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Girls Like Us: Carole King, Joni Mitchell, Carly Simon--And the Journey of a Generation, by Sheila Weller
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A groundbreaking and irresistible biography of three of America's most important musical artists -- Carole King, Joni Mitchell, and Carly Simon -- charts their lives as women at a magical moment in time.
Carole King, Joni Mitchell, and Carly Simon remain among the most enduring and important women in popular music. Each woman is distinct. Carole King is the product of outer-borough, middle-class New York City; Joni Mitchell is a granddaughter of Canadian farmers; and Carly Simon is a child of the Manhattan intellectual upper crust. They collectively represent, in their lives and their songs, a great swath of American girls who came of age in the late 1960s. Their stories trace the arc of the now mythic sixties generation -- female version -- but in a bracingly specific and deeply recalled way, far from cliché. The history of the women of that generation has never been written -- until now, through their resonant lives and emblematic songs.
Filled with the voices of many dozens of these women's intimates, who are speaking in these pages for the first time, this alternating biography reads like a novel -- except it's all true, and the heroines are famous and beloved. Sheila Weller captures the character of each woman and gives a balanced portrayal enriched by a wealth of new information.
Girls Like Us is an epic treatment of midcentury women who dared to break tradition and become what none had been before them -- confessors in song, rock superstars, and adventurers of heart and soul.
- Sales Rank: #489354 in Books
- Brand: Brand: Atria Books
- Published on: 2008-04-08
- Released on: 2008-04-08
- Original language: English
- Number of items: 1
- Dimensions: 9.25" h x 1.70" w x 6.12" l, 1.85 pounds
- Binding: Hardcover
- 592 pages
- Used Book in Good Condition
From Publishers Weekly
The epic story of three generational icons, this triple biography from author and Glamour senior editor Weller (Dancing at Ciro’s) examines the careers of singer-songwriters Carole King, Joni Mitchell and Carly Simon, whose success reflected, enervated and shaped the feminist movement that grew up with them. After short sketches of their early years, Weller begins in earnest with the 1960s, switching off among the women as their public lives begin. A time of extremes, the 60s found folk music and feminist cultures just beginning to define themselves, while the buttoned-down mainstream was still treating unwed pregnant women, in Mitchell’s terms, like you murdered somebody (thus the big, traditional wedding thrown for King, pregnant by songwriting partner Gerry Goffin, in 1959). Pioneering success in the music business led inevitably to similar roles in women’s movement, but Weller doesn’t overlook the content of their songs and the effect they have on a generation of women facing a lot more choice, but with no one to guide them. Taking readers in-depth through the late 80s, Weller brings the story up to date with a short but satisfying roundup. A must-read for any fan of these artists, this bio will prove an absorbing, eye-opening tour of rock (and American) history for anyone who’s appreciated a female musician in the past thirty years. B&w photos. (Apr.)
Review
"Captivating. A strong amalgam of nostalgia, feminist history, astute insight, beautiful music and irresistible gossip. Weller's grand ambition winds up fulfilled." -- Janet Maslin, The New York Times
"Let's get one thing clear right from the start -- this is a fabulous book...Girls like Us unfolds with drama and panoramic detail. Written with a keen journalistic and, more importantly, female eye, [it] works as a healthy, long overdue counterweight to the endlessly repeated, male-sided version of rock 'n roll. Before these women broke the cultural sod during the rock 'n roll years, there were no girls like us. Now there are millions." -- Caitlin Moran, London Sunday Times
"Even at 500-plus pages, the book goes down as easy as a Grisham yarn on a vacation flight... The only flaw to Girls Like Us is that it comes to an end. Few people lead lives as action-packed and spiritually opulent as Carole King, Joni Mitchell and Carly Simon did during such intensely interesting times. And few writers are able to impart so much freight with such vigor. The towering triumvirate got what it deserves." -- The Toronto Sun
"A page-turner of the first order....a must read." -- The Boston Globe
"As an avid music reader, sometime reviewer, and teen of the '60s myself, I was sure I knew just about everything there was to know about Carole, Joni, and Carly.... But Girls Like Us, an ambitious collective biography by six-time author and magazine journalist Sheila Weller, showed me exactly how much I didn't know. This absorbing, well-reported book chronicles a time when women in all walks of life were exercising new-found freedom. And as icons of that era, nobody did it better." -- Christian Science Monitor
"Both scholarly and dishy. A superb journalist, Weller has managed to uncover a trove of unreported facts on her subjects." -- People **** (Pick of the Week)
"When we were little, and someone said, `I love chocolate pudding," there was always some nutball who'd ask, "Do you want to marry it?' Well, I love Sheila Weller's Girls Like Us so much that I would marry it. This lush, beautifully-researched and lyrically written biography of the three women whose music was emblematic of the generation who pioneered the way for me and so many others is literate, bold, charming and ... cuddly....[E]very page brought a fresh surprise. Weller raised the bar for this book above even a classy celebrity bio... This book probably gave me more pure enjoyment than any but a handful I've read in years. If you're passionate about music -- and about passion -- you'll have to hand it to Sheila Weller for a bravura composition of her own." --Jacquelyn Mitchard the bestselling author of Still Summer, Cage of Stars, and the first Oprah Book Club selection, The Deep End of the Ocean, on WritersAsReaders.com
"Incisive, painstakingly researched...Any woman who grew up during the late 1960s and '70s will fall head over heels for Sheila Weller's Girls Like Us." -- Ladies Home Journal
"A sharp-eyed vision of the worlds which nourished these ambitious, determined and singular artists...Weller digs deep into [Joni Mitchell's] complex psychology and provides as close to an understanding of this difficult figure as anyone is likely to ever offer. An unfailingly entertaining read...a riveting story." -- Mojo
"Juicy... I doubt I'll listen to Mitchell's songs again without considering the child she gave up for adoption... and her subsequent bouts with depression or hear the oft-married King's music without thinking of her tumultuous relationships. As for Simon, Weller captures fully both the richness and glamour of her romantic life and the profound sensitivity that made her especially vulnerable to ex-husband James Taylor's drug abuse and the cavalier charm of Warren Beatty." - USA Today
About the Author
Sheila Weller is a New York Times bestselling author and award-winning magazine journalist. She is the author of five previous books, most recently her 2003 family memoir, Dancing at Ciro's, which The Washington Post called "a substantial contribution to American social history." She is the senior contributing editor at Glamour, a contributor to Vanity Fair, and a former contributing editor of New York. To learn more, visit www.girlslikeusthebook.com.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Carole, Joni, and Carly
By David F.
