeeds, though not in the way she'd hoped. Tucker's dexterous portraits of the fragile family dynamics expose quirky and compelling characters. Her expertly sprung revelations will surprise readers. This intoxicating debut may remind them of Shirley Jackson's We Have Always Lived in the Castle and Pat Conroy's Prince of Tides, but it's not lost in their shadows.
Copyright 2003 Reed Business Information, Inc.

From School Library Journal
Adult/High School-Leeann Norris, 12, comes of age in the midst of an almost overwhelmingly dysfunctional family. After her mother is killed in a car crash, Mary Beth, 23, takes on the care of her younger sister in the absence of their father. She supports the two of them, and eventually a hyperactive foster child with learning problems, by waitressing and "song reading," a skill she developed to help people uncover their problems by charting the songs running through their heads. This occupation also enables her to obscure her own guilt and shame over choosing to love her selfish and victimized mother more than her insecure and inept father. When one of her clients attempts suicide, Mary Beth's fragile structure collapses and she is sent off to a mental hospital. Leeann slowly finds out or remembers small pieces of information she uses to put the picture, and the family, together again. Her voice is honest and intelligent and the other characters are interesting and believable, though each one has an emotional disaster to deal with. Both an attempted date rape and her first loving sexual encounter are sensitively handled, and Leeann's ultimate resolution is hopeful and fitting. While loaded with possible pitfalls, the situations are believable, Leeann is authentic, and teens will recognize the feelings, if not all of the events.
Susan H. Woodcock, Fairfax County Public Library, Chantilly, VA
Copyright 2003 Reed Business Information, Inc.

Most helpful customer reviews

0 of 0 people found the following review helpful.
a sadness I couldn't shake but overall I enjoyed it.
By Nikki
This story was a LOT heavier than I thought it would be. The song reading was an interesting concept but the story mostly focused in family, secrets, and the struggle of being human. Sometimes you can't save people from what is in their mind and you can't heal a sickness they don't wish to be cured of. This story left me with a darkness, a sadness I couldn't shake but overall I enjoyed it.

13 of 15 people found the following review helpful.
Let me add my voice -------
By L. Quido
in praise of Lisa Tucker's first novel.
Tucker's story winds around the "gift" that big sister Mary Beth has been given in a small southern town. Mary Beth, a waitress raising her younger sister and a small adopted son, is a caretaker by nature. She discovers a unique talent, "reading people's lives". Unlike a fortune teller, MaryBeth talks to others about the songs that are important to them, and have been important to them throughout their lives. Mary Beth does "readings" and keeps charts on everyone who comes to her for help, and her advice, gained through an analysis of the lyrics that keep popping up in a client's head at odd moments. To Mary Beth ..."I have a calling in life" .. and her help is usually so on track that a large following in their little town relies on the premise that their own songs are not random, but rather that they have meaning just waiting to be uncovered; something that, it seems, only Mary Beth can do.
It's an interesting premise, and it is background music to the story told by LeeAnn, Mary's Beth's adolescent sister. To LeeAnn, the gift inspires others and puts their little family in the heart of the town....
"... wishing I could go back to when the music was like a spirit moving through our town, giving words to what we felt, connecting us all."
As the tale unfolds, parallel secrets about a prominent town citizen are uncovered through song reading, leading Mary Beth's reputation to tarnish, and her spirits to unravel. At the same time, secrets of their own family -- why their father disappeared, and what role their deceased mother played, are covered up by Mary Beth, who thinks that she is sheltering LeeAnn from knowledge that will hurt her.
Eventually, unhinged by the responsibility for both the family and the town's opinion, Mary Beth begins to fade, and it is then that LeeAnn takes over the indomitable spirit that has kept them going for years.
Although based on a unique and whimsical premise, Tucker's book is really about relationships, the bond between sisters, and about never giving up, no matter how difficult the terrain of your life. Tucker writes lyrically and well, bringing each and every character to life, including the mystical father figure, who finally comes to be a part of their lives again. Both sisters in the tale finally find the one thing, the love between the two of them, that will give them "the strength to handle all the rest".
I so look forward to more from this author, and highly recommend this lovely debut.

