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Within every federation and every empire, behind every hero and every villain, there are the worlds that define them. In the aftermath of Unity and in the daring tradition of Spock's World, The Final Reflection, and A Stitch in Time, the civilizations most closely tied to Star Trek: Deep Space Nine can now be experienced as never before...in tales both sweeping and intimate, reflective and prophetic, eerily familiar and utterly alien.
CARDASSIA: The last world ravaged by the Dominion War is also the last on which Miles O'Brien ever imagined building a life. As he joins in the reconstruction of Cardassia's infrastructure, his wife Keiko spearheads the planet's difficult agricultural renewal. But Cardassia's struggle to remake itself -- from the fledgling democracy backed by Elim Garak to the people's rediscovery of their own spiritual past -- is not without opposition, as the outside efforts to help rebuild its civilization come under attack by those who reject any alien influence.
ANDOR: On the eve of a great celebration of their ancient past, the unusual and mysterious Andorians, a species with four sexes, must decide just how much they are willing to sacrifice in order to ensure their survival. Biological necessity clashes with personal ethics; cultural obligation vies with love -- and Ensign Thirishar ch'Thane returns home to the planet he forswore, to face not only the consequences of his choices, but a clandestine plan to alter the very nature of his kind.
- Sales Rank: #906773 in Books
- Published on: 2004-06-01
- Released on: 2004-06-01
- Original language: English
- Number of items: 1
- Dimensions: 6.75" h x 1.30" w x 4.19" l,
- Binding: Mass Market Paperback
- 384 pages
About the Author
Una McCormack is the author of the Star Trek novels The Fall: The Crimson Shadow (a New York Times bestseller); Cardassia—The Lotus Flower (which appeared in Worlds of Star Trek: Deep Space Nine, Volume 1); The Never-Ending Sacrifice; Hollow Men; and Brinkmanship; as well as two Doctor Who novels, The King’s Dragons and The Way Through the Woods, and numerous short stories. She lives with her partner, Matthew, in Cambridge, England, where she reads, writes, and teaches.
Heather Jarman lives in Portland, Oregon, where she supplements her day job as a tired mommy with her writing career. Her most recent contributions to the Star Trek fiction include "The Officers' Club," the Kira Nerys story in Tales from the Captain's Table, and Paradigm, the Andor novel in Worlds of Star Trek: Deep Space Nine, Volume One.
By night Heather flies to distant lands on black ops missions for the government, where she frequently breaks open industrial-strength cans of whupass on evildoers.
Excerpt. © Reprinted by permission. All rights reserved.
Chapter 1
The mountains rose sheer and high to the north and the west, their shadows shifting across the valley throughout the course of the day. When you walked around the settlement, you could always feel them. You could usually make a good guess as to the time. Like living in a sundial, Keiko thought absently, propping her elbows on the windowsill and resting her chin in her hands, staring up at the peaks that marked and measured out the days at Andak.
The mountains were shot through with black rock, which would glitter when hit by the harsh Cardassian sun, sending sudden sharp shards of light over the base and the settlement. Obsidian, Feric had told her, and then had launched into an impromptu lecture about the volcanic activity that had formed this part of the province. It had been the subject of his thesis.
"Too much information, Feric!" she'd groaned as his eyes, beneath their ridges, took on a zealous gleam. "There's a very good reason I'm not a geologist!" He'd laughed, taking it in the good humor she'd intended, but couldn't resist adding a little bit more information ("Don't worry -- the volcanoes are extinct"). He was a first-rate scientist, and she hoped that soon enough he might also be a trusted friend. She was sure that she had made a good choice, appointing him as her deputy.
Early evening in Andak brought with it an acute light that, for an hour or more, seemed to settle upon the ancient valley and the new base that lay there in its folds. If you looked at the calendar, it was supposed to be autumn -- but the heat had not noticeably dissipated, and it endured even after it went dark. As the year died, Keiko had been told, and winter did come at last to the mountains, the days would become more barren and the nights would be bitterly cold. Cardassia, she suspected, had many cruelties left to reveal.
This evening, the sun seemed to have intensified further, and the efficient gray edges of the buildings were outlined with silver. It was still and hot -- and expectant, as if the valley was waiting for something to happen, as if it was waiting for some change. Keiko opened the window, wishing for a little breath of air upon her face. She watched as a small group of people -- ten or twelve, perhaps -- assembled in the dusty, unpaved square around which the settlement was ordered. Feric was among them. He stood for a while, speaking to one or two of those gathered, and then he and a young woman -- Keiko recognized her as one of the junior engineers -- moved a little distance away from the others. They each were carrying something, and it was only when they held these before them and then fastened them over their faces that Keiko saw that they were masks.
