Sabtu, 12 Desember 2015

# Get Free Ebook Eliot's Banana, by Heather Swain

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Eliot's Banana, by Heather Swain

Eliot's Banana, by Heather Swain



Eliot's Banana, by Heather Swain

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Eliot's Banana, by Heather Swain

Things should be peachy.
Junie isn't entirely sure what her problem is. She's just moved into a Brooklyn apartment with her cool longtime boyfriend Leon, a drummer who adores her. She flits through a string of temp jobs in funky thrift store clothes. But beneath her veneer of quirky humor there's a nagging feeling of dissatisfaction about her life.
She's about to go bananas.
When Junie meets Eliot, who is twice her age, and his cat, Alfie, at the vet's office, she's convinced she's found the zest missing in her life. A burnt-out sci-fi writer in search of a muse, Eliot is apples to Leon's oranges. It's not long before Junie's standing in his kitchen being offered a banana...and then some.
Losing herself in the mayhem of a fling, Junie slowly realizes that kinky diversions are a poor distraction from what's really eating her. Only when she stops obsessing about Eliot and starts peeling away the layers of her family's past will she see that what she really wants has been waiting for her all along...and that her future's ripe with possibilities.

  • Sales Rank: #6500898 in Books
  • Published on: 2003-09-01
  • Released on: 2003-09-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.25" h x .80" w x 5.31" l, .90 pounds
  • Binding: Paperback
  • 306 pages

Review
Val Frankel author of The Accidental Virgin Inventive and compelling....You'll get a kick out of Eliot's Banana.

Suzanne Vega Stylish, funny [and] entertaining...a terrific read.

About the Author
Heather Swain lives with the loves of her life -- her husband, her new daughter, and her dog -- in a crooked house in Brooklyn, New York. Her fiction, nonfiction, and personal essays have appeared in books, magazines, literary journals, and online. Luscious Lemon is her second novel. Her first, Eliot's Banana, is also available from Downtown Press.
You can visit Heather anytime at HeatherSwain.com

Excerpt. © Reprinted by permission. All rights reserved.
Chapter One

When Eliot offers Junie a banana, she pauses in the entryway to his kitchen. He squeezes past her through the doorway, lightly touching her shoulder as he goes. He is only a few inches taller than she is, but he is sturdy. Broad chest, thick arms, strong legs. Junie wants to wrap her fingers around his biceps, which she imagines are solid but just a little soft.

The downward-sloping linoleum floor now separates her from where he stands by the cabinets. Coated in a slick patina of splattered grease over chipped and faded turquoise paint, the cabinets nearly gleam in the diluted evening sun. The countertops are slightly buckled. The color and texture of sand. A gently rolling dune. The walls have slipped from an optimistic yellow to a jaundiced beige. Junie imagines the former tenant in these rent-controlled Brooklyn digs. An eager newlywed bride, perhaps, twenty-five years ago painting her happy beach-inspired kitchen that is now so tired and spent it makes Junie yawn.

She covers her mouth to hide the yawn then adjusts her blue vintage cat-eye glasses. Her hands are restless for something to touch. She smooths her bright-red Louise Brooks haircut as Alfie, Eliot's tabby cat, tiptoes across the sloping floor. He stops to rub the side of his mouth against Junie's black-and-white saddle shoe.

Eliot grabs two conjoined bananas from the top of the refrigerator. She can picture him in twenty years, nearly seventy, when the few gray strands that meander through his hair have taken over and he shuffles around this same apartment, his burly muscle gone to fat. She'll be forty-five then. Leon close to fifty. She wonders if she and Leon will still be together.

"I'm not going to eat them," Eliot says. His brown eyes scan the bananas from behind wire-rimmed glasses. He cradles the fruit, then pulls it close to his face. The bananas are holding hands. Young and perfectly yellow from the tip to the top. Then green on the stem with no brown spots. He turns them over carefully as if they were delicate and rare and should be explored for hidden meaning. This is the look he gives Junie each time he sees her. The one that makes her want to peel off her clothes and stand before him shivering.

Alfie butters up to Junie's pant leg and mewls softly. She bends down to massage his tiny kitty shoulder blades and scratch under his chin. The cat watches her intently, blinking periwinkle eyes. (Jacob's favorite crayon color. All his skies were periwinkle.) Junie and Eliot met because of Alfie. Nearly three weeks ago, a few days before she moved in with Leon, she waited in the vet's office with her roommate Katie, who had gotten a kitten to keep herself company once Junie moved out. While Katie was in with the doctor, Junie noticed Alfie's piercing stare from across the room. The cat's handsome, disheveled owner gazed out the window.

Junie walked over to get a better look at both of them. "What a pretty kitty," she said and reached to pet the cat.

Alfie tilted his head toward her hand and sniffed, then licked her fingers. His tongue was smooth, not like the emery-board texture of most cat tongues. The feeling, as if a baby had licked her, lingered on her fingertips.

Eliot studied her. He didn't look away when it would have been polite. She pulled nervously at a string hanging off her sleeve and wondered what to do with her face. Smile? Wink? Furrow her brow? Run her tongue over her teeth like the Pearl Drops girl?

"He must like you," Eliot said, his voice a little ragged beneath mellifluous tones. A radio announcer who smoked too many cigarettes. "He's usually very surly."

"What's his name?" Junie asked and patted the cat's head again.

"Alfie."

"Like the song? 'What's it all about, Alfie?'" she sang.

Eliot frowned. "Absolutely not." Junie pulled at the string, until she had a tiny ball of red thread in her fingers. "Alfie was the computer on Barbarella's spaceship." Eliot stroked Alfie's back and continued to stare at Junie. "You do know who Barbarella is?"

"Sure," Junie said when really she had only a vague notion of Jane Fonda straddling a missile, then thought that was something else entirely.

After the vet's, Junie ran into Eliot everywhere in the neighborhood. At the bakery on Seventh Avenue where pierced and tattooed teenagers sell seven kinds of sourdough bread. Getting coffee at Ozzie's on a chilly morning. Buying the Sunday Times at the Korean deli with the beautiful flowers. During each of those chance encounters she asked about Alfie.

"Why don't you come over to see him," Eliot proposed on a day when Leon was playing a gig in Philly. Junie, flustered and flattered by his attention, agreed.

She looks up at Eliot now. Uses glimpses of him to memorize tiny parts, like constructing a drawing one quadrant at a time. His hair is wild. Full of unruly curls. Dark-brown spirals that grow up and out, never down. Laugh lines like rays of sun reach out from the corners of his eyes.

"The bananas will turn black, you know." He says this like he is mourning the loss of the bananas' innocence. "You can't refrigerate bananas."

"Just like you can't teach an old dog or lead a horse or make a silk purse?" Junie asks.

A perfect comma sprouts in his left cheek as he grins at her stupid joke. "Come here," he says and waves her over with the fruit. "I'll show you what to do for Alfie."

Junie has agreed to take care of the cat while Eliot goes out of town to interview some actress for an article he is writing. They stand side by side in front of the open refrigerator. It is empty except for a jar of sweet pickles, two Chinese take-out cartons, three beers, and several boxes of insulin. Her mother kept Jacob's medicine in the fridge. All of the concoctions meant to save his life became mundane next to the milk and orange juice. "How's it taste?" Junie used to ask him after their mother spooned some liquid into his mouth. "Purple," he would say.

Eliot inserts the tiny syringe into a vial. Junie watches him closely. "The key," he says, "is to get Alfie eating so he doesn't really notice you." He reaches into an overhead cabinet. "The secret weapon." He holds up a tin of Fancy Feast salmon dinner.

"Perfect, darling. He'll have Salmon Chanted evening," Junie quips. Eliot grins the comma again. Their shoulders nearly touch.

"And don't use the electric can opener," he tells her. "It makes him nuts." He dumps the soft food into Alfie's ceramic dish. "Kitty, kitty," he calls.