0 of 0 people found the following review helpful.
Great book!
By A Customer
Lisa Tucker's first book is wonderful. The clever device of song-reading will spark your interest, but soon you will find yourself immersed in the lives of Leeann and Mary Beth. Be prepared for some late nights as this book is hard to put down. I can't wait for Tucker's next book!

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** Download Ebook 1633 (Ring of Fire), by Eric Flint, David Weber

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While the Thirty Years War rages on, a new force emerges in central Europe - the Confederated Principalities of Europe. This is an alliance between King Gustavus of Sweden and the West Virginians, led by Mike Stearns, who were hurled into 17th-century Germany by a mysterious time warp.

• Sales Rank: #125172 in Books
• Model: 940797
• Published on: 2003-07-01
• Released on: 2003-07-01
• Original language: English
• Number of items: 1
• Dimensions: 6.75" h x 1.60" w x 4.13" l,
• Binding: Mass Market Paperback
• 688 pages

From Publishers Weekly
In this worthy sequel to the well-received 1632 (2000), about a small West Virginia coal-mining town transported back in time to the Germany of the Thirty Years War, original author Flint and coauthor Weber resist the temptation to use modern technology to impose a Pax Americana, instead allowing their transportees just enough high tech to prevail if they can win allies like Sweden's King Gustavus Adolphus. Most of the current book deals with coalition building, as the visitors from the future attempt to remake their new world into one safe for democracy despite opposition from such as Cardinal Richelieu. History books from a now-hypothetical future and antibiotics prove to be more potent than their limited supply of modern firearms, but the most powerful weapons of the new "United States" are its ideas, which now infect the millions of Germans ground under the heels of their princes. Ordinary Germans develop a new faith in themselves and their future when the Americans show them that they can do anything, even fly. Flint, a former union organizer, is particularly skilled at showing how the new converts can make even the "old Americans" uncomfortable in their zeal to achieve the blessings of "life, liberty, and the pursuit of happiness," while Weber helps smooth out characters who were stereotypes in the first book. This is a thoughtful and exciting look at just how powerful are the ideals we sometimes take for granted, and is highly recommended as a reminder of how we can look to others when at our best. (Aug.) FYI: Weber is also the coauthor with Steve White of The Shiva Option (Forecasts, Jan. 28), while Flint is also the coauthor with David Drake of The Tyrant (Forecasts, Mar. 25).
Copyright 2002 Reed Business Information, Inc.

From School Library Journal
Adult/High School-A sequel to 1632 (Baen, 2000), this book continues the saga of a West Virginia town hurled by a mysterious time vortex into the middle of Germany during the Thirty Years' War. The residents, led by Mike Stearns and his 17th-century wife Rebecca, attempt to introduce modern American values like freedom of speech to the people. The story recounts their attempts to build an air force (with biplanes powered by automobile motors) and a navy (which includes a few speedboats that happened to have been in town) to challenge the machinations of Cardinal Richelieu and the armed forces of France, Spain, and England, but the end result has as much to do with individual heroism as technology. Cleanly written, with an enormous cast of interesting characters, this novel is panoramic in scope. The contrast between the societies of Grantville and Europe allows the authors to examine the virtues of American values and show how the Bill of Rights, though closer to their time than ours, is the most revolutionary difference between the two societies. The ways in which modern knowledge is used without a technological base are fascinating and well researched, as is the real historical information that helps create the background world. Throughout, there is constant action and the hint of danger to characters readers care about.
Paul Brink, Fairfax County Public Library System, VA
Copyright 2002 Reed Business Information, Inc.

From Library Journal
When a cosmic accident transports the city of Grantville from 20th-century West Virginia to the German province of Thuringia in 1632, the population quickly adjusted to its new surroundings and began the American Revolution more than a century before its actual time. A year later, the small but powerful country plunges into European politics with aplomb, armed with a knowledge of "history," a host of keen and imaginative minds, and a spectacular array of 20th-century weapons. Collaborators Weber (the Honor Harrington series) and Flint (1632, The Philosophical Strangler) take historic speculation to a new level in a tale that combines accurate historical research with bold leaps of the imagination. Fans of alternate history and military sf should enjoy this rousing tale of adventure and intrigue.
Copyright 2002 Cahners Business Information, Inc.