They turned to face one another, each studying the mask that hid the other from view. The moments slipped past more quickly now, and a hush had fallen over the others gathered there. They were drawn to the scene before them, and stood by unknowing, but eager, watching and waiting. Keiko gazed at this tableau as it held for a long, still moment. The mountains behind at first framed the scene and then, almost imperceptibly, seemed to become part of the composition.
A ripple passed through the onlookers as first Feric, then his companion turned to them. It seemed as if, each in turn, they became connected; whether by their own fascination or some other, more physical charge, they could not afterward tell. The sense of anticipation in the square was growing, the air was becoming slow. If this had been anywhere else, Keiko might have said a storm was coming.
The young woman began to speak, her voice low and rhythmical.
"The power that moves through me, animates my life, animates the mask of Oralius..."
There were some children in the square too this evening, Molly included, playing some game or other -- it looked to Keiko as if Molly was organizing proceedings. Like mother, like daughter, she thought, with a grin. Growing up on Deep Space 9 had been good for Molly in many ways. She seemed to be able to fit in wherever she was -- she certainly had none of her father's difficulties mixing with the Cardassians here, although there were some children hanging back, Keiko noticed, watching the games but not taking part. Well, Molly could be a bit much at first, if you were a shy kid. No doubt they'd get used to her in time, or perhaps get used to each other.
As must we all....
The woman was still chanting:
"It is the song of the morning, opening up to life, bringing the truth of her wisdom, to those who live in the shadow of the night..."
Keiko had known even before she'd set foot here that a large part of her job at Andak would be making the staff come together not just as a team, but as a community. Cloistered together, all this way out, it would be easy for feuds to grow, for minor incidents to take on massive significance -- for the place to become a hothouse of resentment and intrigue. Keiko was director here -- but it was not just the scientific research that would need her attention. A community, that's what she wanted too. And so she'd requested that the team she'd assembled should bring their families with them to Andak. It was only when the requisitions came through -- for living quarters, for rations -- that she began to realize what a Cardassian "family" might mean. Everyone at Andak had been touched by the war. She, Miles, Molly, and Yoshi -- they were the oddities: mother, father, sister, brother. No one else was that lucky. Some of them were the only survivors of their families: Feric, for one, had lost everyone -- mother, two sisters, a wife, and a little boy. When Feric looked at Yoshi, Keiko thought her heart would break -- another good reason to encourage a community at Andak.
She heard Feric's voice rising, clear and sure in the evening air.
"It is this selfsame power -- turned against creation, turned against my friend -- that can destroy his body with my hand, reduce his spirit with my hate..."
She'd had to fight a hard battle to get Feric's appointment confirmed, right the way up to the advisory board. At least Charles Drury back at the I.A.A.C. had supported her -- well, she was his appointment, after all, it wouldn't do to lose face and faith in your new research director this early on in the project....
"You've got your geologist, Keiko," he'd said, with a twist to his mouth, "Despite his, ah, fascinating beliefs..."
"He's a member of the Oralian Way, Charlie -- and don't raise your eyebrow at me like that. The only reason there's been this much fuss is that he's had the nerve to discuss his beliefs openly. And since when did the I.A.A.C. hire people based on their religion, or lack of it?"
"You make, as ever, a convincing case. But no more controversy if you please, Keiko," he'd said, leaning over to turn off the link. "The budget won't stand for many more emergency meetings. Catering for the great and the good doesn't come cheap, you know. The funding isn't that secure. Yet."
Politics, politics, politics...We're meant to be doing science!
0
Keiko sighed and leaned her forehead against the cool plastic of the window. It would be all politics again tomorrow, she thought ruefully, with far too little chance for science. Abandoned on her desk, a padd flashed a lonely and unnecessary reminder that the following afternoon, the Andak Project was to be favored with the presence of one Vedek Yevir Linjarin. As if that weren't intruding on her every thought already. A high-profile visitor, putting the project under the spotlight. Yevir, it seemed, never went anywhere without a cavalcade of cameras in his wake. All in the cause of peace -- although it didn't seem to be doing his popularity back on Bajor much harm either....
Keiko chewed on her bottom lip. Playing the usual politics was bad enough, but when it meant putting aside all your personal feelings...Yevir had hurt a friend of hers, hurt her badly, and Keiko was going to have to spend tomorrow making good-mannered small talk with him. Her friend was a practiced politician herself these days and would understand, Keiko knew, but she would still feel a pang of guilt when she next had to look Kira in the eye.
