Jumat, 27 Februari 2015

~ Free PDF The Winter's Tale (Folger Shakespeare Library), by William Shakespeare

Free PDF The Winter's Tale (Folger Shakespeare Library), by William Shakespeare

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The Winter's Tale (Folger Shakespeare Library), by William Shakespeare

The Winter's Tale (Folger Shakespeare Library), by William Shakespeare



The Winter's Tale (Folger Shakespeare Library), by William Shakespeare

Free PDF The Winter's Tale (Folger Shakespeare Library), by William Shakespeare

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The Winter's Tale (Folger Shakespeare Library), by William Shakespeare

The Winter’s Tale, one of Shakespeare’s very late plays, is filled with improbabilities. Before the conclusion, one character comments that what we are about to see, “Were it but told you, should be hooted at / Like an old tale.”

It includes murderous passions, man-eating bears, princes and princesses in disguise, death by drowning and by grief, oracles, betrayal, and unexpected joy. Yet the play, which draws much of its power from Greek myth, is grounded in the everyday.

A “winter’s tale” is one told or read on a long winter’s night. Paradoxically, this winter’s tale is ideally seen rather than read—though the imagination can transform words into vivid action. Its shift from tragedy to comedy, disguises, and startling exits and transformations seem addressed to theater audiences.

The authoritative edition of The Winter’s Tale from The Folger Shakespeare Library, the trusted and widely used Shakespeare series for students and general readers, includes:

-Freshly edited text based on the best early printed version of the play
-Full explanatory notes conveniently placed on pages facing the text of the play
-Scene-by-scene plot summaries
-A key to the play’s famous lines and phrases
-An introduction to reading Shakespeare’s language
-An essay by a leading Shakespeare scholar providing a modern perspective on the play
-Fresh images from the Folger Shakespeare Library’s vast holdings of rare books
-An annotated guide to further reading

Essay by Stephen Orgel

The Folger Shakespeare Library in Washington, DC, is home to the world’s largest collection of Shakespeare’s printed works, and a magnet for Shakespeare scholars from around the globe. In addition to exhibitions open to the public throughout the year, the Folger offers a full calendar of performances and programs. For more information, visit Folger.edu.

  • Sales Rank: #45431 in Books
  • Brand: Shakespeare, William
  • Model: 1668470
  • Published on: 2005-01-01
  • Released on: 2005-01-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.75" h x .90" w x 4.19" l, .37 pounds
  • Binding: Mass Market Paperback
  • 352 pages

Review
"Aimed at a more scholarly audience, the New Cambridge Shakespeare produces superb editions that rank with the Arden and the Oxford as the best in the business. This year's The Winter's Tale is no exception. Edited by the late Susan Snyder and Deborah T. Curren-Aquino, this edition has a lucid and intelligent introduction that covers all of the crucial elements of this complicated late play: genre; Leontes' jealousy; the bear; Time; act V and the ending. There is also a fascinating discussion of the revision theory-Forman did not mention the statue scene in his 1611 account of the play, after all-but the edition decides against the theory, in spite of Snyder's having made the most eloquent case for it in 2002. There is a very useful discussion of sources, the notes to the play are exemplary, and the Selected Reading list is both excellent and up-to-date. Although the appendix concentrates on performance issues (Forman's notes on the play, doubling possibilities, key staging choices, a performance chronology), the edition is notable for its blend of textual and performance discussions. Especially effective is the decision to match photographs of the play in performance with the thematic issues under discussion. The visual variations on the statue scene are especially welcome and will be a boon in the classroom. Finally, although it has become fashionable in recent years for critics, editors, and directors to darken the ending, this edition opts for ambiguity rather than pessimism and seems truer to The Winter's Tale's hybrid, tragicomic spirit as a result."
-Studies in English Literature, Spring 2008

From the Publisher
Founded in 1906 by J.M. Dent, the Everyman Library has always tried to make the best books ever written available to the greatest number of people at the lowest possible price. Unique editorial features that help Everyman Paperback Classics stand out from the crowd include: a leading scholar or literary critic's introduction to the text, a biography of the author, a chronology of her or his life and times, a historical selection of criticism, and a concise plot summary. All books published since 1993 have also been completely restyled: all type has been reset, to offer a clarity and ease of reading unique among editions of the classics; a vibrant, full-color cover design now complements these great texts with beautiful contemporary works of art. But the best feature must be Everyman's uniquely low price. Each Everyman title offers these extensive materials at a price that competes with the most inexpensive editions on the market-but Everyman Paperbacks have durable binding, quality paper, and the highest editorial and scholarly standards.

From the Back Cover
The general editors of the new series of forty-two volumes -- renowned Shakespeareans Stephen Orgel of Stanford University and A. R. Braunmuller of UCLA -- have assembled a team of six eminent scholars who have, along with the general editors themselves, prepared new introductions and notes to all of Shakespeare's plays and poems. Redesigned in an easy-to-read format that preserves the favorite features of the original -- and including an essay on the theatrical world of Shakespeare, and introduction to the individual play, and a note on the text used -- the new Pelican Shakespeare will be an excellent resource for students, teachers, and theater professionals well into the twenty-first century.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Fantastically fantastic!!
By Dutch
This is one of Shakespeare's most enigmatic and complex plays and is an overall great read!! This resists categorization as either a comedy and instead is considered to be a romance, having been written towards the end of Shakespeare's life. It's as fantastical as "The Tempest," as bitter as "King Lear" and as gratifying as "Much Ado About Nothing" all at once. It includes the usual Shakespearian staples of kings and cuckoldry but also includes some unexpected elements such as an oracle from Apollo, the appearance of Time as a character and even a bear chase!! I don't want to spoil anyone's fun by revealing any of the essential plot details but, suffice it say, you will not be disappointed- it is a truly enthralling read!!

0 of 0 people found the following review helpful.
Item as described. Delivery as promised.
By Trevor Newob
Item as described. Delivery as promised.

0 of 0 people found the following review helpful.
why obsess
By Kevin Carney
don't be so jealous Leontes!

See all 99 customer reviews...

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Sabtu, 21 Februari 2015

> Download Dixieland Sushi, by Cara Lockwood

Download Dixieland Sushi, by Cara Lockwood

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Dixieland Sushi, by Cara Lockwood

Dixieland Sushi, by Cara Lockwood



Dixieland Sushi, by Cara Lockwood

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Dixieland Sushi, by Cara Lockwood

Wax on....
Jen Nakamura Taylor thought she left behind her awkward past of growing up half-Japanese, half-white in a small Southern town when she moved north to produce a popular Chicago television show. But when she gets word that her Southern Belle cousin is marrying Kevin Peterson, the very boy Jen loved-with-a-capital-L for years, she realizes she can't run from her past forever. Not only does the news conjure up sticky memories of growing up with a mixed heritage in the South (soy sauce on chicken fried steak, anyone?) but now the very single and very busy Jen has got to find a date for the wedding -- a grand affair that could put Scarlett O'Hara to shame.
Wax off....
Riley -- Jen's cute British friend from work -- seems just the ticket; even his girlfriend thinks it's a good idea. But as Jen and Riley whistle on down to Dixie, sparks start to fly. Add to the fire the grown-up but still charming Kevin Peterson, who appears to have a soft spot for Jen, and, well, whoa. It's going to take everything Jen has (and a lot of help from the Karate Kid-wisdom of her pop culture hero Mr. Miyagi) to survive the meeting of past and present, and of North and Far East and South...where Jen finally learns to come to terms with her heritage, her love life, and herself.