Most helpful customer reviews

79 of 87 people found the following review helpful.
Very fun Alternate History!
By Ryk E. Spoor
1632 was compared by many (including myself) to S.M. Stirling's "Island in the Sea of Time". They certainly share some similarities -- small part of the USA dropped mysteriously back in time and has to find a way to deal with the problems caused thereby -- but other than that and the "rebuild civilization" general idea that follows from the premise, they're not much alike.
1632, and now 1633, are FUN books. "Island" hammered away at you with the tough details, but Eric Flint instead gives us a more engaging cast of characters overall and less vicious villains.
In fact, even the villains are painted in such a way as to give one sympathy for them on occasion.
One major complaint about 1632 was the character Simpson, a former CEO, who was a foil for the main character and appeared only in two chapters. Eric Flint has told me (and others) that Simpson was a convenience to get things moving, nothing more, and that's why he ended up looking like cardboard. The book was not intended to be a series originally, but it did so well that it would have been foolish to NOT make it a series.
Simpson-the-foil is gone, replaced by a still-obstreperous and uptight, but no-longer-cardboard character who has invaluable skills to the new "United States" that's trying to survive in the war-riddled Europe of 1633. Simpson can still be more annoying than many of the villains, which I actually count as a good thing; it's nice to make the point that someone can be on your side and still not be as nice a PERSON as some of the people who oppose you.
The characterization of Richelieu, the Cardinal who was the true Power in France at the time, is frightening. He is that (thankfully) rare sort, a man of great intellect and wide education who has charisma, empathy, warmth... and an unswervable, Machiavellian determination to achieve his goals. He regrets the loss, yet will order an execution in a heartbeat. While there are certainly other opponents, Richelieu is by far the most formidable single enemy the Americans of Grantville and their allies face.
It's true that a great deal of time is spent with the various factions' reaction to the "other" histories, but I find this more interesting than boring, overall. What's interesting about it is that the various people are reacting TO the histories as PROPHECY -- "Lo, and this shall come to pass if..." -- and trying to "fight the future" (to borrow a quote) by taking preemptive action against it. One has to wonder, though, when they'll realize that the very EXISTENCE of Grantville already changed dynamics sufficiently that their history books were pretty much useless. After this book, they might as well chuck the history books except for whatever strategic and so on material they contain -- there won't be much left to worry about in them.
I won't give many spoilers here -- this is a brand-new book -- but I will say that I find the writing easy and engaging, the main characters fun to follow, and the action enjoyable, while the logic of the reconstruction doesn't overly strain my suspension of disbelief. Buy this one, it's well worth the price.

0 of 0 people found the following review helpful.
Not as good as its predecessor
By Kevin Finnegan
I thoroughly enjoyed 1632 and was looking forward to seeing the story move forward. The sequel, 1633 had a few passages that I enjoyed. Generally speaking, I enjoyed the sections where the "up-timers"; people from our present-day universe, were working on their manufacturing processes and engaging in conversations or conflicts with people from the past. There were, sadly, FAR too many passages that read like a history text book. Yes, it's all well and good to provide context and historical backgrounds for some of the major players and socio-political situations, but when these sections go on for page after page they become quite tiresome.

5 of 5 people found the following review helpful.
Another Great One
By John A Lee III
This sequel to 1632 is a collaboration teaming David Weber with the series creator Eric Flint. The result is a knockout. Weber and Flint work together well and it shows here.

In the original, a modern West Virginia coal mining town finds itself transported to Germany in the middle of the 30 Years War. As is to be expected, modern technology makes a difference. The problem is that the "modern" level of technology is not sustainable indefinitely with the resources available in 1632. While the locals are scrambling to adapt pieces of modern technology to their own ends, the mining town is racing to "build down" to a level where they can sustain themselves. Having a multi front war to deal with at the same time just makes it harder.

