Kamis, 24 Juli 2014

>> Free Ebook The Russia House: A Novel, by John le Carre

Free Ebook The Russia House: A Novel, by John le Carre

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The Russia House: A Novel, by John le Carre

The Russia House: A Novel, by John le Carre



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The Russia House: A Novel, by John le Carre

John le Carre's bestselling classic is a timeless spy thriller about the Iron Curtain and the tense relationship between Great Britain and Russia.

John le Carré has earned worldwide acclaim with extraordinary spy novels, including The Russia House, an unequivocal classic. Navigating readers through the shadow worlds of international espionage with critical knowledge culled from his years in British Intelligence, le Carré tracks the dark and devastating trail of a document that could profoundly alter the course of world events.
In Moscow, a sheaf of military secrets changes hands. If it arrives at its destination, and if its import is understood, the consequences could be cataclysmic. Along the way it has an explosive impact on the lives of three people: a Soviet physicist burdened with secrets; a beautiful young Russian woman to whom the papers are entrusted; and Barley Blair, a bewildered English publisher pressed into service by British Intelligence to ferret out the document's source. A magnificent story of love, betrayal, and courage, The Russia House catches history in the act. For as the Iron Curtain begins to rust and crumble, Blair is left to sound a battle cry that may fall on deaf ears.

  • Sales Rank: #394958 in Books
  • Model: 1668271
  • Published on: 2004-01-20
  • Released on: 2004-01-20
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.44" h x 1.20" w x 5.50" l,
  • Binding: Paperback
  • 368 pages

From Publishers Weekly
The master of the spy novel has discovered perestroika , and the genre may never be the same again . Le Carre's latest is both brilliantly up-to-date and cheeringly hopeful in a way readers of the Smiley books could never have anticipated. Barley Blair is a down-at-heels, jazz-loving London publisher who impresses a dissident Soviet physicist during a drunken evening at a Moscow Book Fair. When the physicist attempts to have Barley publish his insider's study of the chaotic state of Soviet defense, British intelligence steps in. Barley, after extensive vetting by both MI5 and the CIA, is made the go-between for further invaluable information, and in the process becomes involved with the physicist's former lover, Katya. The portraits of American and British intelligence agents are, as always, wonderfully acute, and the plot is a dazzling creation. Le Carre's Russia is funny and touching by turns but always convincing, and the love affair between Barley and Katya, subtly understated, is by far the warmest the author has created. But the singing quality of The Russia House , written at the height of le Carre's powers, is its pervading sense of the increasing waste and irrelevance of ongoing cold-war machinations: "That is . . the tragedy of great nations. So much talent bursting to be used, so much goodness longing to come out. Yet all so miserably spoken for that sometimes we could scarcely believe it was America speaking to us at all." 350,000 first printing; BOMC main selection.
Copyright 1989 Reed Business Information, Inc.

From Library Journal
A mysterious manuscript purporting to prove the Soviet defense system is unworkable is smuggled out of Moscow. It was intended for a flaky English publisher, a womanizing saxophone-playing boozer, but the smuggler has turned it over to British intelligence. In order to prove its authenticity, they recruit the publisher as an amateur spy and send him to Moscow to reestablish contact with the author. But the "truth" Barley Blair finds there is love and a purpose for his shambles of a life. As always with le Carre, this is a compelling spy story, a marvelous entertainment that is also as intelligent, witty, and brooding as many more self-consciously and less satisfying literary novels. It may not be the equal of The Quest for Karla trilogy or of a A Perfect Spy but it bears all the marks of a master, of the man who has both redefined and reanimated the espionage genre. BOMC main selection.
- Charles Michaud, Turner Free Lib., Randolph, Mass.
Copyright 1989 Reed Business Information, Inc.

Review
Newsweek Le Carré is simply the world's greatest fictional spymaster.

The New York Times Book Review An exciting spy story...A well-informed political parable...rich...poignant...fascinating.

Time A plot of commanding suspense...The Russia House is both afire and thought provoking, a thriller that demands a second reading.

People Gripping...articulate...absorbing....Thrilling in every imaginable way.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Two Stars
By Amazon Customer
Disappointing - not one his best - weak ending.

4 of 4 people found the following review helpful.
Cracking Spy Story Set in the Glasnost Era
By Stephanie De Pue
"Russia House," is possibly the most successful post-cold war spy novel by British writer John LeCarre, whose masterworks include The Spy Who Came In From The Cold, Smiley's People, and Tinker, Tailor, Soldier, Spy. LeCarre , is, of course, a master teller of spy stories; he certainly has ample first hand experience of the business, as he was an actual British spy, for five years, under his birth name, David Cornwell. According to internet biographers, he was, in fact, embedded in Soviet territory when he was blown by Kim Philby, most famous post-war British secret service traitor; Philby's treachery might have been fatal to him.

"The Russia House," stands on its own as a thriller. It's set in 1987, the third year of Russia's attempt to open up -known as"Glasnost"--and details the efforts of a brilliant Soviet scientist, code named Dante, to get information about the weakness of Russia's offensive armaments to the West. To do this, Dante uses Katya, beautiful Russian editor, and Barley Scott Blair, classy drunken British publisher. The spy story's well-backgrounded, and engrossing: it opens with one of the author's writing trademarks, a good set piece, a Russian trade fair, gives us generous helpings of another of the writer's trademarks, the midnight meetings of the spy managers, the "Whitehall Mandarins;" it has a resonant, complex plot, and his usual good dialogue/descriptive writing. It even gives us a happy Hollywood ending: not quite as happy as the actual Hollywood movie based upon it,(The Russia House) starring Sean Connery and Michelle Pfeiffer, but Barley does get the girl, her children and uncle, sooner or later. In fact, a later book of Le Carre's, The Secret Pilgrim (Mortalis), is narrated by Ned, who was Scott Blair's handler. Ned tells us that he could have gotten Scott Blair out of Russia, but Scott Blair didn't want the spy service: "he wanted the girl."

The book gives us a very acute look at Russia, just as their "Glasnost," policy of openness begins to end --but not quite-- the cold war. It shows us life as it was lived in Russia at the time. The everyday struggles for the underprivileged, as Pfeiffer's character, despite her glamorous job, is. Three generations live cramped in a tiny apartment, queue for necessities, have difficulty obtaining new clothes, and find it nearly impossible to get shoes. The privileges of the privileged: the nice cars, the dachas (greatly-desired country homes), the designer duds. It further deals with the usual suspicions between the British and American secret services. Finally, it gives us an honest, unsensationalized, moving, non-mawkish view of mature, middle-aged love. Worth a read, any time.

21 of 22 people found the following review helpful.
Absolutely Fantastic
By R. Aamer
John Le Carre has the gift of storytelling. To me, he is the best espionage writer alive today. Most of the espionage writers put all the emphasis on the events whereas the main theme of Le Carre's books has always been characters. Le Carre does not write breakneck thrillers. He writes characters, lively and human. And that's why when you read a Le Carre book, a year down the road, you can't recall the story but you can easily recall the characters of the story. He is the creator of many memorable characters and Barley Blair is one of them.
Barley is not a hero, not even a patriot. He is a careless publisher, a jazz player and a chess fan. He is not a spy. He is pushed into the espionage game because of his drunken exchange of thoughts with a Russian scientist, another of Le Carre's memorable characters. Barley has reluctantly agreed to play the part of a courier and agent-runner by British spymasters and on his arrival in Moscow, he falls in love with a girl, who very much like Barley himself, is pushed into the spy game.
Barley soon reaches a point where he has to decide whom to betray. The girl he loves or his country. To me, that is the climax of the novel, the classical dilemma.
And dilemma it is. Here is Barley Blair, the main character, forming one part of the triangle, who is not a spy, doesn't even want to be one. The second part of triangle is Goethe, the Russian scientist, who wants to tell something to the world but not through the spies. And the third part is Katya, loved by both Goethe and Barley, who doesn't even know what is she doing and where does she fit in the whole scheme of things. And in the background are the spymasters of UK and USA who think they have all the strings in their hands but have totally ignored the fact that human nature is an essential part of all the espionage equations.
You've got to read the novel to know the whole thing. And if you are into serious fiction, you must read "The Russia House".

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Selasa, 22 Juli 2014

** Get Free Ebook Puppet, by Joy Fielding

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Puppet, by Joy Fielding

Puppet, by Joy Fielding



Puppet, by Joy Fielding

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Puppet, by Joy Fielding

New York Times bestselling author
Joy Fielding
is the mistress of the "taut suburban thriller"(Kirkus Reviews). Now Fielding unnerves readers with a richly layered page-turner that swings from haunting intrigue to electrifying suspense in the space of a heartbeat.

PUPPET

Living a no-strings-attached life in glamorous Palm Beach, beautiful, steely-nerved criminal attorney Amanda Travis knows exactly what she likes: spinning classes, the color black, and one-night stands. Here's what she dislikes: the color pink, nicknames...and memories. Which is why she has shut the door on two ex-husbands, her estranged mother, and her hometown of Toronto. Then comes the news that will shatter Amanda's untouchable world: her mother, who has always held a strange power over everyone she encounters, has shot and killed a complete stranger. Forced to return to Toronto, Amanda must confront her demons and unravel the truth behind her mother's violent act -- while the taunting, teasing name from her past dances in her head...Puppet...telling her that someone else is orchestrating her fate.

