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The Russia House: A Novel, by John le Carre
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John le Carre's bestselling classic is a timeless spy thriller about the Iron Curtain and the tense relationship between Great Britain and Russia.
John le Carré has earned worldwide acclaim with extraordinary spy novels, including The Russia House, an unequivocal classic. Navigating readers through the shadow worlds of international espionage with critical knowledge culled from his years in British Intelligence, le Carré tracks the dark and devastating trail of a document that could profoundly alter the course of world events.
In Moscow, a sheaf of military secrets changes hands. If it arrives at its destination, and if its import is understood, the consequences could be cataclysmic. Along the way it has an explosive impact on the lives of three people: a Soviet physicist burdened with secrets; a beautiful young Russian woman to whom the papers are entrusted; and Barley Blair, a bewildered English publisher pressed into service by British Intelligence to ferret out the document's source. A magnificent story of love, betrayal, and courage, The Russia House catches history in the act. For as the Iron Curtain begins to rust and crumble, Blair is left to sound a battle cry that may fall on deaf ears.
- Sales Rank: #394958 in Books
- Model: 1668271
- Published on: 2004-01-20
- Released on: 2004-01-20
- Original language: English
- Number of items: 1
- Dimensions: 8.44" h x 1.20" w x 5.50" l,
- Binding: Paperback
- 368 pages
From Publishers Weekly
The master of the spy novel has discovered perestroika , and the genre may never be the same again . Le Carre's latest is both brilliantly up-to-date and cheeringly hopeful in a way readers of the Smiley books could never have anticipated. Barley Blair is a down-at-heels, jazz-loving London publisher who impresses a dissident Soviet physicist during a drunken evening at a Moscow Book Fair. When the physicist attempts to have Barley publish his insider's study of the chaotic state of Soviet defense, British intelligence steps in. Barley, after extensive vetting by both MI5 and the CIA, is made the go-between for further invaluable information, and in the process becomes involved with the physicist's former lover, Katya. The portraits of American and British intelligence agents are, as always, wonderfully acute, and the plot is a dazzling creation. Le Carre's Russia is funny and touching by turns but always convincing, and the love affair between Barley and Katya, subtly understated, is by far the warmest the author has created. But the singing quality of The Russia House , written at the height of le Carre's powers, is its pervading sense of the increasing waste and irrelevance of ongoing cold-war machinations: "That is . . the tragedy of great nations. So much talent bursting to be used, so much goodness longing to come out. Yet all so miserably spoken for that sometimes we could scarcely believe it was America speaking to us at all." 350,000 first printing; BOMC main selection.
Copyright 1989 Reed Business Information, Inc.
From Library Journal
A mysterious manuscript purporting to prove the Soviet defense system is unworkable is smuggled out of Moscow. It was intended for a flaky English publisher, a womanizing saxophone-playing boozer, but the smuggler has turned it over to British intelligence. In order to prove its authenticity, they recruit the publisher as an amateur spy and send him to Moscow to reestablish contact with the author. But the "truth" Barley Blair finds there is love and a purpose for his shambles of a life. As always with le Carre, this is a compelling spy story, a marvelous entertainment that is also as intelligent, witty, and brooding as many more self-consciously and less satisfying literary novels. It may not be the equal of The Quest for Karla trilogy or of a A Perfect Spy but it bears all the marks of a master, of the man who has both redefined and reanimated the espionage genre. BOMC main selection.
- Charles Michaud, Turner Free Lib., Randolph, Mass.
Copyright 1989 Reed Business Information, Inc.
Review
Newsweek Le Carré is simply the world's greatest fictional spymaster.
The New York Times Book Review An exciting spy story...A well-informed political parable...rich...poignant...fascinating.
Time A plot of commanding suspense...The Russia House is both afire and thought provoking, a thriller that demands a second reading.
People Gripping...articulate...absorbing....Thrilling in every imaginable way.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Two Stars
By Amazon Customer
Disappointing - not one his best - weak ending.
4 of 4 people found the following review helpful.