The town of Grantville allies itself with the Swedish King Gustav Adolph and nobody likes that. Cardinal Richelieu, doesn't like it. The Hapsburgs in Germany don't like it. The Hapsburgs in Spain don't like it. Charles I of England doesn't like it. The only ones who do seem to like it are those living under the American system of justice. All of the adversaries are joining together to stamp out the interlopers while trying to get the upper hand themselves. The Americans send embassies to France, the Netherlands, England and Scotland. Political intrigue abounds and things get complicated. It is left for Flint and Weber to straighten out the mess. They do so though superior firepower.

Some of the characters from the first book are fleshed out and developed better. Others from the first are mere shadows while new characters are more fully developed. This makes sense. It looks like there is a whole new world for the authors' to play in for some time to come.

Whoopie!

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> PDF Ebook Darkness Falls, by Keith R.A. DeCandido

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A hundred and fifty years ago, in the sleepy fishing village of Darkness Falls, Matilda Dixon would give the local children cakes and treats and accept their baby teeth as "payment." After her husband Sonny was killed in a boating accident and a kitchen fire left her horribly scarred, Matilda became a recluse -- but she still collected baby teeth, now leaving coins behind instead of treats. When two children went missing on their way to visit "the tooth fairy," the townspeople lynched Matilda in retaliation -- just as the two children turned up alive and well. Today, Kyle Walsh lives his life in fear, and has ever since he left Darkness Falls as a boy. Kyle is the only one who knows the truth -- that the spirit of Matilda Dixon has returned to exact her revenge. Now Kyle must return home to confront his troubled past and save his childhood sweetheart Caitlin and her younger brother Michael from "the tooth fairy" -- before she kills again!

• Sales Rank: #1095382 in Books
• Brand: Brand: Pocket
• Published on: 2002-11-26
• Original language: English
• Number of items: 1
• Dimensions: 6.60" h x .80" w x 4.20" l,
• Binding: Mass Market Paperback
• 256 pages

Features

• Used Book in Good Condition

Excerpt. © Reprinted by permission. All rights reserved.

Chapter One

1836

Matilda Dixon was baking a lemon cake when she was told that her husband was dead.

Until then, it had been the happiest day of her life. Every day was the happiest day of Matilda Dixon's life. It saved time and energy for more important things if she thought of it that way.

At first, she had thought the day she first met Captain Sonny Dixon to be the happiest day of her life.

That was later superseded by the day Sonny got down on his knee in the kitchen of Matilda's father's house and asked her to marry him.

That was, in turn, superseded by their wedding day, a glorious spring day in the field behind her father's house.

Then every day of their honeymoon became the happiest day.

Then the day they moved to Darkness Falls to-gether, with dreams of Sonny becoming a successful whaler dancing in their heads, buying the lovely small house on the edge of the woods near the lighthouse.

Then every day of their lives together.

Sonny had taken his boat out several weeks ago on a whaling expedition. Matilda had expected him to return within the week -- probably with another scrimshaw carving to add to the huge collection they had already amassed. Matilda had once joked, "When you grow tired of the sea, you can retire and be an artist."

"But my darling," Sonny had said with that wide smile that had so enchanted her, "I will never grow tired of the sea."

And then he would wrap his arms around her and pull her into an embrace. Mrs. Dixon stood a head shorter than Mr. Dixon, and so whenever they embraced, her head fit perfectly right under his chin, with his arms over her shoulders and her arms around his waist.

Of course, the real reason she wanted him to retire was so that they could have children. He kept promising her, "Just a few more trips at sea," before they would settle down to the business of a family. It was a sufficiently vague promise that did not actually bind Sonny to a particular time frame.

Matilda was, however, willing to wait. Sonny was worth it. Besides, he always kept his promises to her, even if he wasn't always quick about it. When they had first met, he had promised to make a scrimshaw with her face on it. Years went by, and she never saw it, but then, on their second wedding anniversary, he had presented it to her. "I may not be fast," he had said to her with that smile of his, "but I do get there in the end."