Welcome to the Andak Project, Vedek Yevir. Here's a punch in the mouth in return for my friend's Attainder.
Now, that, Keiko suspected, would get the funding cut for sure. No, she thought with a grin, she'd better steer away from the Miles Edward O'Brien School of Diplomacy and stick with something a little more welcoming.
She cast an anxious and appraising eye around the settlement, at the buildings that seemed to her to sit as yet precariously on the land, and wondered how it would all appear to an outside observer. It was, she would be the first to admit, pretty basic, but there were far worse places to be on Cardassia Prime these days. They had come through the capital on their way out here -- that had been a shock. Keiko had read about it -- had known in an abstract way, the way you think you know things that you see on news broadcasts or read about -- but nothing had prepared her for the reality. Nothing had prepared her for the black, blasted landscape, for the dust and the dark, for the hollow eyes of the survivors trying to keep on living in the ruins. Trying to get down one street, they had been held up by workers clearing away the debris -- she remembered with a shudder watching as they unearthed a pile of skeletons....She'd only just distracted Molly's attention in time, before the little girl had seen. There had been risks, she and Miles knew, in first moving the family to Deep Space 9, then bringing them here to Cardassia. But there were limits. There were some things you had to protect your children from.
In the square, someone had started humming. Someone picked up the melody, then someone else -- and soon the whole assembly had joined in. The sound seemed to build up, seemed to be moving outward from the group, out into the whole of the square, the whole of the settlement, the whole of the valley of Andak. Keiko closed her eyes, listened, found herself thinking of the evening's heat, and the black mountains, and the sharp white light that filled the valley....
"Bloody hell!"
Keiko's eyes shot open. She gave a wry smile. That had certainly killed the mood.
She looked over her shoulder and round their quarters with mounting disbelief. He hasn't...tell me he hasn't...
But he had. He'd pulled one of the panels off the wall and was investigating what lay inside.
"What are you doing, Miles?"
"I can't get this thing to work properly. Damned Cardassian settings!"
Realization dawned on her. "Are you talking about the temperature modulators?"
He made a noise that she took to be agreement.
"Is that why it's so hot in here? Miles!" she scolded. "Why didn't you just leave it alone?"
He looked up at her. "You were complaining about the heat again last night, and we had it right down. Turns out the levels have been fixed for Cardassian physiology. I wanted to see if I could get it to go down a notch or two. Should have thought of it sooner."
"But now it's even hotter!" She turned away from the window to take a better look at what he was up to and grimaced at the sight. Spread all over just about every available space was a chaos of tools and cables. Yoshi was sitting on the floor, happily absorbed in the vital business of emptying out his father's toolkit and dispersing the contents as widely as possible. Teetering on the edge of a nearby table was a pot of meya lilies, paper-thin and exquisitely perfumed, that she had set out only that morning. She stepped across to rescue them, placing them out of harm's way on top of some nearby shelves. Nobody could colonize space as quickly and as thoroughly as Miles, when he put his mind to it.
"Miles," she said weakly, "what have you done to my home?"
"Eh?" He looked around. "Oh, don't worry about this. I'll have it all back inside and the panel on again before you know."
But I already know...! she thought, and sighed, putting a hand to her forehead. From on top of her desk, the padd blinked at her, doggedly.
"Aren't you leaving for the capital in a few hours?" she said. "And are you packed yet?" Something else crossed her mind. "Is your presentation even ready?"
He stuck his head again inside the panel and mumbled something.
"I can't hear you with your head in there, Miles."
He twisted his neck a little and glared at her. "I said, I'll finish it on the ride up."
Keiko, who was a mother of two and had once been a schoolteacher, knew guilt the moment she saw it. "So," she said, putting her hands on her hips, "Let me see if I've got this straight. Instead of finishing a presentation on which the whole future of this project may hang, you decided you were going to open up the wall, pull out a bunch of cables, and play with them?"
He looked round at her, his expression one of complete bafflement. "To fix the temperature modulators," he explained, as if to someone not quite following something very straightforward, and then he leaned over again. "Don't you know by now that everything I do is done to make you happy, sweetheart?" he added, and then quickly, and wisely, put his head back inside the panel -- where he bumped it, and swore again, under his breath.
Keiko came away from the window, and cleared a space on the couch to sit. Yoshi climbed up beside her, and put his hand in hers. "Don't play the innocent with me," she said, stroking his hair. "I know you two -- you're both in this together." He gave her a wide and guilt-free grin. Keiko tucked him under her arm, looked round at the anarchy into which her home had descended, and sighed.