Alfie darts across the room and winds between Junie's legs before settling in front of the food. Eliot squats down beside him. "I usually pet him a little so he knows I'm here. Then you just pinch the scruff of his neck like this." He holds a fold of Alfie's skin between his left forefinger and thumb. "You try," he says. Junie grasps Alfie's neck gently. "That's right. Hold it while I put the needle in. You have to get it just under the skin. He'll let you know if you go too deep." He slides the needle in expertly. "Hold it so you can feel the right way." Junie takes the syringe in her right hand. "Now push the plunger quickly." She does. Alfie doesn't twitch. "And pull it out." Eliot watches. She likes his eyes on her. Wants to take his glasses off and gently kiss his eyelids. "Perfect," he says.

They stand and she trades him the syringe for his keys. While he throws away the trash, Junie drifts into the living room jumbled with old typewriters and dusty books. The first time she came over she stood in front of the shelves filled with science fiction novels. Eliot told her he had written a successful book in the seventies called Liberty Voyage about an impotent astronaut stranded on an all-female planet. She confessed she'd never read any sci-fi. He lent her Fahrenheit 451 and The Left Hand of Darkness, just to get her started.

She rented Barbarella and found a used copy of Liberty Voyage at the Strand. The back cover hailed Eliot as the Aldous Huxley of the New Wave for his combination of wry social commentary and titillating plot. While Leon played in smoky bars, Junie devoured Eliot's novel, turning down brittle corners to mark the most erotic parts. What fun to know the author! She and Eliot were on the planet. He was inventing sexual devices for her pleasure. She laid the book across her belly and snuggled down into the warm and twisted sheets with his words pressed against her tingling skin. She dozed with libidinous thoughts of Eliot and herself. Then woke suddenly, afraid Leon would return to find salacious passages tattooed across her midriff.

Now, she can't wait to stop by while Eliot is gone, dope up the cat, and explore his apartment. She wants to pick up the framed photographs to see who is important to him. Rummage through closed desk drawers to find secrets among broken pencils and old receipts. Smell his towels. Curl up on his bed. Maybe even try on his shoes.

She looks back at Eliot, who waits in the kitchen doorway with the bananas. A tiny stitch of guilt crosses her brow. Such scheming can't be right, she thinks, then tries to seem engaged in the conversation about fruit.

"Won't you eat them later?" she asks. "Before you get on the plane? You could take them with you."

"Bananas don't travel," Eliot tells her. He holds each one in his fingertips, gently pulls them apart and breaks the stem with a swift crack. "Anyway, I can't eat both of them. Here, you take one."

He lays the fat part onto Junie's outstretched palm. She wraps her fingers around it and considers the ingenious curve, then wonders if accepting phallic fruit from a man other than Leon would be considered cheating.

"They're still a little green. I don't think you can eat it yet," Eliot says.

"That's too bad. I'm hungry."

He opens the nearest cabinet. Saltines peek out. Packets of ramen noodles. Instant oatmeal. Kraft Macaroni and Cheese. Jim, Jack and Johnny stand at odd angles among the other half-empty bottles of hard liquor.

"You don't have to feed me," Junie says and turns to leave because if she really came over just to get the key and not to let her imagination flounder through illicit touches and pilfered kisses, she would be going now.

Eliot follows her to the door. "You sure you want to leave?" He asks her this each time she goes. "You could stay. Let me show you my stamp collection." He wiggles his eyebrows and grins.

Junie smiles over her shoulder. "You don't have any stamps."

pard"Philately," he says.

"Is that some kind of proposition?" she asks, playing the innocent to his randy older man.

He rubs his hands together and nods. He has been tossing out these puerile hints since the first time she came over. She knows they are half-facetious. Designed to make her stammer and squirm. The first time he did it she audibly gasped, then blurted, "But, I have a boyfriend." He belly-laughed and Junie felt caught. The dumb rabbit that went for the carrot underneath the deadfall trap. She thought she'd cry and berated herself for not being a stronger woman. One who could dish it back or at least be offended and stomp out the door. And then what? Never return. No, thank you. Flirting with him was fun.

"So how about it, toots. Is today going to be the day?"

Junie knows if she says okay, the fun will quickly end. "You are forgetting about my boyfriend," she says demurely.

Eliot rolls his eyes. "I wish you would." He reaches for the doorknob.

Junie leans into him so that his fingers graze her arm, sparking tiny brushfires against her skin. She wonders if there is combustion of atoms when they touch. Her protons smashing against his neutrons, creating radioactive isotopes that glow in the dark for hours after they part. Or if all this flirting is really just for kicks.

Eliot pulls the door open and holds it for her. As she steps by, she can smell him -- soap and shaving cream. She leans against the jamb, facing him and he smiles, showing his teeth and the rays of sun around his eyes. The anticipation of an embrace tremors in Junie's joints. Ball and socket. She imagines wrapping her arms around him. Dovetail. At least a friendly hug goodbye. Tongue-in-groove. But she knows her fingers. They are persistent. They would wind themselves into his hair. They would find the back of his neck. They would creep over his shoulders and pull him too close.

She thinks of Leon. Tall and lanky. Cleanly shaven head and a red-gold goatee. A little silver hoop dangling off the top ridge of his left ear. She fell in love with him a year ago when she saw him play the drums at a Mr. Whipple gig. She imagines him at home now, whisking up salad dressing with fresh herbs, marinating portobello mushrooms, waiting for her.

"Junie," Eliot says.

She stands on the threshold. Toes in the apartment, heels in the hall. It would be so easy to turn forty-five degrees, step into Eliot's arms, and send her life on a different trajectory. "What?"

He stops and looks away. Runs his fingers through all that hair.

She holds Eliot's banana against her sternum with both hands. "What?" she asks, a little smile playing at the corners of her mouth.

"Well," he says. "I'll miss you." He shrugs as if it were no big deal.

Junie's mouth blooms into a smile but she is uncertain. Is he serious? Should she step forward and pull him into a kiss, or run away before she gets herself into trouble, or stay cool and not react? Nothing seems appropriate but she has to do something so she tugs on the stem of the banana. The seams rip open to expose pale-yellow flesh. The smell is soft but momentarily overpowers the musty odor of the dank hall.

"Did you know that bananas break into three pieces if you squeeze them right?" she asks. It's a trick she and Jacob discovered. She pulls off the top third of the banana and rolls it gently between her thumb and forefinger. It loosens vertically into three long, thin triangular sections. That's how she and Jacob always ate their bananas. She hands one piece to Eliot. He puts it in his mouth. She does the same. It is dry and acrid on her tongue.

"Eww, gross," she says and steps backward out of the door. "You were right."

Alfie sits beside Eliot's foot. A long purr, or maybe a low growl, rumbles in the cat's throat. Eliot spits the chewed-up banana pulp into his palm. "See you in a few days," he says and slowly shuts the door.

Junie stands on the other side with the rusty bicycles and the granny shopping carts leaning crookedly against the slanting banister. She considers knocking again but hesitates. Obviously, she can't go back in. Eliot probably has the same flirtation going with lots of women. She is nothing special. In fact, she keeps waiting for this little game to wear thin. To see him not as an attractive accomplished artist who finds some spark in her. But as a sad-sack has-been, flirting shamelessly with someone half his age. She wonders when the whole thing will seem trite and terribly embarrassing. That day has yet to come.

For now, though, she decides to go. Leon is waiting. And there will be more of Eliot's attention later. She descends the creaking stairs with the half-peeled banana in one fist and the uneaten third mushy in the other. On the sidewalk, Junie looks for a place to toss the incriminating fruit. There is none but she doesn't want to throw it on the ground. Visions of silent movie banana-peel gags float through her mind. Old ladies with small dogs. Fat men. Women in high heels. They endlessly slip and fall with their feet above their heads. She doesn't want her indiscretion to cause such hazard. So, she carefully nestles the uneaten part into the open banana, then wraps the peel across its fleshy top. She pockets it in her cucumber-colored coat and walks toward home, banana on her breath.

