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While investigating a doctor accused of drug-facilitated sexual assaults, Manhattan Assistant DA Alex Cooper learns of the grisly death of a world-class ballerina at Lincoln Center. Fairstein's latest New York Times bestseller is available in a Premium Edition.
- Sales Rank: #245964 in Books
- Brand: Pocket Books
- Model: 2408371
- Published on: 2007-01-23
- Released on: 2007-01-23
- Original language: English
- Number of items: 1
- Dimensions: 7.50" h x 1.10" w x 4.13" l, .70 pounds
- Binding: Mass Market Paperback
- 512 pages
- Great product!
From Publishers Weekly
Reunited with fellow Manhattan crime scene investigators Mike Chapman and Mercer Wallace, brazen, outspoken Alexandra Cooper, assistant DA for the sex crimes prosecution unit, tackles the case of a murdered dancer with the Royal Ballet. While it was no secret that "world-renowned" Russian ballerina Natalya Galinova had a bad attitude and a cuckolded husband, that she was tossed, undetected, into the cooling unit at the Metropolitan Opera House still comes as a shock, even to a whole slew of suspects, among them her agent, Rinaldo; Broadway kingpin and voyeur Joe Berk; Berk's shady niece Mona; and the Met's slippery artistic director, Chet Dobbis. Varied clues paired with the fascinating theatrical spadework involved in the opera business lead to a sidewalk electrocution and several sabotaged stage sets. As additional suspects are tacked on, concurrent evidence and motives surface and the stage becomes increasingly deadly for everyone involved, especially Alex. Running alongside is a rape subplot involving an elusive Turkish doctor, and an unsolved urban assault case. Despite the overcrowded plot, this whodunit manages to pirouette to a satisfying climax just as the curtain drops. Fairstein (Entombed) fans will undoubtedly demand an encore. (Jan.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
*Starred Review* Fairstein brings her considerable experience in the law--she served as the chief prosecutor in the Manhattan District Attorney's Office Sex Crimes Unit for 25 years--to her richly detailed legal thrillers. Her series heroine, Alexandra Cooper, is a clone of Fairstein, an assistant district attorney and sex crimes prosecutor with the Manhattan DA's Office. The closeness of character to author works superbly in this series, as it does in Dick Francis' horse-racing thrillers. In this eighth outing for Cooper, Fairstein gives readers insiders' access to two worlds: the pretrial investigations of prosecutors working with homicide detectives and the inner workings of New York's theater world, especially the backstage area of Lincoln Center. A world-famous ballerina has disappeared from Lincoln Center's Metropolitan Opera House during a performance. Cooper teams up with two homicide detectives, laying bare the rough world of professional theater--not everything is beautiful at the ballet. At the same time, Fairstein investigates a sexual-assault case in which a doctor drugs his victims, using a particularly chilling MO. Fairstein's exploration of contemporary DFSA (drug-facilitated sexual assault) and the legal intricacies of DNA data banks proves fascinating. The latest Cooper delivers what has made this series so good: solid legal, procedural, and forensic detail surrounding an intriguing case. The book's added punch comes from Fairstein's Phantom of the Opera-like re-creations of the labyrinthine environs of the Met, beneath and behind the stage. A great read. Connie Fletcher
Copyright © American Library Association. All rights reserved
Review
"Her most powerful and affecting novel....Fairstein really knows what she's writing about."
-- James Patterson
"A champion teller of detective tales."
-- "USA Today"
"Linda Fairstein is carving out a prime spot among writers of suspense fiction."
-- "The Washington Post"
"Fairstein tells it like it is."
-- Michael Connelly
Most helpful customer reviews
0 of 0 people found the following review helpful.
This is what a 3 star book is all about.
By Music Lover in Omaha
This is the first book I've read by Linda Fairstein and it will certainly not be the last. 'DEATH DANCE' was enjoyable and moved at a good pace. There were no points at all where I thought the story was dragging. There were some really obnoxious characters and in some cases I was wondering if anyone would actually talk to a police detective that way. There seemed to be lots of people with virtually no respect for the investigators. The detectives, however, were very likable and none of them seemed to be wrapped up in their own problems. Okay, there was the mourning for a deceased wife, Val, but this was never an issue when on duty. Good detectives. And of course, there was Alex Cooper, the prosecuting attorney in the special victims unit. It was nice to have a main character who was not being tortured by the ghosts of the past. You have to like her. The wrap up to the 3 crimes that were on Alex Cooper's caseload all came at once and 2 of them just out of no where. I guess once the main subject of the investigation was done, the author just had to close out the other two. One thing I did have a problem with though was the way the District Attorney just handed a homicde case to a prosecutor in another division. There was a big point made of how the head of the homicide prosecution unit would react to this but then nothing was even mentioned. Not a word. What happened to the guy whose territory was being invaded? Oh well. Anyway, I've read other reviews of other books by Linda Fairstein. It seems that maybe this is not her best effort. This is a good, quick read that won't make you feel cheated, but probably won't be one you will count as one of your all time favorites. 'DEATH DANCE' is what a 3 star book is all about. I would say that if this is her worst effort, then Linda Fairstein is a very good writer. I am anxious to read more in this Alex Cooper series.
2 of 6 people found the following review helpful.
Fairstein keeps entertaining
By ellen
Linda Fairstein is an elegant figure - she brings a part of herself to Alexandra Cooper, Assistant DA - She and her friends Mike Chapman and Mercer Wallace from the police not only show us what goes on on their side of the world professionally, but show the reality of their own worlds - This outing shows the theatre and ballet aspect of the New York scene and the research put into this book is wonderful. After playing with sexual tension of Alex and Mike in previous works, they go to the old dynamic of the chemistry of the the friends working together and what their friendship (of all 3 friends) brings to the table.
Another winner for Fairstein.
1 of 1 people found the following review helpful.
Not those Ottoman niceties again!
By H. Schneider
Not those bl...y Ottoman niceties again! Says the Turkish inspector's Irish wife during an argument.
This is an English crime novel playing in Turkey, part of a substantial series already, with a group of Istanbul cops in the center.
Unfortunately I jumped into the middle of the series by picking up a paper copy of this volume.
What I like about this volume: two parallel cases in Istanbul (a violent stalker of gay men) and Cappadocia (an old case, or rather mystery, reactivated by the finding of the mummified victim) work generally well and credibly. Suspense in these cases is less attractive than the interesting cultural and psychological constellations. The cops of the story are complex characters in a multicultural setting: the metropolis and the rural 'wilderness', Muslims, strict and lax, minorities like Jews, Greeks, Armenians. And the tourists, some of them sex tourists.
Suspense is heightened by a terrorist attack in Istanbul. That rocks the rather placid investigations a lot.
The author is not an outstanding stylist (as in: 'Süleyman felt a cold shudder snake down his spine'), nor am I always convinced that her jumps between locations are to the best of her storytelling, but the book remains interesting enough until near the end.
It concludes with a ridiculous Poirot style ending, where the inspector gathers all possible suspects. Too funny to be serious, not funny enough to save the book.
As a general observation: the author doesn't know when and how to end. This keeps dragging on and on...
Maybe I will still give the series another chance.
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