Earth, Deep Space 9, Cardassia...Nothing really changes....
Copyright © 2004 by Paramount Pictures. All Rights Reserved.
Most helpful customer reviews
26 of 28 people found the following review helpful.
Spectacular
By Amazon Customer
"Worlds of Star Trek: Deep Space Nine" are intended to immerse the reader in the cultures of the chosen planets and allow the reader to experience those societies from a familiar characters point of view. At the same time the Worlds of Star Trek: Deep Space Nine advances the post-finale storylines. Both stories in volume one definitely succeeded in doing both of those things in spectacular fashion.
Una McCormack transports us to Cardassia in "The Lotus Flower" where Keiko O'Brien has accepted a position to head up an important agricultural renewal project. The recovery and reconstruction efforts are continuing slowly when the O'Brien family, Vedek Yevir and other innocents become pawns in a dangerous political game instigated by those on Cardassia who are opposed to the leadership of Ghemor. Garak, an old hand at playing such games, must call on all of his skills to avert a tragedy that could spell the end of hope of a democratic future for Cardassia.
In many respects Una McCormack has the more difficult job in this first volume of Worlds of Star Trek: Deep Space Nine and she definitely rises to the occasion. Life on Cardassia has been portrayed before, while Andor is another kettle of fish entirely, it's more of a clean slate. McCormack builds on what has already been established about Cardassia and does a wonderful job of allowing the reader to catch glimpses of what Cardassian society had been like before the Dominion War, while at the same time portraying what they are experiencing now.
The short chapters really kept the story moving along at a very fast pace and make it seem a bit shorter than it actually was. McCormack does a very good job of illustrating her theme: the idea that major change can be very frightening and that fear can leave people, particularly children, vulnerable to manipulation. She also succeeds in driving home the point that politics can be a very dangerous and cold-blooded game.
What I enjoyed the most about "The Lotus Flower" was McCormack's characterization of Garak. It is outstanding. She's got him down cold and I found myself missing the character very much indeed when I finished. There are also several sweet and effective character moments for the O'Brien's.
The prose is a pleasure to read and very straight forward. Most of the time the narrative is quite evocative but it's a bit uneven. The Garak scenes were the strongest. You can clearly tell she loves the character and understands him well. There is a whole `men in the shadows' element to the story that allows a sense of mystery and menace to creep in and McCormack does an excellent job of using that to build suspense.
In the second story, "Paradigm", Heather Jarman paints a portrait of Andor that you won't soon forget. Shar, Ensign Thirishar ch'Thane, returns home to Andor to face the consequences of his choices but he doesn't travel alone. Ensign Prynn Tenmei and Lieutenant Commander Phillipa Matthias accompany Shar and the trio arrives on Andor as the society stands on the edge of an abyss. To save their species, the Andorians may be forced to make tough choices, choices that may save them as a race but destroy their culture.
"Paradigm" is a very impressive piece of fiction. Heather Jarman's narrative is so rich and vivid that it's quite easy to become lost in the story. As the story unfolds the tension builds continuously providing moments of satisfying release before it builds again. It is like being on a thrill ride that gives you moments to catch your breath before it races off again.
World building is something Jarman excels at and in "Paradigm" she provides a duel look at Andor and Andorian society that works perfectly by giving the reader both the point of view of a native of the planet and a visitor. Shar, in his role as tour guide provides one perspective, but we also get to see Andorian society from Prynn's outsider looking in position as she struggles to understand the complex culture.
There are also moments of lightness and clever inclusions, for example Jarman's way of handling the name of the planet issue and those curious about Andorian sexuality will certainly be satisfied. The issue is handled very tastefully. A glossary of Andorian terms at the end of the book comes in quite handy if all the alien pronouns confuse you as much as they do me.
Although "The Lotus Flower" comes first in "Worlds of Star Trek: Deep Space Nine", it doesn't matter what order you read the two novellas. Chronologically "Paradigm" is set before "The Lotus Flower". Each story stands on it's own merits and each is outstanding in its own way.
14 of 15 people found the following review helpful.
Andorian fans should love this!
By Ian McLean
I haven't finished Una McCormack's "Cardassia: The Lotus Flower" yet, but as a diehard Andorian fan, I turned to Heather Jarman's "Andor: Paradigm" first...