  • Sales Rank: #2063652 in Books
  • Published on: 2005-05-03
  • Released on: 2005-05-03
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.25" h x .80" w x 5.31" l, .89 pounds
  • Binding: Paperback
  • 304 pages

From Booklist
Jen Nakamara Taylor didn't have a conventional childhood. In her hometown of Dixieland, Arkansas, most girls' mothers didn't serve sushi at their tenth birthday parties. As a television producer living in Chicago, she thinks she's left her childhood insecurities behind. Then she receives an invitation to the marriage of her grammar-school crush to her beauty-queen cousin. The subsequent search to find a suitable date, eventful trip back South, and the riotous wedding are all hilarious, but the real appeal of this book lies in its portrayal of a woman confronting her past and embracing her present. Each chapter begins with a platitude from The Karate Kid's Mr. Miyagi, and every other chapter weaves in scenes from Jen's childhood. It seems odd at first, but helps reveal the character's quirky sensibilities. Lockwood is half-Japanese herself, and here she ably and humorously depicts the struggle to fit in. Aleksandra Kostovski
Copyright © American Library Association. All rights reserved

Review
"...snappy repartee."
-- Boston Herald

"...a warm and friendly writing style."
-- Library Journal

About the Author
Cara Lockwood is also the author of I Do (But I Don't), which was made into a Lifetime movie, as well as Pink Slip Party and Dixieland Sushi, and Every Demon Has His Day, all available from Downtown Press. She was born in Dallas, Texas, and earned a Bachelor's degree in English from the University of Pennsylvania. She has worked as a journalist in Austin, and is now married and living in Chicago. Her husband is not a rock star, but he does play the guitar -- poorly.

Most helpful customer reviews

2 of 5 people found the following review helpful.
Loved It, Loved It!!
By Meredith Miller
Loved it, loved it, couldn't put it down. Light, lively fast reading. Funny and well written. Get it and devour it!!

0 of 0 people found the following review helpful.
terrific glimpse at multicultures
By A Customer
While growing up in Arkansas with a Japanese American mother and White southerner father, Jen Nakamura Taylor felt like she never belonged. When she became old enough she moved to Chicago with plans to avoid her roots as much as possible. Her sister did likewise relocating to San Francisco.

When cousin Lucy announces she and Kevin Peterson are to marry, the bride and her family including Jen's mother expects her to come for the ceremony. Unable to escape Jen needs to find a date, but not an Arkansas yokel. She persuades her best friend in the Windy City Nigel Riley to escort her home although she feels her boisterous clan will embarrass her in front of him. Riley has hidden his feelings for Jen that he keeps from her because he fears she only sees him as a pal. However, as she feels abashed by her family's antics, Riley seems to enjoy being with them. Jen starts to see things differently when she begins to realize they are her people and they love her just like she begins to see Riley in a different light.

The aptly named DIXIELAND SUSHI is a terrific glimpse at the blending of races and cultures displaying how complex humanity truly is. Cara Lockwood switches back and forth between the present Jen and the teenage Jen so that the audience can see how much the younger felt displaced in Dixie while showing how the child becomes the adult. Though the ending seems less filling than the tasty tale that leads to it, readers will appreciate this deep chick lit look at interracial offspring.

Harriet Klausner

1 of 1 people found the following review helpful.
Flat out hilarious!!!!! :D
By rabid reader
I was really skeptical when I got this book, which I only bought because I loved Lockwood's previous two novels so much. I was afraid it was going to be more about social awareness than good entertainment and that doesn't make for a good fluffy beach book. However, I was absolutely thrilled to be completely and utterly wrong about my preconceptions.

Yes, this book does manage to weave in an interesting lesson in Japanese American history, but it is so much more than that. It really is an excellent romantic comedy. I seriously could not stop laughing throughout the entire book. Lockwood starts each chapter with a quote from Mr. Miyagi from The Karate Kid, which should make you smile, but then she also writes a series of 1980s flashbacks, which WILL make you bust a gut!

I promise you'll laugh. You'll probably be touched. You might even love it. I know I did. I read it in one sitting because Lockwood's style is so fluid and she keeps the action going consistently throughout.

Personally I loved the elderly grandmother picking her up at the airport. Read it and you'll know what I mean. :)

Enjoy! May you laugh as heartily and as loud as I did. Oh and it does have a nice romantic ending so you won't be disappointed.

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Rabu, 18 Februari 2015

!! Free Ebook Star Trek: Deep Space Nine: Worlds of Deep Space Nine #1: Cardassia and Andor, by Una McCormack, Heather Jarman

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Star Trek: Deep Space Nine: Worlds of Deep Space Nine #1: Cardassia and Andor, by Una McCormack, Heather Jarman

Star Trek: Deep Space Nine: Worlds of Deep Space Nine #1: Cardassia and Andor, by Una McCormack, Heather Jarman



Star Trek: Deep Space Nine: Worlds of Deep Space Nine #1: Cardassia and Andor, by Una McCormack, Heather Jarman

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Star Trek: Deep Space Nine: Worlds of Deep Space Nine #1: Cardassia and Andor, by Una McCormack, Heather Jarman

Within every federation and every empire, behind every hero and every villain, there are the worlds that define them. In the aftermath of Unity and in the daring tradition of Spock's World, The Final Reflection, and A Stitch in Time, the civilizations most closely tied to Star Trek: Deep Space Nine can now be experienced as never before...in tales both sweeping and intimate, reflective and prophetic, eerily familiar and utterly alien.

CARDASSIA: The last world ravaged by the Dominion War is also the last on which Miles O'Brien ever imagined building a life. As he joins in the reconstruction of Cardassia's infrastructure, his wife Keiko spearheads the planet's difficult agricultural renewal. But Cardassia's struggle to remake itself -- from the fledgling democracy backed by Elim Garak to the people's rediscovery of their own spiritual past -- is not without opposition, as the outside efforts to help rebuild its civilization come under attack by those who reject any alien influence.
ANDOR: On the eve of a great celebration of their ancient past, the unusual and mysterious Andorians, a species with four sexes, must decide just how much they are willing to sacrifice in order to ensure their survival. Biological necessity clashes with personal ethics; cultural obligation vies with love -- and Ensign Thirishar ch'Thane returns home to the planet he forswore, to face not only the consequences of his choices, but a clandestine plan to alter the very nature of his kind.

  • Sales Rank: #906773 in Books
  • Published on: 2004-06-01
  • Released on: 2004-06-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.75" h x 1.30" w x 4.19" l,
  • Binding: Mass Market Paperback
  • 384 pages

About the Author
Una McCormack is the author of the Star Trek novels The Fall: The Crimson Shadow (a New York Times bestseller); Cardassia—The Lotus Flower (which appeared in Worlds of Star Trek: Deep Space Nine, Volume 1); The Never-Ending Sacrifice; Hollow Men; and Brinkmanship; as well as two Doctor Who novels, The King’s Dragons and The Way Through the Woods, and numerous short stories. She lives with her partner, Matthew, in Cambridge, England, where she reads, writes, and teaches.