Copyright © 2003 by Heather Swain

Most helpful customer reviews

2 of 3 people found the following review helpful.
Not deep at all
By Gigilicious
While there were some touching moments, for the most part this book was weak. I disliked how long it took the protagonist to find out "what was wrong with her". How about some introspection? It was very obvious. Also the voice of Eliot's cat throughout was highly annoying and distracting.

0 of 0 people found the following review helpful.
Three stories that came together to make one great novel
By Lotus Mystique
According to the Q & A by the author in this book, she originally started out writing three short stories and realized there was a way to intertwine them into this moving novel. After reading this book, I'd say she did a terrific job.

Junie knows that she's still trying to figure things out. Temp jobs by day and the girlfriend of the drummer in a local band. 25 and just moved in with Leon, the drummer. All of this fun and in NYC. Though truth be told we dont find this out about her until we meet Eliot.

Eliot, the sci-fi writer who has a cat with a story all of his own. Alfie, the cat who believes he's been reincarnated. And it is because of this cat that Eliot and Junie meet. Eliot, who is twice as old as Junie, intrigues her beyond anything she's ever known before. Junie is captivated by how quickly her life changes when she meets this writer.

The story progresses and Junie's character becomes more evident. Still burdened by the loss of her brother when she was 8, Junie believes that her whole life she's trying to find out who she is and what she's supposed to do. In the matter of one weekend, her whole perspective changes. It isn't until ending both of her relationships and attemtping to rekindle one that she thought was long gone did she realize who she was and what she was going to do.

Junie may not have things together but her transformation from taking comfort in the past to confronting her present brings a great deal of insight to this novel. The title to this book is quite appropos on many levels. From the innuendo that starts the book off and it is the understanding of how to avoid a slippery peel to confront those things in your life that trouble you.

This may not be your traditional 'chick lit' fare but it certainly is worth the read. Humor and wit, love and heartache, this novel has it all.

1 of 1 people found the following review helpful.
Disapointing!
By DevJohn01
After having read and loved 'LUSCIOUS LEMON' I could not wait to read Heather Swain's first book 'ELIOT'S BANANA', unfortunately it didn't even come close to living up to my expectations.

Junie is a mid-twenty something woman with a wonderful live-in boyfriend who cannot seem to find a career path that suits her. Eliot is a one hit wonder. He wrote a highly successful sci-fi novel back in the late seventies and has not written another book since, now he is a freelance celebrity journalist who lives in a one bedroom apartment with his cat. Although these two are an unlikely match they can't seem to get one another off the brain and form a somewhat awkward relationship. But when Junie is forced to face the realities of her life she realizes that what she is looking for may not be in the arms of Eliot after all.

In my opinion there was very little about this book that was likeable, the main character Junie was spoiled and flaky and Eliot was just the kind of man women steer away from. The story line with the most potential was that of the reincarnated soul of Eliot's cat, however, that was also handled poorly and seemed as though it belonged in another book completely. Hopefully these flaws are just indicative of a first time author and Swain's wonderfully written second effort is the rule not the exception!

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Jumat, 11 Desember 2015

>> Ebook Never Look Back, by Linda Lael Miller

Ebook Never Look Back, by Linda Lael Miller

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Never Look Back, by Linda Lael Miller

Never Look Back, by Linda Lael Miller



Never Look Back, by Linda Lael Miller

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Never Look Back, by Linda Lael Miller

A hungry attraction. A hidden enemy.

Devoted defense lawyer Clare Westbrook, used to working for others, can now call the shots on her own terms. A multi-million-dollar inheritance from the father she never knew has allowed her to start her own practice. And with her teenage niece, Emma, whom she's raised as a daughter, on a school trip to Europe, Clare has been able to focus on turning a storefront in a tough Phoenix neighborhood into the legal firm of her dreams and offering her services to the troubled community. But just as she opens for business, explosive shots take out her street-level windows -- and nearly take her life. Someone clearly has targeted Clare, though she doesn't know who or why. All she knows is she must surrender to Tony Sonterra's protection if she wants to survive....

Sonterra has designs on a career move to the FBI -- and on rekindling his scorching, no-strings-attached affair with Clare. But can the man who sparks her passion be trusted with her life? Or is someone using Clare, the one person Tony has dared to get close to, to get to him?

  • Sales Rank: #1548102 in Books
  • Published on: 2004-08-03
  • Released on: 2004-08-03
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .70" w x 6.00" l, .95 pounds
  • Binding: Paperback
  • 275 pages

From Publishers Weekly
Picking up where Miller left off in Don't Look Now, this sequel sends its heroine—the hard-boiled, whip-smart and very pretty Clare Westbrook—through hell and high water in a bumpy plot designed to showcase Clare's plucky resolve even in the most macabre moments. After setting up a pro bono lawyer's office in an unsavory part of Phoenix, Ariz., Clare receives some creepy visits from a schizophrenic patient of the psychiatrist next door, who spouts strange warnings about dolls. Then Clare finds the patient's body in her pool, discovers another neighbor murdered and stumbles upon mutilated dolls left in her path—and that's just the tip of the iceberg. Assuming the role of protector is Tony Sonterra, Clare's smoldering on-again, off-again lover. Clare's wry humor gives the novel some zing. "It's still early," she says, after Sonterra reassures her that no one is trying to kill her. After a while, though, the calamities lose shock value through sheer repetition, and the end of the novel is tangled in loose ends. As Clare ricochets from mishap to mating dance and back again, she too often leaves us behind, waiting for a defining moment to help make sense of it all.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review
"Linda Lael Miller creates vibrant characters and stories I defy you to forget."

-- Debbie Macomber

"Exciting romantic suspense....Miller a her intriguing best."

-- "Midwest Book Review" on "Don't Look Now"

About the Author
The daughter of a town marshal, Linda Lael Miller is the author of more than 100 historical and contemporary novels. Now living in Spokane, Washington, the “First Lady of the West” hit a career high when all three of her 2011 Creed Cowboy books debuted at #1 on the New York Times list. In 2007, the Romance Writers of America presented her their Lifetime Achievement Award. She personally funds her Linda Lael Miller Scholarships for Women. Visit her at LindaLaelMiller.com.

Most helpful customer reviews

1 of 1 people found the following review helpful.
Sassy Girl
By J. Link
This book was GREAT ! I could not put it down. It's the 2nd book in Miller's series and this book absorbs you into the the characters. The storyline was good, but Miller's writing style is what totally keeps me interested. Very witty !!!

6 of 6 people found the following review helpful.
fine romantic suspense
By A Customer
In Phoenix, attorney Clare Westbrook uses her twenty million dollars inheritance to open an office on the poor side of town to help innocent people who cannot afford a lawyer. Next door mental clinic patient Peter Bailey walks in and warns Clare to beware of the dolls before leaving. Clare is painting her office at night when a drive by shooting shatters her window. The cops arrive including her off again boyfriend Detective Anthony Sonterra, who takes the shaken up Clare to his home.

Tony and Clare talk about their future together. He wants her to move in with him, but she says she will never shack up except in marriage and she is not sure she wants to marry him.

Peter gives Clare an envelope containing thirteen pictures of dolls. Clare calls the clinic's Dr. Tomlinson, who insists Peter is not dangerous. Next Clare's email contains a picture of dolls with a warning, but she does not know why or what the "Dollman" wants of her. People associated with Clare begin to die and arson occurs as the beleaguered attorney wonders who the Dollman is and why is he trying to destroy her?

The return of the cast from DON'T LOOK NOW will excite readers as the lead duo from then and now has grown further in this exhilarating police procedural romance. A secondary subplot involving Clare's assistant adds to the well written thriller that never slows down until the final confrontation between the heroine and the killer. Though the killer comes out of nowhere and his motive seems unreal, romantic suspense fans will look back on the two Westbrooke novels as fond Miller time.

