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She's an antique print dealer, a college professor, and now. . .a parent? Maggie Summer is considering adopting a child from the New Jersey agency Our World, Our Children, and she has happily agreed to stage a benefit antiques show on their behalf. With her dealer friends, her college, and her lover, Will Brewer, all donating their time and support, everything is falling into place. But someone is harboring a vicious grudge against Our World, Our Children. The adoptive mother of thirteen children is the first victim, and then Maggie begins receiving threats. With the crowded benefit set to open and hundreds of innocent lives at stake, Maggie races to preserve the future with a clue hidden in her prints from the past. . .
- Sales Rank: #643522 in Books
- Brand: Brand: Scribner
- Published on: 2006-06-20
- Released on: 2006-06-20
- Original language: English
- Number of items: 1
- Dimensions: 8.25" h x .60" w x 5.31" l, .75 pounds
- Binding: Paperback
- 256 pages
- ISBN13: 9780743475594
- Condition: New
- Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
From Publishers Weekly
With complex crimes and even more complex personal decisions for Maggie Summer, antique-print dealer and history professor, the fourth installment of Wait's cozy series (after 2004's Shadows on the Ivy) doesn't disappoint. Since Maggie is thinking about adopting a child, she volunteers to organize an antique fair, the proceeds of which will go to support a local New Jersey adoption agency. Everything is running smoothly until the adoption agency begins receiving threatening letters—cancel the antique fair or else. Meanwhile, Holly Sloane, a saintly woman who's adopted 11 children, is shot, and one of her adoptive sons goes missing. Are the threatening letters and the shooting connected? Maggie must also ask herself some hard questions about her future. Her beau, Will Brewer, is a dreamboat, but he doesn't want to be a dad. Maggie knows that if she adopts, their romance will stagnate or end. Kudos to Wait for tackling a pressing social issue like adoption: she's never heavy-handed, and she just might inspire some readers to think about opening their homes to children in need.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
Maggie Summer is directing all her energy toward managing a print and antiques show to raise funds for Our World Our Children, an adoption agency. Maggie, in her late 30s, is thinking seriously of adoption herself, although her current beau is completely uninterested in having or raising children. After the mother of a rainbow circle of adopted kids is shot, one of her children disappears, and OWOC--and Maggie--gets threatening mail and phone calls. The missing child turns up dead, and Maggie's van is blown up. Who could hate OWOC so much? Characterization is on the thin side in this fourth entry in Wait's Shadows series; instead of full-bodied people, we get detailed descriptions of how adoptions work emotionally and what agencies look for in families and in single parents. Still, Wait is a supple writer, and the print lore she always includes in her tales is captivating. A slight misstep in an otherwise appealing series. GraceAnne DeCandido
Copyright © American Library Association. All rights reserved
Review
"Wait is a supple writer . . . captivating." -- Booklist
"Wait renders the print business . . . intriguingly and with a sense of style." -- The Boston Globe
"Fresh and relevant." -- The New York Times
"Breezy. . . . Fun and compelling." -- Maine Sunday Telegram
"A perfect read." -- Mystery Scene
Most helpful customer reviews
7 of 7 people found the following review helpful.
Heavily Padded Who's-Gonna-Do-It
By Jennie Lyn
As a mystery lover, print collector, and adoptive mom, I picked up this book with high hopes. Unfortunately, it's a very thin mystery heavily padded with middlebrow arcana about prints, the protagonist's endless should-I-or-shouldn't-I-adopt musings, and makeweight of end-of-term professorial minutiae. B-o-r-i-n-g. The most dramatic event in the book features the protagonist's irritation at another single (white, healthy) female wanting to adopt a (white, healthy) female infant, rather than enthusiastically signing up for older, abused children of a different ethnicity. Instead of suggesting the other woman go to Eastern Europe for such a child, the protagonist sneers at her for not signing up to sainthood. By the time the book finally reaches its climax, there is a gymnasium full of people who could commit the crime ... well, sort of, if you stretch things and one of them is nuts ... But no character development, no unexpected twists or turns, and a lot of lectures on prints and the nature (per the author, one presumes) of adoption.
2 of 2 people found the following review helpful.
Best yet in Lea Wait's Shadows series!
By Carl from Virginia
I've enjoyed all of Lea Wait's Shadows Antique Print Mysteries -- what's not to like? antiques, mystery, a little atmosphere and romance -- but this one was special. Main character Maggie Summer is thinking of adopting an older child, and agrees to run an antique show as an adoption agency benefit. Then an adoptive mother (of 11!) is shot; one of her sons disappears; and a lot of questions are raised about inter-cultural and inter-racial adoption. I'd never thought about adoption as a controversial issue; for some people it clearly is. And Wait gives us a great mystery as well as some fascinating information -- as she always does. (Plus, there IS an antique show, and many of Maggie's associates and friends from previous books. I love Gussie and Will and Ben!) Highly recommended.
5 of 10 people found the following review helpful.
Book promotes dubious practice
By Amazon Customer
I picked up this book because I'm always looking for mysteries with an antiques theme. I have been an antiques dealer for many years and also have written a newspaper column on antiques and published newsletters on children's illustrators. I say this because I don't want anyone to think I'm naive in the practices of paper dealers. This doesn't mean I approve of them. The author doesn't seem to think there's anything wrong with ripping a cover off and an illustration out of a $10 magazine and then charging $40 each for them, pitching the rest. She doesn't seem to think there's anything wrong with ripping apart a book, as long as it's "imperfect," so she can make a BIG profit on the illustrations. She isn't selling prints, artwork created to be framed and displayed. She's destroying publications that other collectors would love to own intact, even if imperfect. Old magazines and books are not a renewable resource for the collector or researcher, and fewer and fewer survive each year because of dealers like her. I know this criticism has nothing to do with her writing, but I will not read a book that promotes such practices and leads the reader to believe it's acceptable.
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