Heather Jarman lives in Portland, Oregon, where she supplements her day job as a tired mommy with her writing career. Her most recent contributions to the Star Trek fiction include "The Officers' Club," the Kira Nerys story in Tales from the Captain's Table, and Paradigm, the Andor novel in Worlds of Star Trek: Deep Space Nine, Volume One.

By night Heather flies to distant lands on black ops missions for the government, where she frequently breaks open industrial-strength cans of whupass on evildoers.

Excerpt. © Reprinted by permission. All rights reserved.
Chapter 1

The mountains rose sheer and high to the north and the west, their shadows shifting across the valley throughout the course of the day. When you walked around the settlement, you could always feel them. You could usually make a good guess as to the time. Like living in a sundial, Keiko thought absently, propping her elbows on the windowsill and resting her chin in her hands, staring up at the peaks that marked and measured out the days at Andak.

The mountains were shot through with black rock, which would glitter when hit by the harsh Cardassian sun, sending sudden sharp shards of light over the base and the settlement. Obsidian, Feric had told her, and then had launched into an impromptu lecture about the volcanic activity that had formed this part of the province. It had been the subject of his thesis.

"Too much information, Feric!" she'd groaned as his eyes, beneath their ridges, took on a zealous gleam. "There's a very good reason I'm not a geologist!" He'd laughed, taking it in the good humor she'd intended, but couldn't resist adding a little bit more information ("Don't worry -- the volcanoes are extinct"). He was a first-rate scientist, and she hoped that soon enough he might also be a trusted friend. She was sure that she had made a good choice, appointing him as her deputy.

Early evening in Andak brought with it an acute light that, for an hour or more, seemed to settle upon the ancient valley and the new base that lay there in its folds. If you looked at the calendar, it was supposed to be autumn -- but the heat had not noticeably dissipated, and it endured even after it went dark. As the year died, Keiko had been told, and winter did come at last to the mountains, the days would become more barren and the nights would be bitterly cold. Cardassia, she suspected, had many cruelties left to reveal.

This evening, the sun seemed to have intensified further, and the efficient gray edges of the buildings were outlined with silver. It was still and hot -- and expectant, as if the valley was waiting for something to happen, as if it was waiting for some change. Keiko opened the window, wishing for a little breath of air upon her face. She watched as a small group of people -- ten or twelve, perhaps -- assembled in the dusty, unpaved square around which the settlement was ordered. Feric was among them. He stood for a while, speaking to one or two of those gathered, and then he and a young woman -- Keiko recognized her as one of the junior engineers -- moved a little distance away from the others. They each were carrying something, and it was only when they held these before them and then fastened them over their faces that Keiko saw that they were masks.

They turned to face one another, each studying the mask that hid the other from view. The moments slipped past more quickly now, and a hush had fallen over the others gathered there. They were drawn to the scene before them, and stood by unknowing, but eager, watching and waiting. Keiko gazed at this tableau as it held for a long, still moment. The mountains behind at first framed the scene and then, almost imperceptibly, seemed to become part of the composition.

A ripple passed through the onlookers as first Feric, then his companion turned to them. It seemed as if, each in turn, they became connected; whether by their own fascination or some other, more physical charge, they could not afterward tell. The sense of anticipation in the square was growing, the air was becoming slow. If this had been anywhere else, Keiko might have said a storm was coming.

The young woman began to speak, her voice low and rhythmical.

"The power that moves through me, animates my life, animates the mask of Oralius..."

There were some children in the square too this evening, Molly included, playing some game or other -- it looked to Keiko as if Molly was organizing proceedings. Like mother, like daughter, she thought, with a grin. Growing up on Deep Space 9 had been good for Molly in many ways. She seemed to be able to fit in wherever she was -- she certainly had none of her father's difficulties mixing with the Cardassians here, although there were some children hanging back, Keiko noticed, watching the games but not taking part. Well, Molly could be a bit much at first, if you were a shy kid. No doubt they'd get used to her in time, or perhaps get used to each other.

As must we all....

The woman was still chanting:

"It is the song of the morning, opening up to life, bringing the truth of her wisdom, to those who live in the shadow of the night..."

Keiko had known even before she'd set foot here that a large part of her job at Andak would be making the staff come together not just as a team, but as a community. Cloistered together, all this way out, it would be easy for feuds to grow, for minor incidents to take on massive significance -- for the place to become a hothouse of resentment and intrigue. Keiko was director here -- but it was not just the scientific research that would need her attention. A community, that's what she wanted too. And so she'd requested that the team she'd assembled should bring their families with them to Andak. It was only when the requisitions came through -- for living quarters, for rations -- that she began to realize what a Cardassian "family" might mean. Everyone at Andak had been touched by the war. She, Miles, Molly, and Yoshi -- they were the oddities: mother, father, sister, brother. No one else was that lucky. Some of them were the only survivors of their families: Feric, for one, had lost everyone -- mother, two sisters, a wife, and a little boy. When Feric looked at Yoshi, Keiko thought her heart would break -- another good reason to encourage a community at Andak.

She heard Feric's voice rising, clear and sure in the evening air.

"It is this selfsame power -- turned against creation, turned against my friend -- that can destroy his body with my hand, reduce his spirit with my hate..."

She'd had to fight a hard battle to get Feric's appointment confirmed, right the way up to the advisory board. At least Charles Drury back at the I.A.A.C. had supported her -- well, she was his appointment, after all, it wouldn't do to lose face and faith in your new research director this early on in the project....

"You've got your geologist, Keiko," he'd said, with a twist to his mouth, "Despite his, ah, fascinating beliefs..."

"He's a member of the Oralian Way, Charlie -- and don't raise your eyebrow at me like that. The only reason there's been this much fuss is that he's had the nerve to discuss his beliefs openly. And since when did the I.A.A.C. hire people based on their religion, or lack of it?"

"You make, as ever, a convincing case. But no more controversy if you please, Keiko," he'd said, leaning over to turn off the link. "The budget won't stand for many more emergency meetings. Catering for the great and the good doesn't come cheap, you know. The funding isn't that secure. Yet."

Politics, politics, politics...We're meant to be doing science!
0

Keiko sighed and leaned her forehead against the cool plastic of the window. It would be all politics again tomorrow, she thought ruefully, with far too little chance for science. Abandoned on her desk, a padd flashed a lonely and unnecessary reminder that the following afternoon, the Andak Project was to be favored with the presence of one Vedek Yevir Linjarin. As if that weren't intruding on her every thought already. A high-profile visitor, putting the project under the spotlight. Yevir, it seemed, never went anywhere without a cavalcade of cameras in his wake. All in the cause of peace -- although it didn't seem to be doing his popularity back on Bajor much harm either....

Keiko chewed on her bottom lip. Playing the usual politics was bad enough, but when it meant putting aside all your personal feelings...Yevir had hurt a friend of hers, hurt her badly, and Keiko was going to have to spend tomorrow making good-mannered small talk with him. Her friend was a practiced politician herself these days and would understand, Keiko knew, but she would still feel a pang of guilt when she next had to look Kira in the eye.