Harriet Klausner

12 of 13 people found the following review helpful.
Comedic romantic suspense at its best!
By Valerie Matteson
This novel is a sequel to "Don't Look Now" and has even more action and mystery and humor as well as the stuttering romance between the main characters. Clare Westbrook is a young defense attorney who has been raising her sister's daughter Emma and trying to cope with the slime and associates of those she defends. Clare wants to only defend those clients who she believes are either innocent or have special circumstances. In the previous book, Clare worked for a sleazy kind of guy who gets murdered. She meets Tony (Antonio) Sonterra, a homicide cop, in the course of her adventures.

This story centers around two main themes: Clare is trying to set up her own attorney's office in a run down part of town and build up clientele without getting injured or worse herself. Tony is trying to protect her. The second theme is the mystery of who is stalking her and killing people around her and why and does it have to do with her law practice or Tony's cop business? There are various secondary themes, some humor and romance with the main mystery being resolved and the romance MOSTLY decided.
Very exciting scenes and very scary scenes.

I like variety in a novel and this fits the bill.

Very much in the same vein as Janet Evanovich's Stephanie Plum series.

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Kamis, 10 Desember 2015

@ Download Ebook Gods and Goddesses in Love: Making the Myth a Reality for You, by Agapi Stassinopoulos

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Gods and Goddesses in Love: Making the Myth a Reality for You, by Agapi Stassinopoulos

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Gods and Goddesses in Love: Making the Myth a Reality for You, by Agapi Stassinopoulos

In ancient times, the Greeks created the gods and goddesses to represent the various personalities of human nature. In Gods and Goddesses in Love, Agapi Stassinopoulos tells the stories of the primary goddesses and gods, and how their myths can provide insight into your own romantic relationships.
Included are two fun and fascinating quizzes: one for women to determine their own dominant personality type and which goddess she most embodies; and a second that will help every woman understand more about the "god" she is involved with, or searching for.
In the book, the seven archetypal goddesses are portrayed in modern terms, highlighting not only each goddess's unique strengths but also the pitfalls or stumbling blocks she is likely to encounter in a relationship with her partner. Also included are interviews with real couples who reveal how they overcame obstacles to find true love.
For anyone who desires the self-knowledge and empowerment to find their ideal other, Gods and Goddesses in Love is an uplifting, instructive, and enlightening guide for achieving greater fulfillment in love.

  • Sales Rank: #1730403 in Books
  • Brand: Brand: Pocket Books
  • Published on: 2004-08-17
  • Released on: 2004-08-17
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.25" h x .60" w x 5.31" l, .47 pounds
  • Binding: Paperback
  • 240 pages
Features
  • Used Book in Good Condition

From Publishers Weekly
"Three thousand years ago, my Greek ancestors tried to identify the forces playing themselves out in human nature and created the eight gods and seven goddesses of Olympus," begins Stassinopoulos in this follow-up to her Conversations with the Goddesses. Here she sketches seven human personality types based on the traits of the famous ladies of Olympus—Aphrodite, Artemis, Athena, Demeter, Hera, Hestia and Persephone. To help readers discover which goddess they most embody, Stassinopoulos offers a 12-question quiz that could have come straight from the pages of Cosmo; there’s a similar quiz designed to help them figure out which god their man most resembles. A Demeter woman, Stassinopoulos writes, "knows mothering as the most honorable occupation for a woman" and would pair well with a Poseidon man, while a Hestia lady is "centered and a great listener," but might need to be drawn out of her shell by a Hermes man. A native of Greece (and, incidentally, the sister of political commentator Arianna Huffington), Stassinopoulos capably relates the deities’ lives to that of contemporary women. But finding an absolute match among the broadly drawn goddesses is difficult and only cursorily addressed. Stassinopoulos’s prose can be both hackneyed and awkward, but her examples of real life couples (e.g. "Elaine and Mike: Opening the Channels of Communication") ground the book’s flights of poetic and mythic fancy.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review
Deepak Chopra author of Spontaneous Fulfillment of Desire The Humanness of Mars and Venus is brought to life by this insightful guide....Stassinopoulos helps men and women gain value as they claim the power of the archetypes in themselves so they can enjoy deeper and more meaningful relationships.

Marianne Williamson author of Everyday Grace Agapi Stassinopoulos brings the Greek goddesses alive. She helps them speak from deep within the heart of the universe, telling us what we need to know to be the women we want to be, attracting the relationships we want to have.

About the Author
Greek-born author and speaker Agapi Stassinopoulos was educated at the Royal Academy of Dramatic Arts in London, and holds a degree in Applied Psychology from the University of Santa Monica. She adapted her first book, Conversations with the Goddesses, into a one-woman show that she performs around the country. She is a frequent speaker at women's groups and business conferences, and conducts workshops on empowerment through the Greek archetypes. Her website is www.sevengoddesses.com.

Most helpful customer reviews

0 of 0 people found the following review helpful.
I expected more
By Constance
I didn,t like it, to me it's too new age. I preferred the book by Jean Shinoda Bolen Goddesses in every woman or The gods of greece by Arianna Huffington which is beautifully illustrated with modern art.

3 of 3 people found the following review helpful.
Profound, Fun and Transformational
By Debbie Robins
Gods and Goddesses in Love by Agapi Stassinopoulos is a dream read. Informative, honest, fun, sexy and transformational, I have been using what I learned about the archtypes literally each and every day. Agapi helped me understand my marriage in a way I had not imagined. She helped me understand other people's relationship both personal and celebrity. She also invoked in me a new sense of who I am, all the aspects combined! and an awareness of how to use my strength, my wisdom, my feminine, my nurturer, my creativity, my magic to make all my dreams come true. Her willingness to share her own story was inspirational. This book is a gem. And she is a true goddess.

5 of 5 people found the following review helpful.
What an inspiring angle
By Soph
I fell into this book by "accident", I am not someone who has been very intersetd in Gods and Goddesses. This book found its way to me and I discovered such valuable information about myself and my husband. The author is genuine and inspiring. It was a "happy accident" for this book to fall in my lap.

I reccommend it to those that already have a relationship to deepen what you have and to those who are not in a relationship as a way to create a fulfilling one. Great read.

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Rabu, 09 Desember 2015

** Download PDF Dress You Up in My Love, by Diane Stingley

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Dress You Up in My Love, by Diane Stingley



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Dress You Up in My Love, by Diane Stingley

Her life's becoming a nightmare.
Samantha Stone could have a wonderful life if only other people would cooperate. Like Greg Irvington, for instance. He's the man Sam always knew she'd end up with...right up until the moment he told her he's in love with someone else. Then there's her family, who have this annoying habit of disapproving of the way she lives. And don't even get her started about the holidays, which Sam would really prefer to be cancelled for a year or two -- at least. All that changes when Alex Graham comes into her life.
He's the man of her dreams.
Alex Graham is smart, sexy, successful, sensitive, and ready to commit. There aren't many guys like him around; in fact, there aren't any. He's a figment of Sam's imagination -- one she makes the mistake of mentioning to her friends, her family, and Greg because she's tired of going it alone. And why should she have to when there are struggling actors like Mark Simpson eager to take on the role of Alex? Everyone who meets him swoons. Pretty soon, though, Mark's taking his role so seriously that Alex is more trouble than a real boyfriend. It's quickly becoming obvious that in order to reclaim her life and her self, Sam is going to have to end the charade...and break everyone else's heart in the process.

  • Sales Rank: #7045824 in Books
  • Published on: 2003-12-02
  • Released on: 2003-12-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.25" h x .90" w x 5.31" l, .60 pounds
  • Binding: Paperback
  • 320 pages

From Publishers Weekly
Samantha Stone, a wisecracking, 30-something freelance photographer, copes with the ramifications of a little white lie in Stingley's cute debut. To escape one more round of Yahtzee on Thanksgiving, Sam invents a date and a boyfriend. "Why isn't he spending Thanksgiving with his family?" Sam's mother asks. "He's an orphan," Sam quips. More improbable, fictional details follow, and before she knows it, she's got to hire an actor. Fake boyfriend Alex Graham fools a whole host of folks: lesbian best friend Shelley, exasperating ex Greg, comically silent Uncle Verne and anti-bacterial soap fanatic Mom. There are certain advantages to hiring a boyfriend for holiday parties, Sam discovers: "I'm telling you, Halle Berry could walk by topless and if I'm there, he wouldn't give her a second look." But there's a downside, too: the actor, Mark Simpson, is a little too serious about his craft: "I'm looking for the person underneath the orthodontist who skydives. Why did I become an orthodontist? What was my motivation?" Stingley sometimes slips from funny to just plain corny, but Sam's voice is winning, even when she's spouting drivel. With an ending that's hopeful rather than picture perfect, this is a bright, fun and fluffy modern fairy tale.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

About the Author
Diane Stingley lives in North Carolina. Her first novel, Dress You Up in My Love, is also available from Downtown Press.