Most of Sonny's scrimshaws were displayed in various parts of their small house -- on the mantel, on the end tables, on the kitchen shelves. But the one of Matilda, based on a portrait done of her for her sixteenth birthday, had a place of pride on Matilda's nightstand. It was the first thing she saw when she woke up in the morning and the last thing she saw before going to sleep. During the long, lonely days when Sonny was at sea, it served as a reminder of him that she treasured.

The lemon cake she was making was intended for young Samantha Wellington, who was turning eight today. Samantha loved lemons, and Matilda knew that the young girl would be happy as a clam when Matilda took it by their house.

Assuming, of course, that the rain ever stopped.

The storm had gone on for several hours. Matilda had been glad that Sonny wasn't due back for a few more days. Even so, as the storm brewed, she put the lantern in the window. Normally, she waited until sundown, but there was no sun today, and she wanted to make sure that Sonny could find his way home on the off chance that he came home early.

Not that Sonny Dixon had ever been early for anything a day in his life. But Matilda always held out hope. Without hope, she would never have survived the long weeks without her husband.

The cake was in the oven, and Matilda was struggling to figure out how to transport it in the rain to the Wellington house without ruining it, when the knock came at the door.

It couldn't have been Sonny. It was, after all, his house.

"Coming!" she called out, and headed for the door. When she left the kitchen, a chill came over her. She assumed it to be just the cold, rainy weather seeping in through the walls of the old house, only noticed as she moved away from the warming glow of the oven.

Matilda opened the door only a crack, so as not to let any more of the cold and rain in.

She saw two smartly dressed men, wearing topcoats and hats to protect them from the elements. Matilda recognized them as two men from the town, Mr. Turley and Mr. Jefferson. Both good men; Matilda remembered that Sonny had spoken highly of Mr. Jefferson in particular.

"Mrs. Dixon," Mr. Jefferson said, removing his hat, despite the weather.

"Sorry, ma'am," Mr. Turley added. He declined to remove his headgear. Matilda couldn't bring herself to blame him. The rain had grown worse in the hours Matilda had spent in the kitchen working on the cake.

"Mrs. Dixon -- Matilda," Mr. Jefferson started, then stopped. He took a breath, put his top hat to his heart, looked down, and closed his eyes.

A fist of ice clenched Matilda Dixon's heart. There was simply no manner in which she could conceive that what Mr. Jefferson was about to convey was in any sense good news.

"I'm sorry to be the one to tell you this. Mr. Dixon's boat -- Sonny's boat -- they came up against something fierce out there. They don't think anyone survived." He finally looked up at her with pale blue eyes. "I'm sorry."

A female voice said, "That's quite all right, Mr. Jefferson, Mr. Turley. Thank you both for coming by to tell me this." Dimly, Matilda realized that it was her own voice doing the talking, though she had no conscious recollection of forming those words.

Sonny was dead.

She couldn't believe it.

She wouldn't believe it.

Mr. Turley finally spoke. "We're terribly sorry, Mrs. Dixon."

"Of course you are. You're good men, both of you," the female voice said. "Thank you."

"It's -- it's possible he may have survived," Mr. Jefferson said, "but we didn't think it would be fair to you to -- well -- "

"I understand, Mr. Jefferson. Thank you."

She closed the door on the two men.

In the back of her head, the same part that acknowledged that it was she herself who spoke to the two men, Matilda recognized that she should have invited the two men in. The Dixon house was right on the coast, near the lighthouse, and a far walk from the center of town. Both men would be cold and in dire need of shelter and perhaps a cup of tea.

But Matilda couldn't bear the idea of anyone in the house. Not now. Not knowing that Sonny would never set foot in it again.

"Just a few more trips at sea." That was what Sonny had said every time she had brought up the idea of having children, of having a family. Matilda had lived for the day when she could bake sweets for her own brood, had longed to hear the sounds of small feet pattering about their small home by the lighthouse, had desired so strongly to hear Sonny's voice telling them stories of his adventures on the sea.

Instead, he had one adventure too many.

She turned out the lantern in the living room window. Sonny would never need it to guide him home ever again.

"I may not be fast," he had said once, "but I do get there in the end."