Welcome to the Andak Project, Vedek Yevir. Here's a punch in the mouth in return for my friend's Attainder.

Now, that, Keiko suspected, would get the funding cut for sure. No, she thought with a grin, she'd better steer away from the Miles Edward O'Brien School of Diplomacy and stick with something a little more welcoming.

She cast an anxious and appraising eye around the settlement, at the buildings that seemed to her to sit as yet precariously on the land, and wondered how it would all appear to an outside observer. It was, she would be the first to admit, pretty basic, but there were far worse places to be on Cardassia Prime these days. They had come through the capital on their way out here -- that had been a shock. Keiko had read about it -- had known in an abstract way, the way you think you know things that you see on news broadcasts or read about -- but nothing had prepared her for the reality. Nothing had prepared her for the black, blasted landscape, for the dust and the dark, for the hollow eyes of the survivors trying to keep on living in the ruins. Trying to get down one street, they had been held up by workers clearing away the debris -- she remembered with a shudder watching as they unearthed a pile of skeletons....She'd only just distracted Molly's attention in time, before the little girl had seen. There had been risks, she and Miles knew, in first moving the family to Deep Space 9, then bringing them here to Cardassia. But there were limits. There were some things you had to protect your children from.

In the square, someone had started humming. Someone picked up the melody, then someone else -- and soon the whole assembly had joined in. The sound seemed to build up, seemed to be moving outward from the group, out into the whole of the square, the whole of the settlement, the whole of the valley of Andak. Keiko closed her eyes, listened, found herself thinking of the evening's heat, and the black mountains, and the sharp white light that filled the valley....

"Bloody hell!"

Keiko's eyes shot open. She gave a wry smile. That had certainly killed the mood.

She looked over her shoulder and round their quarters with mounting disbelief. He hasn't...tell me he hasn't...

But he had. He'd pulled one of the panels off the wall and was investigating what lay inside.

"What are you doing, Miles?"

"I can't get this thing to work properly. Damned Cardassian settings!"

Realization dawned on her. "Are you talking about the temperature modulators?"

He made a noise that she took to be agreement.

"Is that why it's so hot in here? Miles!" she scolded. "Why didn't you just leave it alone?"

He looked up at her. "You were complaining about the heat again last night, and we had it right down. Turns out the levels have been fixed for Cardassian physiology. I wanted to see if I could get it to go down a notch or two. Should have thought of it sooner."

"But now it's even hotter!" She turned away from the window to take a better look at what he was up to and grimaced at the sight. Spread all over just about every available space was a chaos of tools and cables. Yoshi was sitting on the floor, happily absorbed in the vital business of emptying out his father's toolkit and dispersing the contents as widely as possible. Teetering on the edge of a nearby table was a pot of meya lilies, paper-thin and exquisitely perfumed, that she had set out only that morning. She stepped across to rescue them, placing them out of harm's way on top of some nearby shelves. Nobody could colonize space as quickly and as thoroughly as Miles, when he put his mind to it.

"Miles," she said weakly, "what have you done to my home?"

"Eh?" He looked around. "Oh, don't worry about this. I'll have it all back inside and the panel on again before you know."

But I already know...! she thought, and sighed, putting a hand to her forehead. From on top of her desk, the padd blinked at her, doggedly.

"Aren't you leaving for the capital in a few hours?" she said. "And are you packed yet?" Something else crossed her mind. "Is your presentation even ready?"

He stuck his head again inside the panel and mumbled something.

"I can't hear you with your head in there, Miles."

He twisted his neck a little and glared at her. "I said, I'll finish it on the ride up."

Keiko, who was a mother of two and had once been a schoolteacher, knew guilt the moment she saw it. "So," she said, putting her hands on her hips, "Let me see if I've got this straight. Instead of finishing a presentation on which the whole future of this project may hang, you decided you were going to open up the wall, pull out a bunch of cables, and play with them?"

He looked round at her, his expression one of complete bafflement. "To fix the temperature modulators," he explained, as if to someone not quite following something very straightforward, and then he leaned over again. "Don't you know by now that everything I do is done to make you happy, sweetheart?" he added, and then quickly, and wisely, put his head back inside the panel -- where he bumped it, and swore again, under his breath.

Keiko came away from the window, and cleared a space on the couch to sit. Yoshi climbed up beside her, and put his hand in hers. "Don't play the innocent with me," she said, stroking his hair. "I know you two -- you're both in this together." He gave her a wide and guilt-free grin. Keiko tucked him under her arm, looked round at the anarchy into which her home had descended, and sighed.

Earth, Deep Space 9, Cardassia...Nothing really changes....

Copyright © 2004 by Paramount Pictures. All Rights Reserved.

Most helpful customer reviews

26 of 28 people found the following review helpful.
Spectacular
By Amazon Customer
"Worlds of Star Trek: Deep Space Nine" are intended to immerse the reader in the cultures of the chosen planets and allow the reader to experience those societies from a familiar characters point of view. At the same time the Worlds of Star Trek: Deep Space Nine advances the post-finale storylines. Both stories in volume one definitely succeeded in doing both of those things in spectacular fashion.
Una McCormack transports us to Cardassia in "The Lotus Flower" where Keiko O'Brien has accepted a position to head up an important agricultural renewal project. The recovery and reconstruction efforts are continuing slowly when the O'Brien family, Vedek Yevir and other innocents become pawns in a dangerous political game instigated by those on Cardassia who are opposed to the leadership of Ghemor. Garak, an old hand at playing such games, must call on all of his skills to avert a tragedy that could spell the end of hope of a democratic future for Cardassia.
In many respects Una McCormack has the more difficult job in this first volume of Worlds of Star Trek: Deep Space Nine and she definitely rises to the occasion. Life on Cardassia has been portrayed before, while Andor is another kettle of fish entirely, it's more of a clean slate. McCormack builds on what has already been established about Cardassia and does a wonderful job of allowing the reader to catch glimpses of what Cardassian society had been like before the Dominion War, while at the same time portraying what they are experiencing now.
The short chapters really kept the story moving along at a very fast pace and make it seem a bit shorter than it actually was. McCormack does a very good job of illustrating her theme: the idea that major change can be very frightening and that fear can leave people, particularly children, vulnerable to manipulation. She also succeeds in driving home the point that politics can be a very dangerous and cold-blooded game.
What I enjoyed the most about "The Lotus Flower" was McCormack's characterization of Garak. It is outstanding. She's got him down cold and I found myself missing the character very much indeed when I finished. There are also several sweet and effective character moments for the O'Brien's.
The prose is a pleasure to read and very straight forward. Most of the time the narrative is quite evocative but it's a bit uneven. The Garak scenes were the strongest. You can clearly tell she loves the character and understands him well. There is a whole `men in the shadows' element to the story that allows a sense of mystery and menace to creep in and McCormack does an excellent job of using that to build suspense.
In the second story, "Paradigm", Heather Jarman paints a portrait of Andor that you won't soon forget. Shar, Ensign Thirishar ch'Thane, returns home to Andor to face the consequences of his choices but he doesn't travel alone. Ensign Prynn Tenmei and Lieutenant Commander Phillipa Matthias accompany Shar and the trio arrives on Andor as the society stands on the edge of an abyss. To save their species, the Andorians may be forced to make tough choices, choices that may save them as a race but destroy their culture.
"Paradigm" is a very impressive piece of fiction. Heather Jarman's narrative is so rich and vivid that it's quite easy to become lost in the story. As the story unfolds the tension builds continuously providing moments of satisfying release before it builds again. It is like being on a thrill ride that gives you moments to catch your breath before it races off again.
World building is something Jarman excels at and in "Paradigm" she provides a duel look at Andor and Andorian society that works perfectly by giving the reader both the point of view of a native of the planet and a visitor. Shar, in his role as tour guide provides one perspective, but we also get to see Andorian society from Prynn's outsider looking in position as she struggles to understand the complex culture.
There are also moments of lightness and clever inclusions, for example Jarman's way of handling the name of the planet issue and those curious about Andorian sexuality will certainly be satisfied. The issue is handled very tastefully. A glossary of Andorian terms at the end of the book comes in quite handy if all the alien pronouns confuse you as much as they do me.
Although "The Lotus Flower" comes first in "Worlds of Star Trek: Deep Space Nine", it doesn't matter what order you read the two novellas. Chronologically "Paradigm" is set before "The Lotus Flower". Each story stands on it's own merits and each is outstanding in its own way.