Excerpt. © Reprinted by permission. All rights reserved.
Chapter One:

Karma is just a nice way of saying
the universe holds a grudge.

I've got the worst karma of anyone I know and it's completely undeserved. I'm a nice person. I never get in the express line with more than ten items and pretend I didn't see the sign. I use my turn indicator. Whenever a charity sends me address labels, I always send them a check. Not a huge check, but still. I put one of my own stamps on the return envelope.

So maybe I wasn't such a nice person in my previous life. I don't see why the current me should be held accountable. I wasn't even born at the time.

According to some, karma isn't about rewards and punishment, it's about learning. Life is a school, and we keep coming back until the universe thinks we've learned enough to graduate. If that's the case, I may need some tutoring 'cause I don't think I'm getting it. Maybe God needs to revise the curriculum. I hope She at least has the decency to grade on a curve.

Not that I've thrown in the towel. I keep trying to improve myself. Just recently for example, I was going to quit smoking. I'd picked the day after Thanksgiving as D day and planned to retreat inside my apartment and go cold turkey. Cut off all contact with the outside world until my nicotine withdrawals and subsequent homicidal urges were under control. I'd devised this plan months earlier. I usually work two or three Saturdays a month because as a freelance photographer, weddings are my bread and butter. I'm kind of in demand, as a photographer anyway, and I needed to give myself enough lag time to make sure I could keep my Thanksgiving weekend free.

Once the smoking thing was handled, I'd tackle some of the other issues in my life. Like making it work.

I was serious this time. Really motivated, something I try to experience at least once a year to keep on my toes. It so happened I'd had a rare moment of clarity on my last birthday. As I lit my after-dinner cigarette, it came to me that I'd been smoking for twenty years. Ever since my best friend and I snuck that pack out of my mother's dresser and spent the afternoon smoking in the park. She went home sick as a dog and never had another cigarette again. I went home, had a bite to eat, excused myself, and hung my head out the bathroom window for my first after-dinner smoke. I was fourteen and a confirmed cigarette addict for life. And now, unbelievably, I was thirty-four and I'd been a smoker longer than I'd been a nonsmoker. Where does the time go?

The night before Thanksgiving I went to bed filled with a deep sense of self-satisfaction. In thirty-six hours I'd be taking the first step toward getting my act together. It gave me something to look forward to.

The next morning, the phone rang. I didn't know it at the time but that phone call was going to ruin my beautiful plan and a few months of my life. I never know anything at the time. What little I do know I've figured out later when it can't do me any good.

"Hey, Sam," I heard, "it's Greg."

"Greg?" I asked groggily.

Not the brightest question in the world, I admit. Like he's going to check his driver's license to make sure: Did I call myself Greg? I'm sorry, it's Ralph. I don't know what I was thinking. But I'd been asleep when the phone rang and it takes me a while to regain consciousness. Some days, the transformation is never complete.

"Were you asleep? Sorry, Sam. I'll call you back."

"No, that's okay. I'm awake. Kind of. What's up?"

"How late is your family thing going today?"

"Not real late. We usually tip the excitement meter over the pumpkin pie around five, launch into our heart-pounding Yahtzee games, and then start winding down around eight, before it gets out of hand and one of the neighbors calls the cops."

"Could you meet me at Bogart's around nine?" Greg asked.

"Tonight?"

"Yeah."

"Uh, sure. Is everything okay?"

"Everything's great. There's just something I wanted to talk to you about."

"Give me a hint."

"No. You won't rest with a hint."

"Yes I will."

"Sam."

"Okay, okay. I can meet you at nine. I can be there at six. Give me a good enough cover story, and I can be there all day. Please. You'd be doing me a favor."

He laughed, a real laugh-out-loud kind of laugh, which really woke me up. Greg isn't a laughing-out-loud kind of guy. Imagine the funniest joke you've ever heard by your favorite comedian. On a good day, the joke might get a quick chuckle out of Greg.

"See you at nine, Sam. Have a drumstick for me."

He laughed again and hung up. I sat there and smoked a cigarette, wondering what this phone call from Greg and desire to see me on a national holiday meant exactly in terms of the current dynamics of our evolving relationship. I've read way too many self-help books.

I probably could have mastered the theory of relativity with all the time I've spent trying to figure out my relationship with Greg, but I prefer to keep the workings of the universe a strange and wondrous mystery. Like my brain.

With the exception of my family -- and they were thrust on me when I was too young to know any better -- I'd known Greg longer than anyone else on the planet.

Looking at the neighborhood I grew up in, the small tract homes in Orange County, California, it might seem hard to believe that anything much ever happened there. But it did: families lived there. There were secrets to hide, problems to pretend didn't exist, neuroses to develop and nurture along to adulthood. Life in suburbia wasn't all just lawn mowing.

Greg's family, the Irvingtons, already lived in the neighborhood when my family moved in. For us, it was a huge step up. Out of an apartment and into a real house. Our own mailbox and a garage and a front yard. It took my parents years to save up for the down payment. I was six and what my aunt Marnie liked to call a surprise package because I came along right about the time, after years of trying to have a baby, that my parents had started looking into adoption. My mother was thirty-two when I was born. It was a difficult birth -- maybe I'd had a premonition of what lay in store for me outside the womb -- and she wasn't able to have another child.

Mr. and Mrs. Irvington didn't consider our neighborhood a real home. For them, it was just a temporary stop on the road to success. Unlike my father, Mr. Irvington had big plans. He'd started out in construction, but he could see the future coming. He saved every penny and invested in small land deals, and then bigger ones. Mr. Irvington helped make Orange County what it is today, and may God have mercy on his soul.

My mother and father didn't know any of this. To them, a neighbor was a neighbor. You go over and introduce yourself. We were too busy unpacking on the weekend we moved in to go out visiting, though a couple of families came over to say hello. But not the Irvingtons, who lived right next door.

On Monday, after I got home from my new school, Mom said we were going to introduce ourselves to some of the neighbors. She'd baked some of her "famous" oatmeal raisin cookies, and put them in festive little packages. Individually wrapped, with tags that read: From the Kitchen of Theresa Stone. My parents were raised in Ohio, where this kind of behavior is considered perfectly normal.

Off we went, and most people were pretty nice. Until we got to the Irvingtons. Not that Mrs. Irvington was out-and-out rude. Just patronizing. How sweet. Homemade cookies. But she was on a diet, and it was better not to have sweets in the house. Too much of a temptation, and she had to be able to fit into her evening clothes. She and her husband had so many social engagements. His business was booming, and, as they say, more deals are made over martinis than in the office.

Yes, she did have children about my age -- Michael four and Gregory six -- but she didn't like them having too many goodies. And they were so busy with all their various lessons and activities that they had very little time to play. It's so important to make sure children have a well-rounded education, don't you agree? Although between her children's activities and her husband's social obligations, Mrs. Irvington sometimes felt like she didn't have a minute to herself. That's why she didn't care for people dropping by unannounced. You understand.

When we left, I told my mother I thought Mrs. Irvington was a mean lady. My mother, being my mother, told me no, Mrs. Irvington was very nice, only busy, and it was wrong for me to call anyone mean. And parents wonder why their children stop telling them anything.