Not this time, he didn't.

Or perhaps he did.

It all depended on how one looked at it, didn't it?

She went upstairs, the Wellington girl's lemon cake forgotten in the oven. She didn't look into the spare room that someday was going to be the nursery for their children. Instead, she went into the bedroom that she and Sonny had shared all too rarely. She walked over to the nightstand and picked up the scrimshaw with her face etched into the ivory.

The remnant of one of Sonny's more successful whaling expeditions, the ivory felt heavier in her hand than it ever had before.

How long she stared at the image of herself, she could not say. She had been prettier then, when she was sixteen. Sonny, of course, insisted that she grew more beautiful with each passing year.

But he was her husband. He was supposed to say things like that.

Besides, he also said that he would always come home to her.

She opened the slim drawer of the nightstand. Inside it lay several carefully folded handkerchiefs. After taking one of them out -- it was monogrammed with a lovely calligraphed "MD" -- she placed the scrimshaw in the drawer amidst the remaining kerchiefs and closed it.

To her surprise, there were no tears for her to wipe away with the handkerchief, as she would have thought. Still, she kept the kerchief handy in case any came.

She went back downstairs and sat in the living room, not bothering to light any lanterns, listening to the rain fall, staring at the scrimshaws all around the house, and not feeling the cold that hovered in the air as the storm intensified.

The lemon cake was ruined.

Copyright © 2002 by Revolution Studios Distribution Company, LLC

Most helpful customer reviews

2 of 3 people found the following review helpful.
GOOD MOVIE TIE-IN
By K. Jump
When young Kyle Walsh loses his last baby tooth, you-know-who comes to retrieve it that night. But this is a very different tooth fairy from the one who came to you and I. The spirit of an innocent woman murdered only because she was different, this tooth fairy is a malevolent specter hell-bent on avenging herself on the town of Darkness Falls by tormenting her killers' children. So instead of leaving Kyle a quarter under his pillow, she leaves him his mother's corpse and the murder rap to go with it.
Twelve years later, Kyle has grown up into a deeply disturbed man, one addicted to anti-psychotics and who always stays in the light...he's tried to put the past behind him, but an urgent phone call from his old girlfriend brings him back to Darkness Falls to face his fears once and for all...
Though Keith R.A. DeCandido's adaptation of the hit thriller doesn't quite match up to the movie in terms of tone, scares, or characterization, it is still a fun, fast book that has its share of high points and definitely makes you want to see the movie. One of the great things about this story is the protagonist, Kyle Walsh, a fully realized and empathetic man of flesh and blood who has lived his whole life in the shadows and struggles to break free. Also, "Darkness Falls" manages to avoid many of the horror genre's typical cliches--though the novelization does succumb to pattern a bit more frequently than the film. Still, a worthwhile read and a great take-off on a beloved fairy tale.

1 of 5 people found the following review helpful.
Stay in the Light
By D. Davis
Let me start off the review by saying that I read the book before I saw the movie and in no way did the book make me not want to see the movie. So, I guess that's a good thing. Let me say next that the book is not scary in the least and at times is pourly written. The word choice is pour and some of the events that take place are done to fast and unclearly. But, those are the bad notes of the book; on the good notes, the book was written by an author who has also written a book based on the tv series "Buffy the Vampire Slayer...At times, the book is something well written that very much deserves to be read; it made me want to see the movie even more (.... So, pick up "Darkness Falls", it will at least make you wonder about The Tooth Fairy and "tricks of the light."

5 of 7 people found the following review helpful.
The Blair Witch has nothing on The Tooth Fairy
By A Customer
...
Seriously, though, it's great to see a horror story come about where creating a frightening story is paramount over a body count.
The story itself, to me at least, seems a bit of a mixture of 'The Blair Witch' and 'Pitch Black'. Also, the main character is not a goody-goody, nor is he the typical bad [guy] anti-hero. Instead, he's just a normal guy who has been tormented for most of his life by images of the Tooth Fairy.
This book was such an easy and captivating read that I finished it one day, and I am eagerly looking forward to seeing it on the big screen.

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