Includes an excerpt from Mad River Road, Joy Fielding's riveting new novel -- coming soon in hardcover from Atria Books

  • Sales Rank: #2549640 in Books
  • Brand: Pocket Star
  • Published on: 2005-12-01
  • Released on: 2005-11-22
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.50" h x 1.30" w x 4.13" l, .68 pounds
  • Binding: Mass Market Paperback
  • 496 pages
Features
  • Great product!

Review
"Fielding is a master of anticipation and tension."

-- The Globe and Mail (Toronto)

About the Author
Joy Fielding is the New York Times bestselling author of Now You See Her, The Wild Zone, Still Life, Charley’s Web, Heartstopper, Mad River Road, Puppet, Lost, Whispers and Lies, Grand Avenue, The First Time, See Jane Run, and other acclaimed novels. She divides her time between Toronto and Palm Beach, Florida. Visit her website at JoyFielding.com.

Excerpt. © Reprinted by permission. All rights reserved.
Chapter One

Some of the things Amanda Travis likes: the color black; lunchtime spinning classes at the fitness center on Clematis Street in downtown Palm Beach; her all-white, one-bedroom, oceanfront condo in Jupiter; a compliant jury; men whose wives don't understand them.

Some of the things she doesn't: the color pink; when the temperature outside her condo's floor-to-ceiling windows falls below sixty-five degrees; clients who don't follow her advice; the color gray; being asked to show her ID when she goes to a bar; nicknames of any shape and size.

Something else she doesn't like: bite marks.

Especially bite marks that are deep and clearly defined, even after the passing of several days; bite marks that lie like a bright purple tattoo amidst a puddle of mustard-color bruises; bite marks that are all but smiling at her from the photographs on the defense table in front of her.

Amanda shakes blond, shoulder-length hair away from her thin face and slips the offending photographs beneath a pad of lined, yellow legal paper, then picks up a pencil and pretends to be jotting down something of importance, when what she actually writes is Remember to buy toothpaste. This gesture is for the jury's benefit, in case any of them is watching. Which is doubtful. Already this morning, she's caught one of the jurors, a middle-aged man with thinning Ronald Reagan-red hair, nodding off. She sighs, drops her pencil, sits back in her chair, and pushes her lips into a pout of disapproval. Not big. Just enough to let the jury know what she thinks of the testimony being given. Which she would like them to believe is not much.

"He was yelling about something," the young woman on the witness stand is saying, one hand absently reaching up to tug at her hair. She glances toward the defense table, pulls the platinum curls away from their black roots, and twists them around square, fake fingernails. "He's always yelling about something."

Again Amanda lifts the pencil into her right hand, adds Stouffer's frozen macaroni and cheese to the impromptu list of groceries she is creating. And orange juice, she remembers, scribbling it across the page with exaggerated flourish, as if she has just remembered a key point of law. The action dislodges the pictures beneath the legal pad, so that once again the photographic impressions of her client's teeth against the witness's skin are winking up at her.

It's the bite marks that will do her in.

She might be able to fudge the facts, obfuscate the evidence, overwhelm the jury with irrelevant details and not always reasonable doubt, but there is simply no getting around those awful pictures. They will seal her client's fate and mar her perfect record, like a blemish on an otherwise flawless complexion, detracting from almost a year of sterling performances on behalf of the poor, the unlucky, and the overwhelmingly guilty.

Damn Derek Clemens anyway. Did he have to be so damn obvious?

Amanda reaches over and pats the hand of the man sitting beside her. Another salvo for the jury, although she wonders if any of them is really fooled. Surely they watch enough television to know the various tricks of the trade: the mock outrage, the sympathetic glances, the disbelieving shakes of the head. She withdraws her hand, surreptitiously rubs the touch of her client's skin onto her black linen skirt beneath the table. Idiot, she thinks behind her reassuring smile. You couldn't have exercised even a modicum of self-control. You had to bite her too.

The defendant smiles back at her, although thankfully, his lips remain closed. The jury will soon be seeing more than enough of Derek Clemens's teeth.

At twenty-eight years old and a wiry five feet ten inches tall, Derek Clemens is the same age and height as the woman selected to represent him. Even their hair is the same shade of delicate blond, their eyes variations of the same cool blue, although hers are darker, more opaque, his paler, sliding toward pastel. In other, more pleasant circumstances, Amanda Travis and Derek Clemens might be mistaken for brother and sister, perhaps even fraternal twins.

Amanda shrugs off the unpleasant thought, grateful, as always, for being an only child. She swivels around in her chair, looks toward the long expanse of windows at the back of the courtroom. Beyond those windows is a typical February day in south Florida -- the sky turquoise, the air warm, the beach beckoning. She fights the urge to wander over to the windows, to lean her head against the tinted glass, and stare out past the Intracoastal Waterway to the ocean beyond. Only in Palm Beach does one find an ocean view from a courtroom to rival the view from the penthouse suite of a top hotel.

Perversely, Amanda would rather be here, in Courtroom 5C of the Palm Beach County Court House, sitting beside some lowlife accused of assaulting his live-in girlfriend -- five counts, no less, including sexual assault and uttering death threats -- than sunbathing on the cool sand next to some underdressed, overnourished snowbird. More than a few minutes of lying on her back with the surf washing over her bare toes is enough to send Amanda Travis screaming for the hot pavement.

"I'd like to retrace the events of the morning of August sixteenth, Miss Fletcher," the assistant district attorney is saying, the deep baritone of his voice drawing Amanda's attention back to the front of the courtroom as easily as a lover's seductive sigh.

Caroline Fletcher nods and continues playing with her overly bleached hair, her surgically amplified bosom straining against the buttons of her perversely conservative blue blouse. It helps the defendant's case that the woman Derek Clemens is accused of assaulting looks like a stripper, although in fact, she works in a hairdressing salon. Amanda smiles with the knowledge this is less important than the image being projected. In law, as in so much of life, appearance counts far more than substance. It is, after all, the appearance of justice, and not justice itself, that must be seen to be done.

"August the sixteenth?" The young woman uses her tongue to push the gum she's been surreptitiously chewing throughout her testimony to the side of her mouth.

"The day of the attack," the prosecutor reminds her, approaching the stand and hovering over his star witness. Tyrone King is almost six feet six inches tall with chocolate brown skin and a shiny bald head. When Amanda first joined the law firm of Beatty and Rowe just over a year ago, she heard rumors that the handsome assistant district attorney was a nephew of Martin Luther King's, but when she asked him about it, he laughed and said he suspected all black men in the South named King were rumored to be related to the assassinated leader. "You've testified that the accused came home from work in a foul mood."

"He was always in a foul mood."

Amanda rises halfway out of her chair, voices her objection to the generalization. The objection is sustained. The witness tugs harder on her hair.

"How did this mood manifest itself?"

The witness looks confused.

"Did he raise his voice? Was he yelling?"

"His boss yelled at him, so he came home and yelled at me."

"Objection."

"Sustained."

"What was he yelling about, Miss Fletcher?"

The witness rolls her eyes toward the high ceiling. "He said the place was a mess and that there was never anything to eat, and he was sick of working the midnight shift only to come home to a messy apartment and nothing for breakfast."

"And what did you do?"

"I told him I didn't have time to listen to his complaints, that I had to go to work. And then he said there was no way I was going out and leaving him with the baby all day, that he needed his sleep, and I told him that I couldn't very well take the baby with me to a hairdressing salon, and it just went on from there."

"Can you tell us what happened exactly?"

The witness shrugs, her tongue pushing the gum in her mouth nervously from one cheek to the other. "I don't know exactly."

"To the best of your recollection."

"We started screaming at each other. He said I didn't do nothing around the apartment, that I just sat around on my bony ass all day, and that if I wasn't going to do any cooking or cleaning, then the least I could do was get down on my knees and give him a..." Caroline Fletcher stops, straightens her shoulders, and looks imploringly at the jury. "You know."

"He demanded oral sex?"

The witness nods. "They're never too tired for that."

The seven women on the jury chuckle knowingly, as does Amanda, who hides her smile inside the palm of her hand and decides against objecting.

"What happened then?" the prosecutor asks.

"He started pulling me toward the bedroom. I kept telling him no, I didn't have time, but he wasn't listening. Then I remembered this movie I saw on TV where the girl, I think it was Jennifer Lopez, I can't remember for sure, but anyway, this guy was attacking her, and she realized that the more she struggled, the more turned on he got, and the worse things got for her, so she stopped struggling, and that kind of threw him off guard, and she was able to escape. So I decided to try that."

"You stopped struggling?"

Again Caroline Fletcher nods. "I kind of went all weak, like I was giving in, and then, as soon as we got to the bedroom door, I pushed him out of the way, ran inside the room, and locked the door."

"And what did Derek Clemens do then?"

"He was so mad. He started banging on the door, yelling that he was going to kill my ass."

"And how did you interpret that?"

"That he was going to kill my ass," Caroline Fletcher explains.

Amanda stares directly at the jury. Surely, her eyes are saying, they can't consider this outburst a serious death threat. She grabs her pencil, adds bran flakes to her makeshift list of groceries.