But one thing even Mrs. Irvington couldn't control was the power of the vacant lot. Today you probably won't find any left in Orange County, but back then it seemed like every neighborhood had at least one, drawing in all the kids like a magnet no matter what the adults said about it.

The first day I showed up, there was a game of softball going on, but I was too shy to ask if I could play. So I stood on the sidelines watching. Someone hit a fly ball, and it came right at me. Without really thinking about it, I caught it. All hell broke loose.

The outfielders thought it should count as an out; the team at bat most definitely did not, especially since I was just a stupid girl. I stood there holding the ball, waiting for the world to swallow me up. Then the kid who hit the ball walked over to me, and everyone stopped shouting. He said the catch would count but only if I could be on their team.

A few of his team members muttered a little, but no one argued with him. Kids always have a pack leader, and on that field, it was him. He radiated total confidence and authority, two character traits I still haven't mastered. He was the coolest kid I'd ever seen. The coolest anyone I'd ever seen.

"Can you play outfield?" he asked.

I nodded my head, even though I'd never played softball before in my life.

"You need a glove," he pointed out. I nodded again, intending to demand my mother buy me one as soon as I got home. "I've got an extra one you can use. Come on."

I handed him the ball.

"I'm Greg," he told me as we walked toward the game.
0

"My name's Sam."

"That's a boy's name."

"It's my nickname. From my dad. My real name is Samantha."

"That's a better name."

"I like Sam better."

"But it's a boy's name."

"It's a girl's name, too. Like on Bewitched. Darrin calls Samantha 'Sam' lots of times."

That stopped him in his tracks for a minute.

"Yeah," he said finally, "but that's kind of a dumb show. Except for the old lady witch. She's funny."

"You mean Endora?"

"Yeah. She's a crack-up. I hate that Darrin guy."

I didn't have the words for it, but for the first time in my life I was talking to someone that saw life the way I did. The first someone I'd met who understood that Endora was right on, and Darrin was a boob, and why in the world would Samantha have given up a glamorous, jet-set witch life for a dumb, boring life with dumb, boring Darrin?

It wasn't until we walked home, his brother Michael tagging along behind, that I realized he lived next door with the mean lady. I never could think of her as his mother.

Four years later, almost to the day, the Irvingtons had enough investments and deals simmering to make the first of their moves, moves that would eventually lead them to a custom-built house in Laguna Hills and entrance into the ranks of Orange County society. Such as it is.

The day Greg moved was awful. I didn't want to go over and say good-bye because that would mean it was really happening. And I didn't understand how he could be so excited about this most terrible thing that had ever happened to anybody. Namely me.

"Can Sam come and spend the night some time, Mom?" Greg asked. "So I can show her all my new stuff?"

"We'll see, Gregory," Mrs. Irvington answered.

"Can she come over to swim, too? We have a pool, Sam. A huge one," he told me, spreading his arms wide.

"Gregory, you and your brother have a lot going on this summer, as I'm sure Samantha does. And Newport is a long drive from here. We'll see, but I don't want you to count on it."

"Maybe her mom could drive her over."

And my mom, bless her heart, who'd brought me over to say good-bye in spite of the fact that Mrs. Irvington intimidated the hell out of her, spoke right up.

"I'd be more than happy to do that. Or to come and get Greg and bring him back here to play with his old friends. And Michael, too, if he wanted to come."

"Oh, Theresa, that is so sweet. And isn't it lovely that you have that kind of time. But honestly, we're just going to be so busy this summer."

"But Mom -- "

"No more buts, young man. We have a lot to get done today. Why don't you say good-bye to Samantha now."

"Now? But it's only morning. You said it would take all day for them to load up the van. You said -- "

"Gregory, I don't want to have to tell you again."

And then Mom, bless her heart doubly, asked if we could have their new phone number so I could call in a few days to say hello.

Mrs. Irvington told her that they didn't have the phone installed yet, but she'd give us a call when it was in. Mrs. Irvington said she didn't think the move was going to be very hard on Gregory, once he saw how much nicer his new house was. Once he got to swim in his own pool and go to the beach all the time because it was so close. Mrs. Irvington said it was time now to say good-bye.

I didn't see or hear from Greg for eight years.

Copyright © 2003 by Diane Stingley

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2 of 3 people found the following review helpful.
Dress You Up in My Love
By Reader in NC
Diane Stingley is a community columnist for a newspaper in my area. Her style is satirical, witty, and so on target. Her subject matter is usually us--Americans and the culture we are trapped in. When I heard she had written a novel, I knew I would have to read it. I devoured Dress You Up in My Love in a couple of days; it took that long only because I wanted to savor the humor. Several times I laughed out loud. "Nothing like finding out you're gay to straighten out your life" was my favorite line. I haven't laughed this much since I read Raney by Clyde Edgerton a few years back. The first-person narration is perfect for this story. The ending is a roller coaster ride. Buy this book for your summer reading; you and your friends will take turns reading it. I hope Diane is working on another one!

0 of 1 people found the following review helpful.
Not So Original
By E Anderson
I felt like I've seen or read this before, it's very predictable. It reminded me a lot of a few movies I've seen, namely "The Wedding Date". The plotline is an overused story of hiring someone to take the place of an imaginary boyfriend. The ending is very blunt and anticlimactic!

5 of 6 people found the following review helpful.
Great read with wonderful character development!
By Aimee
I just finished this, and I really enjoyed it -- a lot more than I thought I would, even. It's more than just your typical chick lit book, despite the silly romantic comedy premise. (By the way, the silly romantic comedy premise was an awful lot of fun, and the reason I bought the book in the first place, so don't think I'm knocking it. I'm not.) Instead, we get a genuine, interesting novel about a set of characters who felt like real people. Even when the author was playing things up a little for comic effect, none of these characters felt like caricatures or cartoons -- they always came across as real people. The plot did get slightly ridiculous in places, but hey, what can you expect from a novel in which a woman hires an actor to play her fake boyfriend at family gatherings? It never got absurd, though.

And best of all, I felt like Samantha had really grown and changed thoughout the course of the novel. She had a newfound understanding of herself and her relationships with other people by the end of the book. The character development was very satisfying to watch.

I also loved the author's style -- deadpan and sarcastic without being cynical or mean. Very funny stuff; I was laughing out loud in places.

Good book! I'm going to be looking out for more by this author!

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Senin, 07 Desember 2015

>> Ebook Star Trek: The Original Series: Constellations AnthologyFrom Pocket Books

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Star Trek: Constellations is a mind-blowing collection of specially-commissioned stories designed to go where no anthology has gone before. Featuring the iconic heroes of the Star Trek universe -- the legendary characters who were the inspiration for all those who followed -- this treasure trove of untold tales recreates all the sense of adventure that marked the original Star Trek when it first burst on to our television screens in 1966. Each story takes as its inspiration an element of 'unfinished business' from the original series so that they read like 'lost episodes' of the television show, exploring aspects of the Star Trek crew and their adventures which have intrigued Trekkers ever since the original series ended. The result is a magnificent tribute to the series that changed the face of television history and will have millions of fans worldwide feeling as though they have just discovered a whole 'missing' season of their favourite show.

  • Sales Rank: #510643 in Books
  • Published on: 2006-09-05
  • Released on: 2006-09-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 1.20" w x 6.00" l,
  • Binding: Paperback
  • 382 pages

About the Author
Marco Palmieri is a popular editor, writer, and walking encyclopedia of Star Trek lore. He lives with his family in New York City.

Excerpt. © Reprinted by permission. All rights reserved.

First, Do No Harm

Dayton Ward & Kevin Dilmore

Blood was everywhere.

Revati Jendra knelt before the young male's motionless form, fighting to bring her breathing back under control after the harried sprint from her clinic to the village's small ironworks. Coughing as she inhaled some of the building's sooty, metallic-tasting air, she pried open the injured adolescent's eyes to see that his large, black pupils remained sensitive even to the dim, orange-hued light within the metal shop. That was a good sign, at least a somewhat better sign than the pale pink blood staining his chalk-white hair and widening into a disturbingly large pool where his head rested on the bare, dirty floor of the shop.