14 of 15 people found the following review helpful.
Andorian fans should love this!
By Ian McLean
I haven't finished Una McCormack's "Cardassia: The Lotus Flower" yet, but as a diehard Andorian fan, I turned to Heather Jarman's "Andor: Paradigm" first...
I'm floating on air. Overall I'm am thrilled and fulfilled by "Paradigm", not only an exciting continuation of "Deep Space Nine" after its so-called "eighth season" (see "Mission: Gamma", "Unity", etc) but this is an Andorian-rich Star Trek story - at last. "Paradigm" drew me in and kept me there. I had a ball; always trying to second guess the action and motivations and being thwarted by Jarman's clever plotting all the way.
In "Paradigm", Andorian DS9 crewman Shar returns to his home planet in disgrace. He has disappointed his birth mother (a UFP councillor) and his two surviving bondmates by shirking his responsibilities to start a family. It was almost hypnotic reading at times. The alien atmosphere is captivating. Shar, and two human DS9 characters introduced in this series of novels set after the TV series, are metaphorically moving backward in time (with the reader) as more and more about ancient Andor is revealed.
Prynn Tenmei's interest in Ensign Shar was also developed well, even though I wasn't sure it was a good idea when suggested in "Unity", but it was a plot complication that helped to keep me guessing right till the end. Thantis was a particularly great character - she's the "zhavey" (birth mother) of Thriss, Shar's deceased bondmate.
We learn quite a bit more about four-partnered Andorian marriages (first mentioned by Data in an episode of TNG). For avid fans, there are some fun cameos: the inclusion of Shran's monument (Enterprise), TOS Andorian chainmail, Therin Park, mention of "The Battle of Betazed" novel - and even the planet Dramia (from TAS).
A truly magnificent effort - and I still have the Cardassian story to read.

5 of 5 people found the following review helpful.
A look at Cardassian Politics and Andorian Sexuality
By Antoine D. Reid
I'm rather split on this book. You have two seperate stories, one that truly is a short story and another that I feel could have been it's own novel. If this review was based only on Una McCormack's "The Lotus Flower," I may have given it an average rating. Yet, there's a lot more to this first volume. Not only do you have DS9's staple alien foe, the Cardassians, taking the spotlight, but you also have the mysterious Andorians, only touched on by the Original Series, Enterprise and this relaunch of Deep Space Nine.

First, McCormack's "The Lotus Flower." While Robinson's look at the Cardassians post-DS9 series finale was engaging and in depth, I felt this story was just weak. It didn't get my interest until the ending, then I was left having to review the entire story in order to understand all the outcomes. It took me forever to get through this book simply because of this story. Here, the O'Briens make their move to Cardassia, which is letting in the Federation to help rebuild it after being decimated by the war. The entire plot seems to hinge on if Keiko's new position and project are going to be well received. By the second chapter or so, the outcome is rather predictable. You have a touch of Cardassian religion, which I found interesting since the series never touched on it.

There are a lot of characters involved here as well. I felt as if a review of the Cardassians in the government could have benefited the story some. I contiually paused and asked "who's this?" or looked up the episode reference to see where all of these characters appeared and how they fit into the plot. You'd have to have read Andrew Robinson's "A Stitch in Time" to get a proper introduction to all of these characters and the current political situation on Cardassia. Not only that, but you'd have to have all the information from that novel pretty well memorized in order to make all the connections in this story.

The plot seemed to go quickly in some parts and drag on it others. To me, Keiko's characterization was also a bit off. I mean, I never took her as being a chippy, hyper, continually optimistic person all the time. The last few seasons of Deep Space Nine portrayed her differently, perhaps a little more pessimistic and moodier than she was here. She continually was yelling or having a whine-type feel to her with too many exclamation points that simply made my eyes role. O'Brien seemed to be on mark, but he was reduced to being rather angry or tense. The Cardassians for the most part were the most interesting of the bunch. Garak less so than those Keiko is working with.

The Andorian story, "Paradigm," by Heather Jarman is a different story. It's much more engaging and plays between different emotions and subject matters. While "The Lotus Flower" seems to be more of an allegory for the world situation today where politics and religion can't seem to find a way to meet in the middle with one another, "Paradigm" takes Ensign Shar's story even further. He returns to Andor at the request of his mother. Her career is on the line, Andor's future is also threatened.

It reads like a romance novel at some places. The weakness of the story comes from the inclusion of Prynn Tenemi and how sappy and juvenile she's portrayed. The added bonus of this story is that the new character, Counselor Phillipa Matthis. She's not the usual counselor, not what we've come to expect from such a character. Seeing her interact with Shar, Prynn and the other Andorians is the best part of the story. Also, it's easy to follow all the plot threads. It starts off slow, picks up and keeps your interest throughout.

Even though some of this novel conflicts with Andorians as they were seen in the series Enterprise, it's a great read. I'd pick up the novel just for Jarman's story. Perhaps others will find the Cardassian story more engaging and interesting than I did. Regardless, it's worth your money and attention.

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Senin, 16 Februari 2015

@ Download PDF Van Helsing, by Kevin Ryan

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Van Helsing, by Kevin Ryan

Deep in the mountains of nineteenth-century Carpathia lies the mysterious and mythic land of Transylvania, a world where evil is ever-present, where danger rises as the sun sets, and where monsters such as Count Dracula, the Wolf Man, and Frankenstein's Monster take form and inhabit man's deepest nightmares -- terrifying legends who outlive generations, defying repeated attacks from the doomed brave souls that challenge them in their never-ending war upon the human race.