"Go on, Miss Fletcher."

"Well, he was banging on the door and screaming, and so, of course, Tiffany woke up and started crying."

"Tiffany?"

"Our daughter...

Most helpful customer reviews

23 of 24 people found the following review helpful.
A good fast read
By Annie
Joy Fielding has written many popular books in the past years such as Grand Avenue and Whispers and Lies and I think Lost is sure to be another hit.

Puppet opens with us meeting Amanda Travis, a main character you certainly are not going to love. She is an up and coming attorney living in Florida who is twice divorced, does not like losing cases, and thinks it is ok to sleep with married men.

Out of the blue, her first ex husband Ben calls from Toronto to tell her that her estranged mother has been arrested for shooting a stranger in the Four Season Hotel and he would like her to come home to help. After much deliberation and some extra heat from past relationships knocking at her door, Amanda decided to take a quick trip home. Ben takes Amanda to see her mother the day after she arrives only to be told that her mom, Gwen does not want any kind of defense. She just wants to plead guilty and take her sentence. Being the attorney that she is, Amanda can't take that as an option so she starts digging around to find out the truth behind the shooting. What Amanda gets is a whole lot more than she bargained for when the truth about her past starts catching up to her and life will never be the same.

Puppet was a very quick read with a lot of dialog so be forewarned if you do not like that format in a book. For those of you who have read many of Joy Fieldings past books you will not be surprised to know that she once again throughs in a zinger that you would not have originally guessed and thats all I am saying.

7 of 7 people found the following review helpful.
A good thriller (not to be misread)
By Glenn Hopp
It's surprising how many readers commenting here seem to feel that the main character in a popular novel always must be a real role model or at least someone with minor or understandable flaws. The white-hat syndrome. Why is that? Here, Joy Fielding clearly presents a main character who is not very admirable or very happy, either. The character's fast mind and quick wit keeps us turning pages, but the author does not intend for the reader to look up to or admire the main character, as shown by her bitterness and unhappiness. (Probably she doesn't want her condemned outright, either--just accepted as a character.) It's too bad that so many people gave up on the book just because the main character is who she is. The plot explores how she became the cynical, self-destructive person she is, what experiences made her who she is. The author is not endorsing such behavior, or else the character would not be so dark and brooding. It is kind of silly to judge a novel like a person for its supposed morality or immorality, anyway, but if you are going to do that, the judgment should be based not on what the subject is (a woman whose life ignores traditional morality) but on what attitude the book takes toward that subject. The attitude here is analytical--to show how she became the way she is (and how, in a very cliched happy ending) she eventually gets beyond all of this behavior to a new beginning.

Popular fiction can seem to cover such extremes (fantasy, history, horror, romance), but all of that, I guess, is really misleading because underneath whatever genre is being used, the range is really pretty constricting--all readers seem to want is a main character who is supergood, someone to look up to, no matter how unrealistic that may be or how unsuitable it is for the kind of conflict that makes for interesting fiction. Readers should consider widening their expectations from the novels they read. Books can provide a role model to look up to--and sometimes other types of people, too, people who can be better understood as we see their pasts. In the book An Experiment in Criticism, C.S. Lewis talked about people who "use" literature for "egoistic castle-building" rather than surrender themselves to the book they are reading open-mindedly. He makes a good point.

8 of 8 people found the following review helpful.
Fabulous Intrigue!
By Marion
I have to admit that this book started out a little slow, but the minute the pace picked up, it never slowed down until the shocking, surprising ending. If you enjoy suspense, you'll love this well-plotted tale of a dysfunctional family full of hidden secrets!

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Kamis, 17 Juli 2014

# Download PDF Child of Darkness (Gemini), by V.C. Andrews

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Child of Darkness (Gemini), by V.C. Andrews

Child of Darkness (Gemini), by V.C. Andrews



Child of Darkness (Gemini), by V.C. Andrews

Download PDF Child of Darkness (Gemini), by V.C. Andrews

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Child of Darkness (Gemini), by V.C. Andrews

She grew up in the shadows of lies.
Now the past will come to light.
As a child, she was Baby Celeste, the one thing that kept her mother in touch with reality. But now her mother is in an institution, and sixteen-year-old Celeste Atwell is alone in the world. Adopted by a wealthy couple, Celeste has everything a girl could desire: designer clothes, luxury cars, even a handsome boyfriend. But her indulgence may come at a steep price -- because the secrets hidden within her new family are too dangerous to keep under wraps....
Also in the bestselling Gemini series from V.C. Andrews®-- be sure to read Celeste and Black Cat, available from Pocket Star Books!

  • Sales Rank: #168249 in Books
  • Brand: Pocket Star
  • Published on: 2005-03-01
  • Released on: 2005-03-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.75" h x .90" w x 4.19" l, .43 pounds
  • Binding: Mass Market Paperback
  • 416 pages
Features
  • Great product!

About the Author
One of the most popular authors of all time, V.C. Andrews has been a bestselling phenomenon since the publication of Flowers in the Attic, first in the renowned Dollanganger family series which includes Petals on the Wind, If There Be Thorns, Seeds of Yesterday, and Garden of Shadows. The family saga continues with Christopher’s Diary: Secrets of Foxworth, Christopher’s Diary: Echoes of Dollanganger, and Secret Brother. V.C. Andrews has written more than seventy novels, which have sold more than 106 million copies worldwide and been translated into twenty-five foreign languages.

Excerpt. © Reprinted by permission. All rights reserved.
Chapter 1: "I'm With You Again"

I wouldn't go until I had brushed my hair. Mama always spent so much time on my hair while Noble sat watching, as if he were jealous and wanted to be the one to brush it. Sometimes I let him, but he would never do it in front of Mama because of how angry it would make her. He would make these long, deliberate strokes, following the brush with his hand because he needed to feel my hair as much as see it. As I looked at myself in the mirror, I could almost feel his hand guiding the brush. It was hypnotizing then, and it was hypnotizing to remember it now.

"Mother Higgins said right now," Colleen Dorset whined and stamped her foot to snap me out of my reverie. She was eight years old and my roommate for nearly a year. Her mother had given birth to her in an alley and left her in a cardboard box to die, but a passerby heard her wailing and called the police. She lived for two years with a couple who had given her a name, but they divorced, and neither wanted to keep her.

Her eyes were too wide, and her nose too long. She was doomed to end up like me, I thought with my characteristic clairvoyant confidence, and in a flash I saw her whole life pour out before me, splashing on the floor in a pool of endless loneliness. She wasn't strong enough to survive. She was like a baby bird too weak to develop the ability to fly.

"Where that baby bird falls out of the nest," Mama told me, "is where she'll live and die."

Some nest this was, I thought.

"Celeste, you'd better hurry."

"It's all right, Colleen. If they don't wait, they don't matter," I said with such indifference, she nearly burst into tears. How she wished there was someone asking after her. She was like someone starving watching someone in a restaurant wasting food.

I took a deep breath and left the small, almost claustrophobic room I shared with her. There was barely enough space for the two beds and the dresser with the mirror above it. The walls were bare, and we had only one small window that looked out at another wall of the building. It didn't matter. The view I had was a view I owned in my memory, a view among others I gazed back at the way people peruse family albums.

The walk to the headmistress's office suddenly seemed longer than ever. With every step I took, the inadequately lit hallway stretched out another ten. It was as if I was moving through a long, dark tunnel, working my way back up to the light. Just like Sisyphus in the Greek myth we had just read in school, I was doomed never to reach the end of my long and difficult climb. Each time I approached the end, I fell back and had to begin again, as though I were someone caught in an eternal replay, someone tormented by wicked Fate.

Despite the act I put on for Colleen, as soon as I was told I was to meet with a married couple who might want to become my foster parents and perhaps adopt me, my heart started to thump with anticipation. The invitation to an interview came as a total surprise; it had been years since anyone had any interest in me, and I had just celebrated my seventeenth birthday. Most married couples coming to the orphanage look for much younger children, especially ones just born. Who would want to take in a teenager these days, especially me? I wondered. As one of my counselors, Dr. Sackett, once told me, "Celeste, you have to realize you come with a great deal more baggage than the average orphan child."

The baggage wasn't boxes of dresses and shoes either. He was referring to my past, the stigma I carried because of my unusual family and our history. Few potential foster parents look at you as your own person. It's not difficult to see the questions in their eyes. What bad habits did this one inherit? How has she been twisted and shaped by her past, and how are we going to handle it? Why should we take on any surprises?

None of this was truer for anyone than it was for me. I had been labeled "odd," "strange," "unusual," "difficult," and even "weird." I knew what rejection was like. I had been nearly adopted once before and returned like so much damaged goods. I could almost hear the Prescotts, the elderly couple who had taken me into their lives, return to the children's protection agency and, as if speaking to someone in a department store return and exchange department, complain, "She doesn't work for us. Please give us a refund."

Today, perhaps because of this new possibility, that entire experience rushed over the walls of my memory, where it had been kept dammed up for so long. It pushed much of my past over with it as well, so that while I walked from my room to the office to meet with this new couple, the most dramatic events of my life began to replay. It was as if I had lived and died once before.