"He just fell, Beloren," said a voice from the crowd, addressing her, as nearly all of the villagers did, by the Grennai term for "healer." It was a name to which she'd grown accustomed during the year or so she had lived and worked among them. "He started shaking and then just let go of the ladder."

A growing crowd of concerned friends and co-workers -- all of them, Jendra thought, appearing too young to be working in such a place -- began to encircle her as she lowered her ear to the injured male's lips, listening and feeling for even the faintest breath.

If only they weren't hovering over me, this could go so much more damned quickly.

Spasms abruptly wracked the young man's body, and Jendra reached down to support his head with one hand while rolling him to one side in case he started to vomit. "I need help to move him," she called out to no one in particular as he continued to tremble. "We have to take him to the white home right away." Though possessing only rudimentary facilities, the Grennai hospital and its staff would probably be able to see this young man through most of his injuries. As his seizure started to fade, however, Jendra began to suspect that the man's fall had been no mere accident.

In a practiced move, she reached into the pocket of her frayed, homespun overcoat and retrieved a small, light-colored cloth. Hoping her actions appeared to the onlookers as trying to staunch the flow of blood from her patient's wound, Jendra activated the small Starfleet medical scanner concealed within the cloth. Pressing it against the dark skin of the man's head and watching as it turned pink with his blood, she manipulated the hidden, silenced device in order to determine the extent of his injuries. While his neck and spine were undamaged, the scan had detected a small tumor within the man's brain, and Jendra recognized it as the likely culprit behind the man's seizures.

"Step aside," said a strong, deep voice, that of Crimar, the ironworks supervisor. Jendra looked up to see the burly Grennai and one of his workers carrying a makeshift stretcher. Sweat matted their stark white hair to their heads and soot stained their rough, woven clothing. "We will carry him, Beloren."

"Just a moment, Crimar," she said as she searched through her worn, leather medicine satchel. While she knew the bag did not contain what she needed to eliminate the tumor, which under Grennai medical standards would be undetectable and eventually fatal, Jendra was sure she could cure the young man given a little time and privacy. Unable to administer a hypospray in the midst of the onlookers, Jendra opted for an oral dose of trianoline. She slipped the small strip into his mouth, where it dissolved instantly on contact with his tongue. Within moments, the medication would begin to relieve some of the trauma the fall had inflicted upon his brain.

After taking an additional few moments to wrap the man's head in a thick bandage, Jendra pointed to one of the workers and had him kneel next to her. She handed him another wad of cloth, instructing him to hold it against the victim's wound.

"Keep pressing here until you get to the beloren at the white home," Jendra ordered as she rose and waved to Crimar. "Take him now. I'll follow after you." She stepped back, allowing the supervisor to direct two workers to load their comrade onto the stretcher.

After directing the rest of the workforce to return to their respective tasks, Crimar turned to Jendra. "Thank you for coming so quickly, Beloren," he said. Though normally she found his accent as he spoke in his native language to be fluid and almost musical, on this occasion his tone was flat and emotionless. "But he has lost much blood. Surely he will die?"

"Not if I can help it," Jendra replied, the resolve in her voice abruptly shattered beneath the force of a ragged cough that hunched her aging, slender form. Seeing the look of concern in Crimar's wide eyes, she offered a weak smile as she wiped her mouth. "I'm fine, my friend. It's merely the soot in here. Maybe you could tidy up for me the next time I pay a visit?"

A wide smile creased Crimar's dark features. "I hope that is not for some time, Beloren."

Jendra patted his shoulder as she suppressed what would have been another coughing fit, then gathered her meager medical bag and headed for her home. As she walked down the village's main thoroughfare with its dual row of one- and two-story wooden frame buildings, she hoped she would not have any patients awaiting her return. Still, she knew that as the villagers became more accustomed to her presence, they would come in a steady stream even for the most minor of ailments. That seemed to be the way of the Grennai as she moved from settlement to settlement, this one her fifth since her return to this planet more than a year earlier.

While her personal mission of medical duty on this decidedly primitive world -- catalogued in Starfleet databases only as NGC 667 -- had not gone precisely as she originally planned, Jendra managed to allow herself some small measure of satisfaction in her accomplishments this afternoon as well as what she would do for her latest patient at the first opportunity. Thanks to her, with an admitted assist from her borrowed Starfleet-issue medical equipment, one young man's life would change for the better.

The least I can do for these kind people, and we should be doing a damn sight more.

Hoping to catch a little rest before following up with her patient, Jendra opened the door to the clinic that doubled as her home. Moving shadows in the hallway leading to her examination room caught her by surprise, though, and she stopped. Hushed voices -- she could not make out any words -- carried from the far room.

Making her way down the hall, minding her steps so as not to clatter her hard-soled shoes against the wooden floor, Jendra peered into the exam room and saw three cloaked figures searching through her belongings. They seemed to know exactly what they were looking for and were gathering specific items atop her worktable: two Starfleet medical tricorders, a communicator, assorted surgical instruments, a hypospray kit, and other equipment that was at extreme odds with the room's comparably primitive trappings.

Her temper flaring at the violation, Jendra burst into the room, hoping to catch the intruders off guard. "Just what the hell do you think you're doing here?" she shouted.

Three Grennai males looked up at her with matching expressions of alarm, though none of them moved from where they stood. Instead, one of the men regarded her, his features changing from shock to what Jendra read as annoyance. In a firm voice, he said, "I've been waiting to ask you exactly the same question, Dr. Jendra."

The words were in Federation Standard, rather than the language native to Grennai in this region. Jendra's jaw dropped as she fumbled for her own response. She remained silent as one of the other men stepped forward, his hand reaching up to move his hood back from his head, and Jendra was startled to realize that she recognized his face.

"Revati, we need to talk."

Despite the darkened skin, white hair, and obviously prosthetic ears, there was no mistaking the voice of Dr. Leonard McCoy.

McCoy watched as Revati Jendra -- cosmetically altered just as he was to resemble the indigenous Grennai -- regarded him with an expression first of shock, then confusion before comprehension dawned and a wide smile creased her aged features.

"Leonard?" Jendra exclaimed, stepping forward to clasp both of his hands in hers. Smiling, she said, "I never thought I'd see you again, least of all here."

"You're not exactly the easiest person to track down," McCoy replied, relief at seeing her seeping into his voice. "I've been worried about you. A lot of people have."

Her smile fading, Jendra cast her head downward. "I can imagine." She cleared her throat before returning her gaze to meet his, and McCoy saw a hint of regret in her eyes. "Not a chance this is happy coincidence, I suppose."

"You suppose correctly, Doctor."

Even with his normal features disguised beneath the darkened skin tone and the artificial hair and ears, there was no hiding or suppressing James Kirk's command presence. McCoy saw the familiar set to his captain's jaw as he stepped forward to confront Jendra. "We're here to take you back with us."

She glanced at McCoy before offering a warm, knowing smile the doctor would have recognized regardless of the situation at hand. "You must be Captain Kirk," she said. Looking at McCoy's other companion, she added, "And Mr. Spock. Leonard has spoken very highly of you both." She held out her hand in greeting.

As if unprepared for Jendra's lack of initial resistance, the captain paused before nodding. "Thank you," he offered, his tone less rigid now. As Kirk and Jendra shook hands, McCoy noticed the slight yet obvious relaxing of his friend's stance and, yes, even the first hints of that now-familiar glint in the man's eye. For Jim Kirk, turning on the charm for a woman -- any woman -- seemed a reflex as natural as breathing.

"I'm sorry we have to meet under these circumstances, Doctor," Kirk said after a moment, his tone all business once again, "but I'm afraid Starfleet can't allow you to remain here."

Pulling herself up as...