On order of a secret society, only a lone force of good stands against them -- the legendary monster hunter Van Helsing, a man revered by some and feared by many. In his ongoing battle to rid the earth of these fiendish beings, Van Helsing must now travel to Transylvania to bring down the lethally seductive, enigmatically powerful Count Dracula, and joins forces with the fearless Anna Valerious, a woman out to rid her family of a generations-old curse by defeating the vampire. But unknown to all, the immortal Dracula will stop at nothing to unleash his master plan of subverting human civilization and ruling over a world of havoc, fear, and darkness...

  • Sales Rank: #575607 in Books
  • Brand: Pocket Star
  • Published on: 2004-05-07
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.60" h x 1.00" w x 4.20" l,
  • Binding: Mass Market Paperback
  • 272 pages
Features
  • Great product!

About the Author
Kevin Ryan is a popular genre author whose previous tie-ins include titles in the Star Trek and Roswell series.

Most helpful customer reviews

14 of 14 people found the following review helpful.
Once Bitten, Twice Shy
By Marc Ruby™
Novelizations of films start with several strikes against them. The first is that they are written from the screenplay, often before the movie is actually filmed. Which occasionally leads to a phenomenon that I call plot jitters, where the script and the writer go one way and the director and the film go another. The other challenge is that most of the readers have already seen the film and look at the book as a piece of memorabilia. Keeping the reader's interest when they already know what is going to happen is a tough assignment. One that depends for the most part on how well the writer does what a 2 hour film cannot - in depth character development.
Occasionally, magic happens, and the book turns out to be an improvement over the film. 'Van Helsing' which is mostly a string of acts of violence or derring do interspersed with just enough dialog to keep the plot moving. Given that Van Helsing himself is much larger than life, and the majority of the remaining cast are creatures like Dracula, Frankenstein, and various werewolves, the film sometimes resembled a grand opera noir rather than a horror film. Kevin Ryan, by filling in the interior space of the characters - human and otherwise - does indeed outdo the film, which I found a bit tedious.
If the book fails to completely capture the atmospherics of the film, it does an excellent job of bringing Van Helsing, Anna, Dr. Frankenstein and several other characters to life. And this makes the story more meaningful than a simple display of acrobatic feats. I would almost suggest that you read the book first and then see the film, since having a clearer understanding of the motivations involved makes some of the dramatic foibles less irritating. Besides, the book is cheaper than a trip to theater and if you don't like the book, you are going to hate the film.

7 of 7 people found the following review helpful.
Excellently Written Novelization
By A Customer
A terrific book!
I saw and liked the movie and went out to buy the book, and was very impressed by Kevin Ryan's ability to take all that was good about the movie and make it great on the page. He expanded many of the scenes, further developed character, added extra humor, kept up the pace, and never let go of my interest. There was extra fascinating stuff about Frankenstein and about Anna's relationship with Velkan that I particularly liked. A wonderfully rendered, exciting novelization that is so rich it reads like a novel. Highly recommended.

9 of 10 people found the following review helpful.
Van Helsing a book that you can't put down.
By Richard Petsch
Van Helsing has a lot of detail and an overwhelming villian in Count Dracula. It keeps you wanting more, but the ending truly is one of a kind. The Wolfman and Frankenstein are part of this well written adventure that takes place at the end of the 19 century. Mr.Hyde makes an appearance,but this could been have longer and more a part of the story. But overall I think Van Helsing gets a thumbs up from me.

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Jumat, 13 Februari 2015

^ Get Free Ebook Last Lullaby: An Eve Diamond Novel (Eve Diamond Novels), by Denise Hamilton

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From multiaward-nominated and national bestselling author Denise Hamilton comes an electrifying new Eve Diamond novel that takes the reader on an exhilarating, heart-stopping, yet poignant ride through the dark streets of L.A.

Los Angeles Times reporter Eve Diamond has spent the day at LAX, shadowing U.S. Customs Supervisor William Maxwell. He's got his eye on an incoming flight from Beijing via Seoul and Tokyo. The flight's packed with the usual mass of humanity, ranging from the elegant Asian woman in the raspberry silk pantsuit who emerges from first class carrying a tired toddler to the scruffy students who have spent the long flight in economy.

Suddenly, shots ring out. Three people are dead, including two men who appear to be businessmen and the silk-clad woman. The man who was booked on the flight as the dead woman's husband is missing. And the sad little toddler is left behind.

Who is this child? Her passport says she's Japanese, but she doesn't seem to understand the language. Was the dead woman really her mother? Why has the child made five transpacific flights in one year? And why does the INS whisk her immediately into hiding?

Is this child a pawn in a larger scheme? Why would criminals care about this little girl? And why is Eve, too, in danger? Eve knows she must try to find the answers. Her search takes her into L.A.'s sleazy hotels, cybercafes, and into the upscale milieu of trendy restaurants and high-powered human-rights lawyers. Nothing is quite what it appears to be, and nobody seems to want Eve to find the child.

Last Lullaby is a richly nuanced crime novel from a superbly gifted author who asks important questions and never settles for the superficial answer. Her powerful prose and passion for her native city shine through on every page.

  • Sales Rank: #4625424 in Books
  • Published on: 2005-03-29
  • Original language: English
  • Number of items: 1
  • Dimensions: 1.02" h x 4.32" w x 6.88" l, .40 pounds
  • Binding: Mass Market Paperback
  • 384 pages

Amazon.com Review
One of the cardinal draws of Denise Hamilton's series about Los Angeles Times reporter Eve Diamond (The Jasmine Trade, Sugar Skull) has been its at least partial focus on the life and politics inside a big-city newsroom. However, her third novel, Last Lullaby, pretty much abandons that element. Though it's bursting with firepower and duplicity, this tale of lost children, see-no-evil adoptions, and international smuggling sadly blurs the distinctions between Diamond and less sparkling, more conventional private eyes.

While working up a story about the U.S. Customs Service, Diamond is caught in a shootout at the Los Angeles International Airport. By the time lead stops flying, three passengers from an incoming flight out of Beijing are dead and an infant Cambodian girl who'd accompanied them has vanished. Despite her lowly status as a suburban journo, the "flawed and fanciful" young Diamond--who's always had a soft spot for children in trouble--eschews more quotidian assignments in order to concentrate on this rapidly expanding mystery. But solving it could cost her plenty, physically as well as emotionally. It places Diamond in the midst of a tug-of-war between immigration officials (who have taken the little girl into hiding, supposedly for her own protection), profusely armed goons (who'll do almost anything to get her back), and a hero-worshipped immigration attorney with a fondness for robot dogs (who hopes to win political asylum for the toddler). Meanwhile, the reporter must suffer a 10-year-old video-game obsessive with a hate on for the owners of a local cyber café; a former lover who's suddenly stepped back into her life, bringing with him more dangers than delights; and an unexpected pregnancy by Hispanic music promoter Silvio Aguilar. There are so many twists and tensions here, that one can almost hear the credibility stretching as Last Lullaby approaches its fiery culmination.

Hamilton, an ex-Times staffer herself, knows the L.A. scene intimately, and she brings to her fiction a genuine appreciation of it's history, diverse subcultures, and class disparities. Her portrayal of that sun-bleached city as home to illegal immigrants in continual fear of deportation is especially heart-rending. Yet Last Lullaby hits a sour note when it tries to turn Eve Diamond into V.I. Warshawski with a press pass. --J. Kingston Pierce

Review
"Sexy and exciting."