Truthfully, I have always felt like someone who had been born twice, but not in any religious sense. It wasn't that I had some new awakening after which I could see the world in a different light, see truth and all the miracles and wonders that others who were not reborn did not see. No, first I was born and lived in a place where miracles and wonders were taken for granted, where spirits moved along the breezes like smoke, and where whispers and soft laughter came out of the darkness daily. None of it surprised me, and none of it frightened me. I believed it was all there to protect me, to keep me wrapped comfortably in a spiritual cocoon my mother had spun on her magic loom.

We lived in upstate New York on a farm that had belonged to my family for decades and legally still belongs to me. I was a true anomaly because I was and remained an orphan with an inheritance, property held in trust and managed by my mother's attorney, Mr.

Deward Lee Nokleby-Cook. I knew little more about it, but more than one headmistress or counselor had shaken her finger at me and reminded me I had far more than the other orphans.

The reminder wasn't made to make me feel better about myself. Oh no. It was meant to encourage me to behave and obey every rule and every command, and was usually held over my head like some sort of branding iron. After all, property, having anything of value, meant more responsibility, and more responsibility meant you had to be more mature. If they had it their way, I would have completely skipped my childhood -- not that a childhood in an orphanage was anything to rave about, anyway. I wish I could forget it all forever, every moment, every hour, every day, and not have it all come up inside me like so much sour milk.

Despite the fact that I was a little more than six when I left the farm, I still remembered it quite vividly. Perhaps that is because my time there was so dramatic, so intense. For most of my infancy, I was kept under lock and key, hidden away from the public. Even though my mother thought my birth was a miraculous wonder, or perhaps because of that, my birth was guarded as the deepest, most treasured family secret. I was made to feel like someone very special. Consequently, the house itself for nearly my first five years was my only world. I knew every crack and cranny, where I could make the floor creak, where I could crawl and hide, and where there were scratches and nicks in the baseboard, each mark evidence of the mysterious inhabitants who had come before me and still hovered about behind curtains or even under my bed.

For most of my life at the farm, I was taken out after dark and saw the world outside in the daytime only through a window. I could sit for hours and hours and stare at the birds, the clouds, the trees and leaves swaying in the wind. I was mesmerized by all of it, the way other children my age were hypnotized by television.

I had only one real companion, my brother, Noble. My cousin Panther was just a baby then, and I often helped care for him, but I was also jealous of any attention he stole from my mother and brother, attention that would have been directed at me. Right from the beginning, I resented it when he and his mother, Betsy, came to live with us.

Betsy had lived with us before. She had moved in soon after her father married Mother. I was never quite sure if he was my real father as well, but immediately he wanted me to call him Daddy. He died before Betsy returned. She had run off with a boyfriend, and she didn't even know he had died. The whole time she was away, she had never called or even written a letter to tell her father where she was, but when she returned and learned of his death, she was very angry. I remember she blamed us for her father's death, but she was even angrier about the way her inheritance was to be distributed. The air in the house felt filled with static. Mother stopped smiling. There were ominous whispers in every shadow, and those shadows grew deeper, darker, and wider every passing day, until I thought we would be living in darkness and no one would be able to see me, even Noble.

Before Panther's mother, Betsy, had invaded our home and spoiled our lives, I had Noble completely to myself. He was the one who took me out, the one with whom I worked in the herbal garden and took walks about our farm when I was finally permitted to be out in the daytime. Often he read with me in the living room and carried me to my bedroom to put me asleep. He taught me the names of flowers and insects and birds. We were practically inseparable. I felt he loved me even more than my mother did. I was so sure that someday I was to understand why; someday, I would understand it all.

And then one day he disappeared. I can't think of it any other way or of him as anything but who he had been to me. It was truly as if some wicked witch had waved her wand over him and in an instant turned him into the young girl I had been told was my half sister, Celeste, after whom I had been named. I had seen pictures of her many times in our family albums and heard stories about her, describing how bright she was, how pretty. It would be years before I would understand it, and even then I would wonder if everyone else was mistaken and not me. However, I would learn that my mother believed it was Celeste who had died in a tragic fishing accident, and not Noble, her twin brother.

Eventually and painfully, however, I would discover that it really was Noble who had drowned. Mother refused to accept it. She forced Celeste to become her twin brother, and all I knew about Celeste now was that she was in a mental clinic not far from the farm. As I said, I would make many shocking discoveries about myself and my past, but it would take time. It would be a long, twisted journey that would eventually bring me back to my home, to the place where all this began and where it was meant to come to a finalization, when I would truly be reborn.

I have been told that when I was brought to the first orphanage, I was a strange, brooding child whose demeanor and piercing way of looking at people drove away any and all prospective adoptive or foster parents despite my remarkable beauty. Even though I was advised to smile and look innocent and sweet, I always wore a face that belonged on a girl much older. My eyes would get too dark and my lips too taut. I stood stiffly and looked as if I would just hate to be hugged and kissed.

Although I was polite when I answered questions, my own questions made the husbands and wives considering me for adoption feel very uncomfortable. I had the tone of an accuser. More than once I was told I behaved as if I knew their deepest secrets, fears, and weaknesses. My questions were like needles, but I couldn't help wondering why would they want me. Why didn't they have children of their own? Why did they want a child now, and why a little girl? Who wanted me more, the man or the woman? They might joke or laugh at my direct questions, but I wouldn't crack a smile.

This sort of behavior on my part, alongside my unusual past, would sink the possibility of any of them taking me into their home. Even before the interview ended, my prospective new parents would look at each other with no written in their eyes and make a hasty retreat, fleeing me and the orphanage.

"See what you've done," I was often told. "You've driven them away."

It was always my fault. A child my age shouldn't ask such questions, shouldn't know such things. Why couldn't I just keep my mouth shut and be the pretty little doll people hoped I was? After all, I had auburn hair that gleamed in the sunlight, bright blue-green eyes, and a perfect complexion. The prospective parents were always drawn to me and then, unfortunately, repulsed by me.

At the first orphanage, where I remained until I was nearly ten years old, I quickly developed a reputation for clairvoyance. I always knew when one of the other girls would get a tummy ache or a cold, or when one would be adopted and leave. I could look at prospective parents and tell if they were really going to adopt someone or if they hadn't yet decided to take on such a serious commitment. There were many who were just window shoppers, making us all feel like animals in a pet shop. We were told to sit perfectly straight and say, "Yes, ma'am," and, "Yes, sir."

"Don't speak unless spoken to" wasn't only written over doorways; it was written on our brows, but I wasn't intimidated. There were too many voices inside me, voices that would not be still.

My first orphanage caregiver was a strict fifty-year-old woman who demanded we all call her Madam Annjill. As a joke, I think, her parents had named her Annjill, just so they could laugh and say, "She's no angel. She's Annjill." I didn't need to be told. She was never an angel to me, nor could she ever become one.

Madam Annjill didn't believe in hitting any of us, but she did like to shake us very hard, so hard all of us felt as if our eyes were rolling in our heads and our little bones were snapping. One girl, a tall, thin girl named Tillie Mae with brown habitually panic-stricken eyes the size of quarters, really had so much pain in her shoulder for so long afterward that Madam Annjill's husband, Homer Masterson, finally had to take her to the doctor, who diagnosed her with a dislocated shoulder. Tillie Mae was far too frightened to tell him how she had come to have such an ailment. She was in pain for quite a number of days. The sight and sound of her crying herself to sleep put the jitters into every other orphan girl at the home, every other girl but me, of course.

I was never as afraid of Madam Annjill as the others were. I knew she wouldn't ever shake me as hard. When she did shake me, I was able to hold my eyes on her the whole time without crying, and that made her more uncomfortable than the shaking made me. She would let go of me as if her hands were burning. She once told her husband that I had an unnaturally high body temperature. She was so positive about it that he had to take my temperature and show her I was as normal as anyone.

"Well, I still think she can make herself hotter at will," she muttered.

Perhaps I could. Perhaps there were some hot embers burning inside me, something I could flame up whenever I wanted to and, like a dragon, breathe fire at her.

I must say she worked hard at finding me a home, but it wasn't because she felt sorry for me. She simply wanted me out of her orphanage almost as soon as I had arrived. Sometimes I overheard her describing me to prospective foster parents, and I was amazed at the compliments she would give me. According to her I was the brightest, nicest, most responsible child there. She always managed to slip in the fact that I had an inheritance, acres of land, and a house kept in trust.

"Most of my little unfortunates come to you with nothing more than their hopes and dreams, but Celeste has something of real value. Why, it's as if her college education or her wedding dowry was built into any adoption," she told them, but it was never enough to overcome all the negative things they saw and learned.

"Where are her relatives?" they would inevitably ask.

"There aren't that many, and those that there are were never close. Besides, none of them want the responsibility of caring for her," was Madam Annjill's reluctant standard explanation. She knew what damaging questions her answers created immediately in the minds of the people who were considering me. Why didn't her relatives want her? If a child had something of value, surely some relative would want her. Who would want a child whose own relatives didn't want to see hide nor hair of her, land in trust or no land in trust?

