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The Twelfth Card (A Lincoln Rhyme Novel), by Jeffery Deaver
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Lincoln Rhyme & Amelia Sachs are back! A hitman is out to kill a young girl in Harlem. In order to save her Lincoln has to solve a cold case that's over 150 years old.
Unlocking a cold case with explosive implications for the future of civil rights, forensics expert Lincoln Rhyme and his protégé, Amelia Sachs, must outguess a killer who has targeted a high school girl from Harlem who is digging into the past of one of her ancestors, a former slave. What buried secrets from 140 years ago could have an assassin out for innocent blood? And what chilling message is hidden in his calling card, the hanged man of the tarot deck? Rhyme must anticipate the next strike or become history—in the bestseller that proves “there is no thriller writer today like Jeffery Deaver” (San Jose Mercury News).
- Sales Rank: #154836 in Books
- Brand: Pocket Star
- Model: 1668551
- Published on: 2006-05-01
- Released on: 2006-04-18
- Ingredients: Example Ingredients
- Original language: English
- Number of items: 1
- Dimensions: 7.50" h x 1.20" w x 4.13" l, .74 pounds
- Binding: Mass Market Paperback
- 576 pages
- Great product!
From Publishers Weekly
Lincoln Rhyme, Deaver's popular paraplegic detective, returns (after The Vanished Man) in a robust thriller that demonstrates Deaver's unflagging ability to entertain. But even great entertainers have high and lows, and this novel, while steadily absorbing, doesn't match the author's best. Geneva Settle, who's 16 and black, is attacked in a Manhattan library while researching an ancestor, a former slave who harbored a serious secret (not revealed until book's end). Amelia Sachs, Rhyme's lover/assistant, and then Rhyme are pulled into the case, which quickly turns bloody. After Geneva are a lethally cool white hit man and a black ex-con—but even when they're identified, their motive remains unclear: why does someone want this feisty, hardworking Harlem schoolgirl dead? To find out, Rhyme primarily relies, as usual, on his and Sachs's strength, forensic analysis; the book's tour de force opening sequence consists mostly of a lengthy depiction of their painstaking dissection of evidence left during the initial attack on Geneva, and every few chapters there's an extensive recap of all evidence collected in the case. Deaver offers more plot twists than seem possible, each fully justified, but this and the emphasis on forensics give the novel more brain than heart. Geneva, a wonderful character, adds feeling to the story, and there are minor personal crises faced by other characters, but as the novel's focus veers from police procedure to odd byways of American history, execution techniques and one more plot twist, the narrative loses grace and form. Even so, this is one of the more lively thrillers of the year and will be a significant bestseller.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
A new Lincoln Rhyme novel is cause for excitement among fans of twisty-turny thrillers. This time out, Rhyme, the quadriplegic forensic investigator, is trying to find out why a man was stalking a high-school student. Turns out it might have something to do with the death of one of the student's ancestors nearly 140 years ago. Deaver, who must have been born with a special plot-twist gene, somehow manages, in every book, to pull two or three big surprises out of his hat. He also has a knack for drawing us immediately into the story. For some readers, it's his detailed description of investigative techniques; for others, it's Rhyme himself, the crusty, bad-tempered (but secretly lovable) detective who, with the help of his protege (and lover), the beautiful Amelia Sachs, solves crimes that most other investigators couldn't begin to crack. The Rhyme novels are among the cleverest of contemporary detective fiction. It is disappointing, however, to report that this one has a rather noticeable flaw. He attempts to render the dialogue of an African American character, in a kind of written Ebonics ("'S'up, girl?") that is very distracting to read and pulls us right out of the story. One of Deaver's strong points has always been his ability to write flowing dialogue; the awkward effort here to translate oral idiom into written language is an unfortunate slipup. Aside from that, though, it's a typically well-written, suspenseful story. David Pitt
Copyright © American Library Association. All rights reserved
Review
"A master of ticking-bomb suspense." -- People
"Deaver's Lincoln Rhyme novels . . . are masterpieces of modern criminology." -- Philadelphia Daily News
"Deaver's labyrinthine plots are astonishing." -- The New York Times Book Review
Most helpful customer reviews
0 of 0 people found the following review helpful.
The other JD books I have read have had better plots than this one
By cwbosler
The other JD books I have read have had better plots than this one. There's no climactic ending; more of an informative ending. I was also put out by how the African-American characters were portrayed due to the stereotypical 'ghetto' language used for most of these characters. I'm okay with language that helps build a more authentic portrayal of a character (southern characters pretty much have to say 'y'all' for example) but in this novel I thought it made the characters sounds less intelligent and was insulting.
0 of 0 people found the following review helpful.
ENOUGH TWISTS AND TURNS TO MAKE YOU DIZZY
By J.C.D.
From the moment the unhappy pediatrician/coroner enters the town's dinner and finds a woman dying in the restroom, the action is non-stop. The victim, a blind college professor, is mutilated and her twin sister, one of town's police officer's swears vengeance. Everyone in the small Georgia town seems to hold their own secrets that make solving this and murders to follow almost impossible. But it is Sara, the pediatrician/coroner who who as the most secrets of all. An incredible, spell-binding story.
3 of 3 people found the following review helpful.
Predictably fresh
By Richard B. Schwartz
The trick to all great writing (and especially to great genre writing) is to do old things in fresh ways. The tried and true, without novelty, is dull and predictable. The truly 'novel', lacking an anchor in nature and convention, is simply weird. No one understands this better than Deaver, who characteristically combines fresh material (usually forensic material, but sometimes historical material) with the key elements of thriller/suspense. In THE TWELFTH CARD he even adds one of the chestnuts of traditional fiction, the appearance of a mysterious stranger, who enjoys a special relationship with one of the central characters. My only reservation is that he also, characteristically, includes at least two 'unexpected' twists and turns as the narrative moves to its conclusion. Since he does this consistently, the plot twists lose their impact, at least for his devotees (among whom I count myself), who come to expect them.
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