-- Janet Fitch



"Gripping, action-packed."

-- "Chicago Sun-Times"



"So much freshness and sass...COMPARISONS WITH RAYMOND CHANDLER AREN'T TOO FAR OUT OF LINE."

-- "Los Angeles Times Book Review"



"Engrossing."

-- "The Washington Post"

About the Author
Denise Hamilton is a writer-journalist whose work has appeared in the Los Angeles Times, Cosmopolitan, and The New York Times and is the author of five acclaimed Eve Diamond crime novels, Prisoner of Memory, Savage Garden, Last Lullaby, Sugar Skull, and The Jasmine Trade, all of which have been Los Angeles Times bestsellers. She is also the editor of and a contributor to the short story anthology Los Angeles Noir, winner of the Southern California Independent Booksellers Association Award for Best Mystery of 2007. She lives in Los Angeles with her husband and two young children. Visit her at www.denisehamilton.com.

Most helpful customer reviews

4 of 5 people found the following review helpful.
Denise Hamilton Does It Again!
By S. Gould
Reading an Eve Diamond novel is like going on a ride at Disney. You truly believe you are experiencing every twist and turn in the plot until the ride ends and you realize how much you enjoyed the delusion. Hamilton's Los Angeles is as grity and tough as it is intimate and vulnerable and her protagonist reflects the City in which she grew up. In this episode Eve is trying to rescue an infant who is a pawn in some unknown scheme involving Asian drug trafficking, the INS, and a reknowned human rights attorney. Eve doggedly pursues this story while also grappeling with her feelings for her current lover and a past lover who has mysteriously reappeared in her life. We can"t help but root for this gutsy heroine as she follows confusing leads to a deadly conclusion. I would give more than five stars to this entire series if I could. Read them all!!

1 of 1 people found the following review helpful.
For Eve Diamond, the third time is not the charm
By Mary Anais
Eve Diamond has become an unlikeable character. She keeps dating extremely sketchy men, she endangers her job at the Times, and she gets rooked by needy people- the people she wants to "fix". Instead of growing throughout the series, she's declining.

Last Lullaby begins with Eve gathering information on security at LAX. September 11, 2001 has occurred recently, and the nation's airlines have upped their security. Eve's people-watching when all of a sudden, there's a shootout! Eve is haunted by an Asian toddler, as the girl looked so sick as she was carried by a beautiful Asian woman wearing a raspberry suit. Eve sees Raspberry Suit among the dead. Who will care for the little girl now? Her "father" has gone incognito. What's going to happen to the sickly baby? Who took her after Raspberry Suit was killed? Who is she? Eve is determined to find this out.

Last Lullaby is more focused than Sugar Skull. Hamilton stick to characters and situations that help the story move along. Even Lorenzo, a Hispanic fifth-grader who is "bright as Polaris" becomes relevant. (Of course, bleeding heart Eve wants to help this boy, who obviously just needs some extra love and affection to push him towards acceptance in a magnet school. ::sigh::) Lorenzo, however is also a predicatable character: poor, no father, hard-working single mom, can't get the help he needs in school because mom doesn't speak English, etc.

Silvio, love interest from Sugar Skull, returns to seduce Eve. Eve knows fully well that she is not permitted to see him until his ex-future-sister-in-law's trial is over. But, of course, Eve can't help but be seduced by Silvio. Silvio still has some sketchiness to him. While having a relationship develop as a secondary plot is fine, there was no need to be dragged back to Silvio's family's home for an event. Minus one star for that.

Also, the lover she's been pining for since the beginning of the series, Tim, finally makes an entrance. He's sketchy, too, but why? Does he have something to do with the mysterious toddler?

Minus another star for the end. Blood, bondage, kidnapping, a raging inferno, robberies, heroin, death- it's all in the last few chapters. And it's much, too much. Lorenzo, who dropped off the pages in the middle, suddenly returns! We do learn about the little girl, but by then, everything is moving at crazy warp speed. And it's not good warp speed. Eve is a mere reporter for the LA Times, not law enforcement. Yet, somehow, she continues to think she's a cross between law enforcement and a one-woman charity. And somehow, someone always wants her dead. I'm surprised the Times hasn't fired her for being so over-the-top!

Sure, it's just fiction, but can't we have one story where people don't want to kill Eve?

1 of 1 people found the following review helpful.
A breakout novel for Hamilton
By David Montgomery
Denise Hamilton, a Los Angeles-based reporter turned novelist, is one of the brightest new talents to enter crime fiction over the last few years. With her third book, Last Lullaby, she once again confirms that promise with a gripping, action-packed work that ought to bring her books to a much wider audience.
After two fascinating explorations of L.A.'s ethnic subcultures, this time Hamilton has produced a more conventionally directed mystery that is focused on an intense story about child abductions and the underground market for overseas adoptions.
As with the author's first two novels, Los Angeles Times reporter Eve Diamond pursues the investigation and her own conflicted emotions about motherhood, as well as her concern for a lost child, drawing her deep into a dangerous situation.
Diamond is one of the best characters in a currently ongoing series. She is sympathetic and believable, and generally acts with intelligence and reason, qualities unfortunately rare in the modern mystery. She also has the right mix of street smarts, sass and vulnerability to draw the reader's interest and concern.
Reviewed by David Montgomery, Chicago Sun-Times

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Rabu, 11 Februari 2015

>> Ebook Threat Level Black, by Jim DeFelice

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Threat Level Black, by Jim DeFelice

A Simon & Schuster eBook

  • Sales Rank: #2641207 in Books
  • Brand: Brand: Pocket Star
  • Published on: 2005-03-01
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 1.01" h x 4.28" w x 6.84" l,
  • Binding: Mass Market Paperback
  • 384 pages
Features
  • Used Book in Good Condition

About the Author
Jim DeFelice has written more than a dozen novels, including the New York Times bestselling Dale Brown's Dreamland and Stephen Coonts' Deep Black series. His other novels include Cyclops One and Threat Level Black, published by Pocket Star Books.

Most helpful customer reviews

0 of 0 people found the following review helpful.
awesome
By Amazon Customer
Very exciting and action packed. I want to hear more from the characters in this story. Makes me want to pick up the next book immediately.

3 of 3 people found the following review helpful.
Book review
By William C. Crane
This will keep you right on the edge of your chair the entire time. And it covers a subject that has been on all of our minds for years.
Highly recommended!

11 of 13 people found the following review helpful.
More of what makes DeFelice the Schwarzenegger of techno-thrillers
By Michael Blitz
DeFelice's books are always good stories. Threat Level Black invites you into the cold steel world of hot conflict. I don't read DeFelice to restart the world's turbine; I read him because his books obey the first law of well-told tales: they provide temporary transportation from here to there. TLB is a lot of fun, with odd-lot characters and a compelling plot. I read the book while on a flight from NY to LA, finishing it just after the drop of landing gear. Now that's transportation.