I wondered how valuable the farm really was. Of course, in my memory, the house and the property remained enormous. After all, it was once the whole universe to me. For years I believed that not only were the house and the land waiting for me, but all the spirits that dwelled there were waiting as well. It would be like returning to the womb, to a place where there was protection and warmth and all the love I had lost. How could anyone put a value on that? I wanted to grow up overnight so I could return. When I went to bed, I would close my eyes and wish and wish that when I woke in the morning, I would be a big girl. I would somehow be eighteen, and I could walk out of the home into a waiting limousine that would carry me off to the farm, where everything would be as it once was.

What would I really find there? I believed my mother was gone, buried, and my only living immediate relative was in a mental home. The attorney might hand me the door keys, but wouldn't I be just as lonely and lost as ever? Or would the spirits come out of the woods and out of the walls and dance around me? Wouldn't they all be there, my mother included? Wouldn't that be enough company? It used to be enough for me, Mama, and Noble.

Why weren't the spirits coming for me now? I would wonder. Why weren't they appearing in the orphanage at night to reassure me and tell me not to worry?

As mad as it might seem to the other girls, I was longing to hear whispering, see wisps of people float by, feel a hand in mine and turn to see no one there.

Eventually, I did. Noble was there with me.

"Hey," I remember him calling to me one night. I opened my eyes and saw him. "You didn't think I would accompany you to this place and then just leave you here and forget you, did you?"

I shook my head, even though I had believed that. Seeing him again was too wonderful. I couldn't speak.

"Well, I'll be around. All the time. Just look for me, especially if anything bothers you, okay?"

I nodded.

He came closer, fixed my blanket the way he always did, leaned over, and kissed me on the forehead. Then he walked into the darkness and disappeared.

But I knew that he was there, and that was the most important thing of all.

I saw him often after that.

"Whom are you talking to?" Madam Annjill would ask me if she caught me whispering. "Stop that right now," she would order, but then she would cross herself, shake her head, and mumble to herself about the devil having children as she quickly fled from the sight of me.

I knew she was watching me all the time. Noble would know it too and warn me.

"She's coming," he would say.

"Whom are you looking at so hard, and what are you smiling about?" Madam Annjill would demand at dinner if I stopped eating and stared into the corner where Noble was standing, his arms folded, leaning against the wall and smiling at me.

I didn't reply. I turned to her ever so slowly and looked at her, not a movement in my lips, not a blink of my eyes. She would huff and puff and shake her head and reprimand some other poor, homeless little soul who had washed ashore on her beach. No solace here, I thought. No one waiting with open arms. No welcome sign over this front door. No one to tuck you in and kiss your cheek and wish you a good night's sleep. No one to tickle you or smother you with kisses and embraces and flood your eyes with smiles.

No, here the sound of laughter was always thin and short, cut off quickly like the sound of something forbidden. Where else did children our age feel they had to choke back happiness and hide their tears? Where else did they pray so hard for a nice dream, a sweet thought, a loving caress?

"Oh, the burdens, the burdens," Madam Annjill would chant at visitors or to her husband, referring to us. "The discarded burdens, someone else's responsibilities, someone else's mistakes."

She would turn and look at us with pity dripping from her eyes, crocodile tears.

"That's what you all are, children. You've been cast away like so much worthless riffraff," she would moan with the back of her hand pressed to her forehead like some terrible soap opera actress. "I will try, but you have to help me. Clean up after yourselves. Never make a mess. Never break anything. Never disobey me. Never fight or steal, and never say anything nasty."

What about the nasty things she would say to us? I wondered. Why did she want to run an orphanage in the first place? Was it only for the money, or did she enjoy lording it over helpless young girls and seeing the fear and the gratitude in their eyes?

At night she walked past our bunks and inspected, just hoping to spot some violation, no matter how small. Everyone but me would have her head turned away, her eyes closed, holding her breath and praying Madam Annjill did not find anything wrong and assign some punishment or shake her. Only I would lie there with my eyes wide open, waiting for her. I wasn't afraid. Noble was standing beside me, waiting, too.

She would stop, even though I sensed she wanted to keep going and avoid me. After all, she had to hold on to her authority. She had to pause and snap at me.

"Why aren't you trying to sleep?" she would demand.

I didn't answer. I glanced at Noble, who shook his head at her and then smirked at me.

Dealing with my silence was far more troublesome and difficult for her than the whining others did, or the poor little attempts to escape blame. Silence had always been my ally, my sword, and my shield.

Madam Annjill would look at Noble, whom I knew she couldn't see, and then she would simply nod at me.

"You know you were hatched from an egg of madness, don't you? If you're not careful, it will grow inside you, and you'll end up like your mother and your sister."

I didn't say a word. I stared at her until she walked away, muttering to herself.

Only then did I turn to Noble and show my unhappiness.

"Can't we go home?" I whispered.

"No, not yet," he said. "You have to be patient, very patient, but I promise you, Celeste. Someday you will go home again."

"Take me home now. Please. Take me home," I begged. He brushed my hair and told me to be patient again, and then he walked into the darkness.

Actually, I had no idea where home was anymore, or even what it was. It was just a wonderful word, a word that rang with hope.

Home.

Surely Noble is right, I thought. I will return, and everyone who has loved me will be there waiting with open arms. Surely they've missed me as much as I've missed them.

After all, I could still hear their screams of pain and agony as the car and the social workers took me away that dreadful afternoon. Even now, nearly ten years later, the memories of how I was scooped up and taken away from the farm and the only life I had known were painful. I remembered those agonizing days in terms of colors, red being the most prominent. I was so full of anger then. Why had Noble gone after Celeste appeared? I'd wondered, wearing a scowl like a permanent mask. It was all Betsy's fault, I'd decided. Somehow, it was because of her that he was driven away. I'd been happy she was dead, and I wanted to see her buried and gone from sight.

If I tried really hard to recall specific moments about that last day, I felt my insides tightening up, as if all my organs were being woven into knots around my heart.

It was far worse immediately after I had been taken. Then I would actually have a hard time breathing, what the doctors diagnosed as an emotional seizure. In fact, during the first few months after I was separated from the only people I had known and loved and loved me, I would often fall into a sleep so deep and long, it resembled catatonia.

Sleep was, after all, a way of turning my face away from ugly reality, but even sleep wasn't a total escape. A stream of nightmares would flow through my head: Noble being pushed back into his grave, Betsy with a twisted smile, laughing at me after she died, Mama glassy-eyed and cold, her lips squirming like earthworms. I would eventually wake screaming, and no matter what anyone said or how lovingly they treated me, I never lost the sense of foreboding, a sense that something dreadful was following me, sometimes disguised as my own shadow. I still felt it now, even at seventeen. I had the habit of glancing into corners, looking back every once in a while when I walked. I knew it drew attention to me, but I couldn't help it. Something was there. Something was always there. I didn't care if people thought I was still a mental case.

There is no way to avoid revealing that I was brought to a children's mental clinic almost immediately after being taken from the farm. I do vividly remember a beautiful woman with light brown hair and soft green eyes. She was tall and stately with an air of authority about her that made me feel confident, as confident as a baby in her mother's arms.

She was, I would learn, a pediatric psychiatrist, although she never wanted me to call her Dr. anything, just Flora. There would be others. In the beginning Flora spent hours and hours with me trying to get me to speak, to tell her why I was so angry. She knew most of it by then, of course. She had learned how my mother had died in her sleep and had been left in her bed, how my sister had accidentally killed Panther's mother, Betsy, on the staircase and then buried her in the herbal garden. Soon after, Noble's grave was uncovered as well, and the whole story of our twisted turmoil spilled out into the community like untended milk boiling over the edges of a pot.

I would learn that people came from faraway places to look at the farm, to talk about all of us with local people. Newspaper articles turned into magazine articles, and someone even wrote a book about it. At the time there was even some talk about a movie being made. We were that infamous.

Ironically, the community that had once considered us pariahs had suddenly embraced us. Everyone was anxious to tell about an experience with us, and of course with every retelling the exaggerations grew, until the truth was as lost as youth and innocence.

Flora worked very hard with me, and eventually she got me to talk and tell her the things she wanted and needed to know. She was always reassuring me. The truth was, I wanted to talk to someone badly. Noble hadn't come with me into that place. I was totally alone, so eventually telling Flora some of my secrets gave me relief. I could feel the weight slowly being lifted off my brow and the smiles beginning to return, first with a tiny movement at the corners of my mouth and then in my eyes. I so wanted to learn again, to read, to listen to music and stories. My appetite returned, and I didn't have to be forced or convinced to eat. I came out of the darkness as if I had been released from prison.

It was then that she brought me together with children my age, and over time the past became less and less oppressive. I celebrated a birthday at the clinic. They made me a nice party, and Flora bought me a beautiful pink dress with lace trimming about the sleeves and hem. My emotional seizures became far and few between and eventually disappeared entirely.

In a way I was sorry I had gotten well. My healing, my return to a normal life, meant I was ready to be discharged. I had come to live for Flora's visits and talks. Now the prospect that I would never see her again was a blow that almost drove me back to catatonia. I had gone from clinging to one skirt to clinging to another. Whom would I cling to now? Who would be there for me? The outside world was truly outer space to me. I would surely dangle or float aimlessly.

Flora knew my fears. "It's time you got on with your life, Celeste," she told me one morning in her office. "You have nothing to be afraid of anymore. You're a very, very bright little girl, and I'm sure you're going to be successful at whatever you want to do later."

"Am I going back to the farm?" I asked her.