Most helpful customer reviews

17 of 18 people found the following review helpful.
A Poor Anniversary Present
By R. Spottiswood
This collection begins with an intro by David Gerrold, one of the writers for the original show, reminding us of what it stood for. It gave me very high expectations for this anthology, which the stories could not match. The first story is about reasons for breaking the Prime Directive. It is a good but not great story. The second story is about Sulu's first landing party command. It is mechanistic and there is very little feeling in the writing. In the third story, Chekov and McCoy visit Iraq, and are of course shocked by the behaviour of the soldiers. Technically, it is set on a different planet, but other than changing guns for phasers, the author made almost no changes in describing an American army unit. You can't simply slap a delta symbol and a red shirt on an American G.I. and call him Starfleet Security, the behaviour patterns and mindset are too different. It is not a Trek story. Plus it is just not a good story. To top things off, this was written by Howard Weinstein. I was certain that he, of all these authors, would have written an enjoyable story, and instead I get this.

The fourth story is a considerable improvement. It is that Star Trek standard, the crew caught between two feuding parties until they can figure out enough to bring the two sides to the negotiating table. I love this type of story. Plus, there is some great sense of wonder stuff too. It's a little metaphysical for me, but is very well written. However, this story was for me marred by the gratuitous inclusion of another "American Empire" Starfleet officer, commanding the station the Enterprise visits. There is no reason to include such an attitude in the story. The fifth story is a genuinely good story. The ship's in trouble, Spock's in trouble, and McCoy and Kirk have to save both. The next story is Christopher Bennett's. The idea is interesting, but this guy just has no subtlety. Everything is right in your face, with no depth. The next story isn't much better, too short and too simplistic.

Then comes Dave Galanter's The Leader, starting an end run of five good stories. The Leader is probably the best writing of the whole collection, and leads all categories except most entertaining and most moving.The next story features Scotty and Sulu sharing command of the Enterprise. It is the story with the coolest sense of wonder features, and is a very good story overall. The tenth story is a bit of a look into Spock's past, and the specific circumstances that led him into Starfleet. It is also a story about how people change, for better or worse. It is a quite good but not great story. The eleventh story is Jeffrey Lang's, of Immortal Coil fame. It's the humour story, and he does a wonderful job. The final story is one of the most moving Trek stories I have read.

The Original Series is, to me, a setting about hope and idealism and exploration. I would not recommend this book to fans of the Original Series. This is a very dark depiction of the Federation. The post-Dominion War setting is dark, moody and introspective, and much more appropriate for these stories. So much for the intention to celebrate 40 years of Star Trek.

8 of 9 people found the following review helpful.
An OK Collection of Star Trek Stories!
By Mike O'Connor
It's hard to accept that 40 years have gone by since James T. Kirk and the stalwart crew of the USS ENTERPRISE swept into American consciousness. What a handsome, endearing bunch they were...and what exciting, often uplifting adventures they had! Assembled to promote STAR TREK'S 40th anniversary, this short story collection advertises itself as being "...in (the) grand STAR TREK tradition"(that) "recaptures the magic of the world-renowed television series..." Sorry folks, I don't agree.

I gave this anthology three stars for several reasons. First, I wouldn't rate any of these stories as page-turners. Most are workmanlike efforts but none captured the spirit of excitement or wonder generated by the televised episodes as in "BOLDLY going where no man has gone before." Obviously different readers have different tastes but none of these stories had me going "wow, what happens next!?!"

Secondly, very few of these stories captured the lightning in the bottle -the nuances of the Kirk-Spock-McCoy relationship - correctly. By that I mean, getting so in tune with those characters that the reader thinks "gosh, that's just how McCoy would say it and how Kirk would respond" and so on. 'Fracture' and 'The Leader' come closest but the rest read like generic science fiction tales where you could change all the names of the characters, ship names, etc. and still have a perfectly acceptable science fiction yarn.

Having said all that, I don't doubt devoted Trekkers, perhaps trying to savor once again the excitement and wonder and good feeling of the original series, will buy this book no matter what the reviewers say. That's why I bought it but no such luck.

5 of 6 people found the following review helpful.
Some great stories with the original Star Trek heroes
By David Roy
2006 is the 40th anniversary of the entire Star Trek phenomenon. Much like the last couple of years, which have had anniversary anthologies for various Trek franchises, Pocket Books has now published one for the Original Series. Once again, editor Marco Palmieri has chosen from the stable of current Trek writers as well as some up-and-comers to put together a very nifty group of stories that holds your interest throughout. While some are certainly weaker than others, I can honestly say there isn't a bad story in the bunch. All of the stories take place during the original five-year mission, and few of them are "sequels" to episodes, trying to explain a discrepancy, or anything like that. I found that refreshing, actually, with continuity references kept to a minimum.

Probably the best story in the bunch is the last one (except for the TokyoPop Manga story that ends the book, but that story is actually a promo for the comic anthology) is "Make-Believe" by Allyn Gibson. It's about what Star Trek is to us regular people, not a story about Kirk & Spock. A young boy, whose father has been killed in Iraq, has lost himself in the fantasy world of Star Trek, even going so far as to throw a fit when his teachers try to take away his action figures. Something is going on inside his mind, something that his harried mother, who doesn't understand neither her son's nor his father's interesting in all this sci-fi stuff, can't quite figure out. When she finally does, though, maybe both of them will begin to heal and be able to live again. This is almost a warning story, in a way, telling us not to lie to our kids when we don't know what's going to happen. It can have great and horrible effects if you're not around afterward to discuss it. Gibson does a great job with this one, and it definitely brought a tear to my eye. One political statement (though understandable, considering it's uttered by the mother) seemed out of place in the rest of story about emotions, but that's the only thing that came close to marring this beautiful story.

Another wonderful story is also near the back. "Where Everybody Knows Your Name" by Jeffrey Lang. This story is an outright comedy, and it's a pretty funny one too. The Enterprise is near the end of the five-year mission, and it's starting to get really stuffy, no matter how good the air filtration is. McCoy's beginning to go stir-crazy, wondering what he will do once the mission's over. But first, Kirk convinces him to accompany Scotty to a conference while the Enterprise goes to investigate something, and their trip back to the Enterprise is priceless. They find themselves on Deneb (the home to the Denebian Slime Devil) where a local shady character tries to ingratiate himself with a disgraced Klingon by capturing the legendary "Captain Kirk and Mr. Spock." With alcohol flowing everywhere, you know chaos is going to erupt, especially when the mistaken identities become known. This story was enjoyable from beginning to end, and while the local thugs aren't that interesting, the rest of the story easily makes up for them. I loved the conversations between McCoy and Scotty about what's going to happen when the ship returns, and the Klingon is just priceless. You won't be able to help grinning.

Most of the other stories are also quite good, though they all have either a minor problem or just aren't as good as these two. However, there were a couple weaker ones. "Chaotic Response" by Stuart Moore is probably the weakest of the bunch. Spock has been the victim of a Klingon Mind Sifter, and his thoughts are in chaos. He keeps flashing back to his childhood but can't seem to bring himself out of the coma that he's in. However, the Klingons who had kidnapped him in the first place are still buzzing around, and the Enterprise is heavily damaged. McCoy enters Spock's mind to try and draw him out, and then, when Spock reacts badly to it and almost dies, both Kirk and McCoy do it. Will they save Spock in time to help the ship before the Klingons destroy them? While I loved the "logic game" that Spock played in his childhood, the rest of the story didn't do much for me. It was fairly standard "Klingons are the evil bad guys, and we have to do something before they destroy us" storytelling, and I didn't find the exploration of Vulcan logic within Spock's mind to be that interesting. The characterization was fine and the storytelling was ok, but it didn't hook me at all.

The book begins with an interesting introduction by David Gerrold (writer of the episode "The Trouble with Tribbles") where he talks about the history of the show a little bit, the effect it's had on popular culture as well as scientific advancements (who could have foreseen how much like communicators some of our current mobile phones look?). He also mentions each story in the book and tells what the main theme of each story is. While I did find this list intriguing, it would have been nice to leave that determination to the reader. Even so, it's a nice way to start the book, and it's the beginning of a wonderful anthology that any fan of Trek fiction (especially the Original Series) needs to pick up.

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