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Senin, 09 Februari 2015

>> Download Ebook A Star Trek: The Next Generation: Time #8: A Time to Heal, by David Mack

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A Star Trek: The Next Generation: Time #8: A Time to Heal, by David Mack

On the cusp of their epic battle with Shinzon, many of Captain Jean-Luc Picard's long-time crew were heading for new assignments and new challenges. Among the changes were William Riker's promotion to captain and his new command, Riker's marriage to Counselor Deanna Troi, and Dr. Beverly Crusher's new career at Starfleet Medical. But the story of what set them on a path away from the Starship Enterprise™ has never been told.
UNTIL NOW.
A cataclysmic war between the Federation and the Klingon Empire has been miraculously averted, and a new government is finally in place on the planet Tezwa. But deadly secrets still threaten the fragile peace accord.
Rebels still loyal to the old Tezwa regime have captured Commander Riker and are willing to kill to achieve their goals...the Orion Syndicate is interfering in the rebuilding -- and may also be involved in much more than that. But the most devastating revelation of all threatens the very foundations of the Federation itself -- leaving Captain Picard to possibly face the very conflict that he labored so hard to prevent....

  • Sales Rank: #1042505 in Books
  • Brand: Brand: Pocket Books/Star Trek
  • Published on: 2004-09-01
  • Released on: 2004-09-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.75" h x 1.10" w x 4.19" l,
  • Binding: Mass Market Paperback
  • 368 pages
Features
  • Used Book in Good Condition

About the Author
David Mack is the New York Times bestselling author of more than twenty-five novels, including the Star Trek Destiny and Cold Equations trilogies. He co-developed the acclaimed Star Trek Vanguard series and its sequel, Star Trek: Seekers. His writing credits span several media, including television (for episodes of Star Trek: Deep Space Nine), film, short fiction, magazines, comic books, computer games, and live theater. He currently resides in New York City.

Most helpful customer reviews

15 of 17 people found the following review helpful.
One of the most daring TREK books in years
By Tess Wallace
When I say a book is "daring," I don't mean it's perfect. This one isn't. Its biggest shortcoming is the utter implausibility of Starfleet's final answer the crimes of the Federation president. And you really have to have a strong stomach or an appreciation for descriptions of graphic injury and violence to get through this book's more brutal passages. David Mack's writing is sometimes shockingly vivid, enough to make one wince at times. There's also no escaping what this book and the one before it, A TIME TO KILL, are really about: the 2003 U.S. invasion and occupation of Iraq. The analogy seems plain -- but thinner and not as well-disguised with SF ideas as such episodes of the 1960s STAR TREK series as "A Private Little War" or "A Taste of Armageddon."

But if those are the things that A TIME TO HEAL did wrong, what did it do right? For one thing, even though it used current events as a template, it didn't take sides. Even the so-called villains have reasonable motives, if self-serving or misguided. Mack's portrayal of the tragedies of war, the horrors of combat, and the senselessness of violence is stirring and provocative. He challenges his readers' conceptions of the NEXT GENERATION characters as "pure" or "morally spotless" by putting them in situations where they must make really hard choices between doing the ethical thing and paying a terrible price, or bending their rules little by little in order to stave off disasters, only to find themselves suddenly knee-deep in compromise and complicity.

Another excellent element of this book is its use of supporting characters. The "little people" on the ship come to life in lots of well-dramatized incidents that give them personalities. We get to know them, in both their fragility and their heroism, making it truly poignant and upsetting when they meet gruesome fates.

The plotting of this book is superb; like A TIME TO KILL, action transpires in multiple places at once and encompasses dozens of characters, yet Mack keeps them all clearly drawn. The story has elements of humor and pathos, military tactics and political scheming, strangely bittersweet relationship arcs and an unrelenting sense of impending disaster. In addition, Mack's use of language is remarkably agile. By turns he can be stark, blunt and hard-hitting, then suddenly lyrical and lushly descriptive.

His characters also work on many levels. (Picard is the exception, as he seems to have faded into the background for most of this book. His few moments of pseudo-paternal concern from A TIME TO KILL have greater resonance than all his maudlin pining for Beverly Crusher in A TIME TO HEAL.) In particular, the one frequently underused character who finally got some real development was Deanna Troi. Finally, a STAR TREK main character is forced to confront a truly dark aspect of themselves and isn't able to brush it aside as something alien or "artificially induced" -- Troi must now grapple with the fact that she, like all people, carries the primitive seeds of cruelty in her nature. This is probably some of the best writing ever done for the Troi character.

It's easy to see why this book is so polarizing. It asks readers to realize that even an entity such as the Federation, which we have always been told stands for what is good and noble, can in times of terrible national stress forget the ideals it claims to defend. As the Federation president, his chief of staff, and a cabinet member work a criminal conspiracy to conceal the true reason for why Starfleet had to conquer and occupy the sovereign planet Tezwa, we see the Federation -- long considered STAR TREK's analog to the United States -- engaging in pre-emptive military action, telling one set of lies to its own troops, another to its allies, another to its accomplices on Tezwa... And when good people, like the crew of the Enterprise, are pressed into service based on lies and deception, their achievements, no matter how honorably they were engaged by our heroes, become tainted by the lies of the people who sent them into battle, into war, into conquest.

I don't think that Mack set out to tell a story of carnage and violence because he wanted glorify such evils --- I think this reads like the work of a writer who is appalled and horrified and very angry about what he has been seeing in the news. More than just another STAR TREK book, A TIME TO HEAL in my opinion, is a vicious polemic against a war and a point of view. It is dark, morally complex, violent, graphically brutal, tragic, and, frankly, brilliant.

Regardless of one's opinion of its story, or its conclusions, it is beautifully written. I would never expect everyone to love a book like this -- I don't think that's possible -- but I think it's definitely a book that is worthy of respect.

0 of 0 people found the following review helpful.
David Mack can Write Star Trek Action and Drama!
By Picardfan007
Great entry in this series, of the nine part "A Time To" series. One thing is sure. David Mack "gets" the characters of Next Generation. I read this book and it's earlier entry "A Time to Kill" also by Mack. If you like action and drama read this book. Lots of Star Fleet security and crew members meet their demise in this pivotal story that takes place before the film, Star Trek Nemesis. Mack should be showing the other Star Trek authors how write without being boring or pretentious. When you read a novel by this writer, you feel like you are getting your money's worth.

5 of 5 people found the following review helpful.
A little unbelievable
By Mateo
I have enjoyed the A Time to books, some more so than others. A time to kill was great because it showed some cool commando and more hands on stuff which is sometimes a rarity in the star trek universe,except for DS9, which was as close to realistic as Star Trek got.

However, while i enjoyed the story the whole ending of getting rid of the President of the Federation and his aids by Section 31 was a little unbelievable. If Bill Clinton or George Bush (Senior and W.) disappeard tomarrow and were never heard from again I think people would start asking questions. I just can`t believe that the President of the Federation resigns and is never heard from again and no one is the wiser. Also, while Deep Space Nine did put a darker edge on the Star Trek series everyone for the most part stuck to their morals. These last two books have basically made the Federation just as bad (Schemers, liars and muderers) as the Romulans. It sort of takes away that cool innocence that Star Trek has. Star Trek seemed to try and show the good side of humanity and that the future holds promise and the Federation is above stuff like what happened in the books. So, its was a little out of character.

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