"No, not yet. Not for a long time," she said.

She rose from her chair and looked out the window in silence for so long, I thought she was deciding whether or not to take me home with her. In my secret heart of hearts, where I dared treasure hopes and dreams, that was my most precious. If she had done so, how different my life would have been, I often now thought.

She turned and smiled at me, but I saw the disappointing answer in her eyes, in the film of sadness that had been drawn over them. This was the beginning of a good-bye that would last forever. Someday her face would drift back into my sea of memories, gradually sinking deeper and deeper until it would never again surface.

"First, you are going to a place where you will live with other little girls much like yourself," she explained. "It's a home managed by a nice couple, the Mastersons. You will finally go to a real school, too, and on a school bus.
v
"But you're too precious a child to be left there long, I'm sure," she continued, walking to me to brush strands of my hair off my forehead. "Some nice couple will quickly take you into their hearts and their home."

I was holding my breath. I really wanted to scream or close my eyes and never open them.

"I'll always inquire after you to be sure you're doing all right, Celeste," she said.

I looked up at her so sharply, she froze.

"No, you won't," I said.

"I will. I promise." She smiled at me, but she smiled at some of the other children the same way, and some of them were gone and forgotten.

I looked away, and I remember the color gray, the color of steel suddenly raining down around me. Although I was too young then to put my feelings into proper words, I vowed never again to get too close to anyone, except my spirits, my precious, loving spirits.

The people who came to the clinic to take me to that first orphanage, a man and a woman with black hair streaked with gray, reminded me of those who had come to the farm that dreadful day. These people looked bored and annoyed that they had been given the task. Even before she introduced herself, the woman petulantly asked, "Did you go to the bathroom? We have a long drive ahead of us, and we don't have time to look for places to stop."

I nodded, and the man took my small suitcase. Flora wasn't there. I thought she wasn't even going to utter her good-bye and repeat her promises to me before I left, but when we reached the doorway of the clinic, I heard her shout, "Just a minute!" and then I heard the tap, tap, tap of her high-heeled shoes over the tiled floor. Dressed in her doctor's robe, which she rarely wore when she was with me, she hurried down a corridor toward us, the robe snapping under her swinging arms. One of her assistants, a young woman with curly blond hair and large blue eyes that made her look habitually surprised, was practically running to keep up.

"Do you have everything?" she asked the social worker, who had quickly introduced herself as Mrs. Stormfield. "The prescriptions are very important."

"Yes, yes. It's all here," the social worker said, showing her the briefcase she carried.

"Okay. Good luck to you, Celeste. I will inquire after you. I will," she stressed.

I looked down.

She squatted to look into my eyes and gently lift my chin so I would have to look into her face.

"You have to be strong," she said, almost in a whisper. "You have to get through it. You won't be alone, I'm sure."

That brought a smile to my face, but it wasn't a smile that made her comfortable. I could see that. My smile was too cold. It made my face years older.

"I know," I said. "I'll never be alone."

Suddenly she looked very worried. She looked as if she was considering keeping me.

Mrs. Stormfield cleared her throat and tapped her foot in impatience.

Flora looked up at her.

"We have a long ride," Mrs. Stormfield said. "It's best we get started immediately."

Flora blinked, thought, and then shook her head.

"Yes, of course," she said, standing up. She took a deep breath, glanced at her assistant, and in a quick decision that broke some rule she had imposed upon herself, knelt down again and kissed me on the cheek. Then she turned and started away, those heels clicking like a clock ticking toward some hour of reckoning, winding down into an explosion of dead silence. I put my fingers on my cheek, where she had kissed me. I so wished I could keep her lips there forever.

Mrs. Stormfield dropped her hand on my shoulder firmly to direct me out the door and to the automobile. Her fingers pressed so hard, I wanted to cry out, but I didn't utter a sound. Instead, I got into the car and sat as far away from her as I could. She followed and closed the door. Then she sighed deeply, as if it had all been such a terrible ordeal for her, far more than it had been for me. The driver put my suitcase into the trunk, got in, started the engine, and drove us away. I didn't even look back.

It was only then that I thought about my cousin Panther. How odd that I hadn't thought of him until now, I remember thinking. Was it that I simply didn't care about him, or had I truly forgotten he existed? Where had he been taken? Where would he end up? Was he at some clinic or at some orphanage, or already living with new people?

And then I thought about Noble. I hadn't thought about him for so long, but now I couldn't help it. In my memory he was there. He was still Noble. He hadn't changed. I heard his laughter, his voice as he repeated the vowel sounds or explained a picture in a book. I closed my eyes and once again felt his arms holding me, carrying me up the stairs to bed, pulling back the blanket and tucking me in with a soft good-night. I remembered all the hours we spent together in the turret room, keeping as quiet as we could so the people below would not know I existed.

Most of all, I remembered working beside him in the garden for hours and hours after I was permitted to be out in the daytime, watching and learning how he cared for the herbal plants. He would recite their names for me, and talk about them as if they were his children. Every morning I was always so anxious and excited about getting out there to see how much they had grown, how healthy were their leaves, and how close they were to fulfilling the promise of their maturation and healing powers.

Back in the house Mother cooked and stirred, ground and mixed Noble's children into remedies she poured or spooned into bottles and plastic bags for people who made their pilgrimages up and down the country road to our farm. Mother described the spirits of our family standing along the driveway, nodding and smiling their approval and pride as the customers, or clients, as Mother liked to call them, came onto the property, their faces full of hope and faith.

Where were our family spirits this very moment? I wondered. Now that I had been released from the clinic, were they waiting for me, anticipating my return? Suddenly that thought sparked a panic in me. Yes, they were waiting for me, and they would be disappointed if I didn't return.
par

"I have to go home," I remember saying.

Mrs. Stormfield turned slowly and lowered her glasses down the bridge of her bony nose to peer across the seat at me with her steely gray eyes.

"What's that?"

"I have to go home right away," I said. "They're waiting for me."

"Who's waiting for you?"

"My family."

"Oh." She pushed her glasses back into position and turned to look forward.

"They are. They really are."

"Yes, well, why don't you just wait for them to call for you," she said.

The driver laughed.

"Yes," I said. "That's a good idea."

She looked at me again, this time surprise lifting her right eyebrow.

"Oh, you think so, do you?"

"Yes. I will wait. And they will call," I added, and I sat back in the seat. I remember I smiled. I was so confident that I radiated with it.

"This one's a corker," Mrs. Stormfield declared.

"Ain't they all," the driver said. "Ain't they all."

I didn't say another word to either of them. Long ago I had learned how to swim through the empty hours. I didn't need to be entertained or amused. I could simply rewind a book I had read and then turn the pages in my mind once more. I was vaguely aware of Mrs. Stormfield's eyes on mine as they moved back and forth. She slid a few more inches away from me, the way someone might move away from a person who might infect them with a disease.

I smiled.

She didn't know it, but I was very happy she had moved away.

She was making room for Noble. Thinking so hard about him again had brought him back to me.

He sat between us, took my hand into his, and said, "Don't worry. I'm with you again."

"What are you smiling at?" Mrs. Stormfield asked me. "I'm speaking to you, young lady," she said as firmly as she could when I didn't respond.

I still didn't answer, and there was nothing she could do about it.

I just turned away from her and stared ahead. Noble was holding my hand. Just knowing he was there beside me gave me the strength and the courage to face all the Mrs. Stormfields to come along with all the tomorrows, no matter how cloudy or dark or filled with static in the air they might be.

Copyright © 2005 by the Vanda General Partnership

Most helpful customer reviews

8 of 8 people found the following review helpful.
A huge disappointment
By Natalie E. Morgan
After reading Black Cat(which I rated a 3 out of 5) I was only eager to read Child of Darkness to learn where Celeste and Baby Celeste end up. Well this book barely touches on the life of Celeste- she is only in one scene of the book, and she is locked away in a mental institution. Baby Celeste is nothing of the pragmatic youth we see in Black Cat. She seems to be an ordinary girl(which is a breath of fresh air) but the story has very little plot, the resolution is so calcualted it is insulting and the ending......well there is very little I can say about the ending without seeming crude, angry and snobbish. All and all I believe Black Cat is a pulitzer winning book in comparison to this novel. The ghost writer doesnt even try to caputre the essence of V.C. Andrews. Dont even waste your time on such nonsense. Dont even read it for free in a bookstore- pick up another V.C. Andrews book. This one is by far the worst.

6 of 6 people found the following review helpful.
STOP IT
By M
This has to stop, seriously. When Neiderman first ghostwrote for VCA, he did a decent job. I liked the Cutler series, and he did a good job of finishing up the books that VCA had started but didn't finish for the Dollanganger and Casteel series. The Landry and Logan series, while not the best, were still very decent, and I enjoyed them. However, it all started to go downhill with Orphans. That was not what VCA would have written. I endured the Hudson and DeBeers series with disgust. The April Shadows and Broken Flower series are making VCA spin in her grave right now. Mr. Neriderman, please stop writing for VCA and go back to your own work. You're a old man, stop writing as if you were a young girl. Put the VCA name to rest, did you know there's a online petition circulating around demanding that you stop writing for VCA???