I'm floating on air. Overall I'm am thrilled and fulfilled by "Paradigm", not only an exciting continuation of "Deep Space Nine" after its so-called "eighth season" (see "Mission: Gamma", "Unity", etc) but this is an Andorian-rich Star Trek story - at last. "Paradigm" drew me in and kept me there. I had a ball; always trying to second guess the action and motivations and being thwarted by Jarman's clever plotting all the way.
In "Paradigm", Andorian DS9 crewman Shar returns to his home planet in disgrace. He has disappointed his birth mother (a UFP councillor) and his two surviving bondmates by shirking his responsibilities to start a family. It was almost hypnotic reading at times. The alien atmosphere is captivating. Shar, and two human DS9 characters introduced in this series of novels set after the TV series, are metaphorically moving backward in time (with the reader) as more and more about ancient Andor is revealed.
Prynn Tenmei's interest in Ensign Shar was also developed well, even though I wasn't sure it was a good idea when suggested in "Unity", but it was a plot complication that helped to keep me guessing right till the end. Thantis was a particularly great character - she's the "zhavey" (birth mother) of Thriss, Shar's deceased bondmate.
We learn quite a bit more about four-partnered Andorian marriages (first mentioned by Data in an episode of TNG). For avid fans, there are some fun cameos: the inclusion of Shran's monument (Enterprise), TOS Andorian chainmail, Therin Park, mention of "The Battle of Betazed" novel - and even the planet Dramia (from TAS).
A truly magnificent effort - and I still have the Cardassian story to read.
5 of 5 people found the following review helpful.
A look at Cardassian Politics and Andorian Sexuality
By Antoine D. Reid
I'm rather split on this book. You have two seperate stories, one that truly is a short story and another that I feel could have been it's own novel. If this review was based only on Una McCormack's "The Lotus Flower," I may have given it an average rating. Yet, there's a lot more to this first volume. Not only do you have DS9's staple alien foe, the Cardassians, taking the spotlight, but you also have the mysterious Andorians, only touched on by the Original Series, Enterprise and this relaunch of Deep Space Nine.
First, McCormack's "The Lotus Flower." While Robinson's look at the Cardassians post-DS9 series finale was engaging and in depth, I felt this story was just weak. It didn't get my interest until the ending, then I was left having to review the entire story in order to understand all the outcomes. It took me forever to get through this book simply because of this story. Here, the O'Briens make their move to Cardassia, which is letting in the Federation to help rebuild it after being decimated by the war. The entire plot seems to hinge on if Keiko's new position and project are going to be well received. By the second chapter or so, the outcome is rather predictable. You have a touch of Cardassian religion, which I found interesting since the series never touched on it.
There are a lot of characters involved here as well. I felt as if a review of the Cardassians in the government could have benefited the story some. I contiually paused and asked "who's this?" or looked up the episode reference to see where all of these characters appeared and how they fit into the plot. You'd have to have read Andrew Robinson's "A Stitch in Time" to get a proper introduction to all of these characters and the current political situation on Cardassia. Not only that, but you'd have to have all the information from that novel pretty well memorized in order to make all the connections in this story.
The plot seemed to go quickly in some parts and drag on it others. To me, Keiko's characterization was also a bit off. I mean, I never took her as being a chippy, hyper, continually optimistic person all the time. The last few seasons of Deep Space Nine portrayed her differently, perhaps a little more pessimistic and moodier than she was here. She continually was yelling or having a whine-type feel to her with too many exclamation points that simply made my eyes role. O'Brien seemed to be on mark, but he was reduced to being rather angry or tense. The Cardassians for the most part were the most interesting of the bunch. Garak less so than those Keiko is working with.
The Andorian story, "Paradigm," by Heather Jarman is a different story. It's much more engaging and plays between different emotions and subject matters. While "The Lotus Flower" seems to be more of an allegory for the world situation today where politics and religion can't seem to find a way to meet in the middle with one another, "Paradigm" takes Ensign Shar's story even further. He returns to Andor at the request of his mother. Her career is on the line, Andor's future is also threatened.
It reads like a romance novel at some places. The weakness of the story comes from the inclusion of Prynn Tenemi and how sappy and juvenile she's portrayed. The added bonus of this story is that the new character, Counselor Phillipa Matthis. She's not the usual counselor, not what we've come to expect from such a character. Seeing her interact with Shar, Prynn and the other Andorians is the best part of the story. Also, it's easy to follow all the plot threads. It starts off slow, picks up and keeps your interest throughout.
Even though some of this novel conflicts with Andorians as they were seen in the series Enterprise, it's a great read. I'd pick up the novel just for Jarman's story. Perhaps others will find the Cardassian story more engaging and interesting than I did. Regardless, it's worth your money and attention.
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