Three of my favorite performers in the 60s and 70s. I already knew a lot about them going into this book, but was pleasantly surprised about how much I didn't know. Sheila Weller certainly did her research. That being said, the book jumps around the given timelines making it hard to follow. Some parts that I was really interested in were just glossed over (i.e. Carole and her husband welcome a baby into the world and the next paragraph they're getting a divorce), while other points were brought up again and again in minute detail. Over-all, I enjoyed this book but it should have been better written.
33 of 34 people found the following review helpful.
Like filling up on salad . . .
By D. Kemp
Being a hugh Carly Simon and Carole King "fan", I preordered this book and waited with anticipation for its release. To this day, I have yet to finish reading GIRLS LIKE US. It's kind of like reading the phone book---an endless list of names that often repeat---but with lots more errors. Weller's opinions and old friends' memories woven together into a tapestry full of holes. If you've got to read it, check it out of your local library. Don't waste the money. Or better yet, see if your local library has the audio version. Being tortured by someone else trying to sell this tale has to beat self-imposed torture by reading it yourself!
1 of 1 people found the following review helpful.
And so did a lot of guys, apparently.
By Charles S. Houser
The title of this engaging triple biography is a little ambiguous (Is "like" a verb or preposition?) and could serve equally well as the title for the Jonas Brother's joint biography (a few years down the road when they have something to report). But unlike the Jonas Brothers, the subjects of this book--Carole King, Joni Mitchell, and Carly Simon--took no purity pledges in high school. In fact, the sexual/gender autonomy of the women is very much at the heart of Sheila Weller's narrative. Each of these singer-songwriters came of age just as the sexual revolution of the 1960s and middle-class feminism of the 70s began changing American culture forever. And the stories of how each of these artists struggled to make the transition from the traditional values their mothers embodied to a newer, hipper, freer consciousness is fascinating. All the questions of balancing career, romantic relationships, and families are explored, as are the dynamics of being in the same profession as one's spouse. To give Weller credit, she can be as critical of her female subjects as she is of their male partners. No favoritism here. And she seems to have interviewed a wide range of people to corroborate as much as she could in the vicious and tacky world of "he said/she said."
You could ask yourself, Why these three women? Why not Joan Baez, Judy Collins, Janis Joplin, Grace Slick, or Laura Nyro. Interestingly, Nyro is something of a shadow figure in this story (identified as the only female contemporary whose work Mitchell respected). But for the others I've named, powerful and compelling performers though they may have been, they are more recognized for their powers of performance and less as songwriters. I think Weller chose well and its fascinating to see how much overlapping their was in the careers and lives of King, Mitchell, and Simon.
Weller does a really good job of presenting these women's lives in the context of their times. Though early in the book she often gets carried away with adjective-compounded riffs like, "In their tiny-mirror-studded, embroidered Moroccan vests over flounce-sleeved, stock-tied blouses tucked into jeans or miniskirts, silk scarves pirate-tied low on their brows--as those `incense owls' (and the roach-clipped billows) spiraled in the air while clay-potted candles threw hypnotic flickers on exposed brick walls--countless young women (some enduring heartbreak over the shadier guys who'd replaced the boring college boys they'd happily jettisoned) heard in Joni's words, through Judy's voice, a shared epiphany about the emotional risks they had chosen." But there's much less of this self-indulgent verbiage in the second half of the book. Weller also does a good job of showing how substantial her subjects' contributions to the art of song writing and performing have been. Each artist has had over a dozen albums to her credit, many of which are undeniable landmarks in the evolution of American popular song. Bravi!
The Kindle edition does not contain photographs.
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