I found myself confused and frustrated with this series. You know that you should feel sorry for Celeste, but after reading Black Cat, you don't. She is GROWN, yet she let her mother push her around, and Mom is one VERY f---ed up person. And this third book in Gemini just... left things hanging, without satisfaction or questions answered. Celeste (Sr.) is given bare mention in this book, and you never do learn what happens to her. It's like Neiderman lost interest in this series and slapped this third book together out of random ideas he got from soap operas. I ended up selling these books on eBay because I wanted some of my money back and more room on my bookshelf for better books.

9 of 11 people found the following review helpful.
WORTH THE READ FOR THE SHOCKING ENDING!
By D. FOXWORTH
Well, Andrew. Neiderman has done it again. Another fine V. C. Andrews book!

I have to admit, that for part of the book, I was perplexed. I wondered what this had to do with the Atwell family. Where was (big) Celeste? What was happening at the Atwell farm? Then, as Celeste's guardian family (especially Ami) got more weird and more threatening, I understood the reasoning behind this story. After all, Mama was dead and (big) Celeste was mentally ill and in a home. Where else could the story go? We needed to examing (little) Celeste's strange journey home. The ending left me breathless and excited to write this review.

Okay, I've never seen a series that more cries out for BOTH a prequel and a sequel. Let's see a prequel that tells us how Mama got so weird. Let's see a sequel to see how Celeste adapts to life on the Atwell farm, how she and (big) Celeste, and does Noble's spirit form ever return?

One thing done exceptionally well in the series by Mr. Neiderman was the "spiritual" and "physic" storyline. Did Mama and eventually (little) Celeste really communicate with spirits? Or were they just wacko? And will we ever know?

While I wait for APRIL SHOWERS, I seriously ask Mr. Neiderman and Pocket Books to think about providing us with that much needed prequel and sequel to this, the GEMINI series. I know I would buy it and I am sure millions of VCA fans would too! And another thing, why not a book about Basil, Wade, and Ami? These freaks deserve to have their story told too! Maybe a stand-alone book like MY SWEET AUDRINA.

Bravo for a fine job done!

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>> Ebook Download Death in Winter (Star Trek: The Next Generation), by Michael Jan Friedman

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Death in Winter (Star Trek: The Next Generation), by Michael Jan Friedman

Long before Captain Jean-Luc Picard took command of the Starship Enterprise,™ he fell deeply and hopelessly in love with Doctor Beverly Crusher. Picard never acted on his feelings, yet he found a measure of contentment as Beverly's close friend, colleague, and daily breakfast partner.

When Doctor Crusher leaves to become the chief medical officer of Starfleet, the brightest light in Picard's life is taken from him. He has barely resigned himself to his loss when he learns that Beverly has been declared missing in action -- and presumed dead.

Kevratas is a bleak, frozen world on the far side of the Romulan Neutral Zone where the Federation has become the plague-ravaged natives' only real hope. Starfleet has no recourse but to send in another team -- and Picard is the natural choice. Critical to the mission are two colleagues from his former command, the Starship Stargazer: Pug Joseph and Doctor Carter Greyhorse. Joseph is a man with a past to live down, and Greyhorse has served time for attempted murder. They are determined to succeed where the doctor failed.

On the Romulan homeworld, meanwhile, the political vacuum created by the demise of Praetor Shinzon has been filled by Senator Tal'aura. But there are those who oppose her, including Commander Donatra and the warbirds under her command.

So begins a desperate struggle -- not only for the freedom of the long-oppressed Kevrata but also for the soul of the Romulan Star Empire. Before it's over, destinies will be forged and shattered, the Empire will be shaken to its ancient foundations, and Jean-Luc Picard's life will be changed...forever.

  • Sales Rank: #1111822 in Books
  • Published on: 2007-08-28
  • Released on: 2007-08-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.75" h x 1.00" w x 4.19" l, .38 pounds
  • Binding: Mass Market Paperback
  • 368 pages

About the Author
Michael Jan Friedman is the author of nearly sixty books of fiction and nonfiction, more than half of which bear the name Star Trek or some variation thereof. Ten of his titles have appeared on the New York Times bestseller list. He has also written for network and cable television, radio, and comic books, the Star Trek: Voyager® episode “Resistance” prominent among his credits. On those rare occasions when he visits the real world, Friedman lives on Long Island with his wife and two sons.

Excerpt. © Reprinted by permission. All rights reserved.
Chapter 1: San Francisco

2348

Manathas frowned, wishing he could have enjoyed just a bit more cooperation. After all, he had an assignment to complete, and he couldn't rest until it was done.

Of course, in his line of work, there were a great many hazards, a great many ways for disaster to strike. He had learned long ago to exercise patience and wait silently for his chance -- and then pounce on it when it came.

So he stood with his cotton-gloved hands at his sides, along with all the other formally dressed waiters and waitresses, and watched the ballroom's hundred or so wedding guests partake of their dinner as a band played a brassy twentieth-century love song -- and hoped fervently that one guest in particular would see fit to sample his chicken cordon bleu.

But the guest -- a young man with light brown hair, strong features, and a cleft chin, wearing a cranberry and black captain's uniform -- again managed to disappoint Manathas. He left his entree untouched, the same way he had ignored his one-eighth slice of honeydew, his saladé niçoise, his champagne, his sparkling water, and even the black cloth napkin that lay alongside his plate.

Ah, Picard, Manathas thought.

He had already asked the fellow if he would prefer another dish to the chicken, speaking intimately to be heard over the music. But Picard had waved away the suggestion, mumbling something about not being hungry.

Still, Manathas refused to give up hope. The good captain will eventually relent. He will consume something, either a food or a beverage. And when he does, I will be ready.

Unfortunately, he couldn't devote all his attention to Picard. There were three other starship captains in the room, and each was as important to Manathas as Picard.

It was unusual to find four such highly decorated officers in the dining hall at the same time. In fact, entire weeks often went by without an appearance by even one such officer. And when one of them did happen to visit, it was invariably an individual Manathas had already served.

So this wedding feast, vulgar as it might have been by the standards of Manathas's people, was something of an occasion for him too -- although not the kind the newlyweds had in mind. For Manathas, it was a day of great promise, great potential, a day he had worked toward for some time.

Walker Keel. Leo Blais. Marielle Kumaretanga. And the rarely seen but often mentioned Jean-Luc Picard. Yes, a day of great promise indeed.

As Manathas thought that, the bride and groom got up to dance. The groom was tall and athletic-looking, with an easygoing manner. His mate was a redhead of uncommon beauty -- from a human standpoint, of course.

And as they made their way around the floor, the bride's pearl white dress trailing her as foam followed a wave, her guests cheered and clapped and made what they no doubt believed were humorous remarks. There was no decorum, no restraint, no dignity to the occasion.

It was a bizarre custom, the human wedding celebration -- almost Klingon in its excess and its indulgence. But then, there was much about humans that Manathas found bizarre.

Eventually, other couples finished or abandoned their entrees, and joined the newlyweds on the dance floor. As they did this, Manathas paid a visit to one of their tables, bringing along a metal-frame cart with a plastic bag hanging inside it.

Unfortunately, he had a bit of a problem with germs -- a phobia, to be completely truthful about it. But it didn't stop him from carrying out his mission, thanks to the sheer, sterile gloves he wore beneath the cotton ones.

Piece by piece, he picked up the guests' used silverware and placed it in the plastic bag, making room for a waitress to lay out a clean set of implements. Then he moved on to the next table and did the same thing.

Most of the silverware went into the bag indiscriminately. However, a few pieces were diverted into a smaller bag, coyly concealed inside the first.

In his mind, Manathas labeled each implement with the name of a captain. The fork was Keel's. The spoon belonged to Blais. The knife had been used by Kumaretanga.

And nothing had come from Picard, leaving Manathas's collection still one piece shy of completion. But in time, he trusted, that deficit would be corrected.

He took in the room at a glance, making sure no one was paying him undue attention. And, of course, no one was. No one believed he was anything except a human waiter, carrying out the menial work assigned to him.

But then, who would suspect him of being a surgically altered Romulan spy -- an agent dispatched across the deceptively quiet Neutral Zone in support of a program only the praetor, in his brilliance, could have conceived?

A plan to grow clones from the genetic material of Starfleet's most prominent captains and, at some opportune juncture years or even decades hence, replace them with their secret progeny. Brilliant was probably an understatement.

But Manathas wasn't a scientist. His job was only to obtain the required genetic material for the praetor, not to make duplicate humans out of it afterward.

It was just as well. He was rewarded more generously for his work than were the praetor's scientists. Besides, he preferred the intrigue of an undercover assignment on an enemy world to a life spent studying DNA molecules on a computer screen.

Even on those occasions when "intrigue" only meant collecting dirty silverware.

Manathas had cleared off his third and final table when one of the guests got up and raised his champagne glass shoulder-high. He had dark hair, prominent cheekbones, and wide-set eyes that seemed to demand one's attention.

It was Keel, the much-decorated captain of the Ambassador-class starship Horatio. A good friend of both the bride and the groom, Keel was the one who had booked the ballroom for them months earlier.

"It pleases me to see all of you today," he said, looking out over the expanse of both uniformed and civilian guests. He grinned. "Well, maybe not all of you."

The remark was met with a chorus of jeers. But they were good-natured jeers, the kind exchanged between comrades.