Cracking Spy Story Set in the Glasnost Era
By Stephanie De Pue
"Russia House," is possibly the most successful post-cold war spy novel by British writer John LeCarre, whose masterworks include The Spy Who Came In From The Cold, Smiley's People, and Tinker, Tailor, Soldier, Spy. LeCarre , is, of course, a master teller of spy stories; he certainly has ample first hand experience of the business, as he was an actual British spy, for five years, under his birth name, David Cornwell. According to internet biographers, he was, in fact, embedded in Soviet territory when he was blown by Kim Philby, most famous post-war British secret service traitor; Philby's treachery might have been fatal to him.
"The Russia House," stands on its own as a thriller. It's set in 1987, the third year of Russia's attempt to open up -known as"Glasnost"--and details the efforts of a brilliant Soviet scientist, code named Dante, to get information about the weakness of Russia's offensive armaments to the West. To do this, Dante uses Katya, beautiful Russian editor, and Barley Scott Blair, classy drunken British publisher. The spy story's well-backgrounded, and engrossing: it opens with one of the author's writing trademarks, a good set piece, a Russian trade fair, gives us generous helpings of another of the writer's trademarks, the midnight meetings of the spy managers, the "Whitehall Mandarins;" it has a resonant, complex plot, and his usual good dialogue/descriptive writing. It even gives us a happy Hollywood ending: not quite as happy as the actual Hollywood movie based upon it,(The Russia House) starring Sean Connery and Michelle Pfeiffer, but Barley does get the girl, her children and uncle, sooner or later. In fact, a later book of Le Carre's, The Secret Pilgrim (Mortalis), is narrated by Ned, who was Scott Blair's handler. Ned tells us that he could have gotten Scott Blair out of Russia, but Scott Blair didn't want the spy service: "he wanted the girl."
The book gives us a very acute look at Russia, just as their "Glasnost," policy of openness begins to end --but not quite-- the cold war. It shows us life as it was lived in Russia at the time. The everyday struggles for the underprivileged, as Pfeiffer's character, despite her glamorous job, is. Three generations live cramped in a tiny apartment, queue for necessities, have difficulty obtaining new clothes, and find it nearly impossible to get shoes. The privileges of the privileged: the nice cars, the dachas (greatly-desired country homes), the designer duds. It further deals with the usual suspicions between the British and American secret services. Finally, it gives us an honest, unsensationalized, moving, non-mawkish view of mature, middle-aged love. Worth a read, any time.
21 of 22 people found the following review helpful.
Absolutely Fantastic
By R. Aamer
John Le Carre has the gift of storytelling. To me, he is the best espionage writer alive today. Most of the espionage writers put all the emphasis on the events whereas the main theme of Le Carre's books has always been characters. Le Carre does not write breakneck thrillers. He writes characters, lively and human. And that's why when you read a Le Carre book, a year down the road, you can't recall the story but you can easily recall the characters of the story. He is the creator of many memorable characters and Barley Blair is one of them.
Barley is not a hero, not even a patriot. He is a careless publisher, a jazz player and a chess fan. He is not a spy. He is pushed into the espionage game because of his drunken exchange of thoughts with a Russian scientist, another of Le Carre's memorable characters. Barley has reluctantly agreed to play the part of a courier and agent-runner by British spymasters and on his arrival in Moscow, he falls in love with a girl, who very much like Barley himself, is pushed into the spy game.
Barley soon reaches a point where he has to decide whom to betray. The girl he loves or his country. To me, that is the climax of the novel, the classical dilemma.
And dilemma it is. Here is Barley Blair, the main character, forming one part of the triangle, who is not a spy, doesn't even want to be one. The second part of triangle is Goethe, the Russian scientist, who wants to tell something to the world but not through the spies. And the third part is Katya, loved by both Goethe and Barley, who doesn't even know what is she doing and where does she fit in the whole scheme of things. And in the background are the spymasters of UK and USA who think they have all the strings in their hands but have totally ignored the fact that human nature is an essential part of all the espionage equations.
You've got to read the novel to know the whole thing. And if you are into serious fiction, you must read "The Russia House".
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