Keel continued. "I'm happy to tell you that I've accomplished a few things in my life. I've established myself as easily the most capable captain in the fleet -- "

Again, a tide of raucous disapproval.

"Not to mention the handsomest -- "

This time, the groans took a bit longer to subside.

"As well as the best-loved captain in the entire sector. Or is that most oft-loved...?"

"You're pushing it," observed Captain Blais, a notoriously affable man.

Keel laughed. "Maybe I am. But with all I've done, my greatest accomplishment by far -- " He turned to the bride and groom. " -- was bringing together these two very special people, who were meant to spent their lives with each other."

The groom wagged his finger at Keel. The bride just smiled and rolled her eyes.

"Ladies and gentlemen," said Keel, "I ask you to join me in a toast. To the lovely Beverly Crusher and her undeserving husband, Jack -- may they always be as happy as they are today."

The sentiment was echoed from one end of the room to the other. Then Keel and all the other guests drank to the health of the newlyweds, a common ritual here on Earth.

"And now," Keel continued, "I yield the floor to my colleague Jean-Luc Picard, without whose forbearance Beverly and Jack's romance would never have gotten off the ground."

All eyes turned to Picard, who looked to have been taken by surprise. He waved away the invitation.

"Come on," said Keel, beckoning. "The occasion won't be complete without a word from you."

Others echoed the sentiment. And little by little, it turned into a rhythmic cheer: Jean-Luc, Jean-Luc...

Finally, Picard gave in to the urgings of the other guests. Rising from his seat, he picked up his glass and made his way to Keel's side. Then he looked out over the assemblage.

Silence ruled for a moment or two. Manathas could hear the sounds of ice tinkling in glasses and heels clicking on the uncarpeted floor. Finally, Picard cleared his throat, extended his glass in the couple's direction, and got started.

"As Jack will tell you," he said, "I am not much of an orator. My words will certainly pale in comparison to those uttered by our friend, Captain Keel."

There were encouragements to the contrary, but Picard seemed to remain unconvinced.

"I would just like to say how happy I am to be here," he went on, "and how privileged to have witnessed the marriage of Beverly and Jack, who are very dear to me."

Everyone in the ballroom nodded approvingly. Some even raised their glasses. But they withheld their applause, obviously waiting to hear more.

"Very dear," said Picard.

Having lived on Earth for some time, Manathas had become as much of an expert on human expressions as he was on those of his own people. He could tell when a person was angry, or fearful, or amused by something, despite that individual's best efforts to conceal it.

In the same way, he could tell when someone was disappointed with a turn of events. As the Romulan observed Picard, there was no doubt in his mind: this was a man carrying a considerable burden of pain and disappointment.

Sometimes it was difficult to divine the cause of a human's emotional state. But not in this instance. All Manathas had to do was follow the direction of Picard's gaze...

Straight to the bride, who was nestled in the encompassing arms of her new mate.

"I...wish them all the best," said the captain.

The other guests seemed to expect more. But Picard didn't say any more. Without warning, he raised his champagne glass and drank.

It was only then that everyone realized the speaker was done speaking. Gradually, a well-meaning murmur of agreement rose from his listeners, but it wasn't nearly the enthusiastic response that had greeted Keel.

With a smile that had too much grimace in it, Picard retreated to his seat. And though he was patted on the back by his immediate neighbors as he sat, he seemed to know as well as...

Most helpful customer reviews

1 of 1 people found the following review helpful.
Left me wanting more!
By J. H. I.
I had the opportunity to read this book while I was very sick with the flu. References to the Kevratan Plague aside, it really kept my mind off my symptoms. MJ Friedman is a masterful writer. I admired the skill and craftsmanship that were evident throughout the book. I was also very impressed with his ability to write some exquisite combat scenes.

I admit, I was a bit in the dark about the Stargazer characters, having not read the Stargazer series. Friedman did his best to recap some of the plot-lines and character arcs from those books, but I was still left scratching my head. Presumably he wanted to fill in some of the blanks without ruining the read should one go back and pick up the other books. But it was too much of a strain and a compromise, and wound up distracting from the main plot without really revealing much about the characters. I still enjoyed the book, however. The ending was a little shaky, it did seem rushed. But in the weeks that followed, when the book was finished, I kept instinctively wanting to jump back into it. I picked up a few other STNG books by other authors, but they didn't hold my interest the way Death In Winter had. I would put down my current read and look longingly at it on my bookshelf, as if hoping it would grow a few more chapters if I left it alone long enough. That's saying something! I'm in the middle of 2 other STNG books right now, and this book puts them to shame. If you like Star Trek, and you like a fun, well-written, engrossing story, this is the right book. Friedman delivers a quality novel.

1 of 1 people found the following review helpful.
A Little Star Trek Novel
By Geoffrey A. Snyder
I am a big Star Trek fan but I have never gotten into the books. I decided to give 'em a try and this was a suggested starting point. In many ways, this felt like Star Trek - the pacing, the long build up to a quick resolution - so I wasn't disappointed. I was, however, expecting more details and back story. But, I won't give a bad review based on my expectations.

There were three stories happening concurrently; Picard, Crusher and company on a Romulan planet, Political intrigue on Romulus and Worf and Laforge hunt for Picard. With main story was well executed with lots of action and movement. There were, however, sub-plots that were started then abandoned - such as the Dr. Greyhorse story. This was a distraction. The stories should have been developed further or dropped. The Romulan political story felt like enough to flesh out into a separate novel but instead was addressed sparingly. The Worf/Laforge storyline was dropped halfway through.

All in all, it was not a bad read - I enjoyed it. And, I wanted it fleshed out into a more detailed novel. I will, however, probably read more ST books in the future.

0 of 0 people found the following review helpful.
An easy read, but this was wriiten years ago
By Melvin K. Patterson
I've had this on my list to read for years, but only recently bought it. Its a good self contained Next Gen story with familiar characters and situations from both the TV series and prior novels. Good and accurate use of characters and a plot that moved at a good clip. Very enjoyable.

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^^ PDF Download R. Crumb's Kafka, by Robert Crumb

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R. Crumb's Kafka, by Robert Crumb

R. Crumb's Kafka, by Robert Crumb



R. Crumb's Kafka, by Robert Crumb

PDF Download R. Crumb's Kafka, by Robert Crumb

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R. Crumb's Kafka, by Robert Crumb

Part illustrated biography, part comics adaptation, R. CRUMB'S KAFKA is a vibrant biography that examines this Czech writer and his works in a way that a bland texbook never could! R. CRUMB'S KAFKA goes far beyond being explication or popularization or survey. It's a work of art in its own right, a very rare example of what happens when one very idiosyncratic artist absorbs another into his worldview without obliterating the individuality of the absorbed one. Crumb's art is filled with Kafka's insurmountable neuroses. They are all there: Gregor Samsa's sister, the luscious Milena Jesenska, the Advacate's "nurse" Leni, Olda and Frieda, and the ravishing Dora Diamant-drawn in that mixture of self-command, tantalizing knowingness, and sly sexuality, that amazonian randines and thick-limbed physicality that is Crumb. . . Crumb's idiosyncratic illustrations add a new dimension to the already idiosyncratic world of Kafka.Includes adaptations of "The Judgment," "The Trial," "The Castle," "A Hunger Artist," and "The Metamorphosis."

  • Sales Rank: #1147245 in Books
  • Brand: Brand: I Books
  • Published on: 2004-11-30
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.40" h x .60" w x 5.80" l,
  • Binding: Paperback
  • 176 pages
Features
  • Used Book in Good Condition

Most helpful customer reviews

22 of 24 people found the following review helpful.
A Crumb by Any Other Title . . .
By R. Lehnert
Crumb's work here is copious and fine, but the serious Crumb collector should know that "R. Crumb's Kafka" is identical in every way (except for title and cover art) to "Introducing Kafka" (US, 1993), as is clearly stated on the new version's copyright page. The book was first published in the UK, in 1993, under the title "Kafka for Beginners."

4 of 4 people found the following review helpful.
Not quite successful, but Crumb keeps it interesting
By J. Carroll
R. CRUMB'S KAFKA is an odd mixture of biography and analysis illustrated in a variety of ways by the artist Robert Crumb. Not quite a satisfying read, with a few too many psychological evaluations by the author; the book does shine when Crumb illustrates his abridged versions of Kafka's work. The emotional detail of the drawings, where Crumb can focus on anger, lust, or terror, are excellent and are a fitting compliment to Kafka's tales of alienation. The text often just gets in the way becoming a distraction; Crumb's work is often fettered by trying to serve the text. A better book would have been a full blown adaptation of Kafka by Crumb without the forced psychological insights that would be a better fit for some master's thesis.

4 of 4 people found the following review helpful.
Kafka for beginners
By Frank J. Konopka
I found this book an extremely interesting way to introduce Franz Kafka to those who know nothing, or next to nothing, about him. Not only is it a brief but inclusive biography, but it also contains the plots of many of his works, all quite well illustrated by R. Crumb. While purists may complain about the perceived trivializing of Kafka's works and life, I found this book a very good way to have those whose knowledge of Kafka is scant get some grounding into him, his life and times, and his writings. That, above all, is the true worth of this book.

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