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The Comedy of Errors (Folger Shakespeare Library), by William Shakespeare
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Shakespeare’s The Comedy of Errors is the slapstick farce of his youth. In it, the lost twin sons of the old merchant Egeon—both named Antipholus—find themselves in Ephesus, without either one even knowing of the other’s existence. Meanwhile, Egeon has arrived in search of the son he thinks is still alive—and has been sentenced to death for the “crime” of being from Syracuse.
To add to the confusion, the two Antipholuses have twin servants, both named Dromio. As the four men unwittingly encounter each other, the play is crammed with wildly escalating misunderstandings before the truth emerges and Egeon is pardoned.
Shakespeare bases his story on Plautus’s Menaechmi, a play about identical twins who accidentally meet after a lifetime apart. He borrows from another Plautus play by having Adriana, the wife of one Antipholus, entertain the other. The spirited Adriana often gives speeches evoking strong emotions—as do other characters at times. Even here, Shakespeare suggests complexities beyond the farce.
The authoritative edition of The Comedy of Errors from The Folger Shakespeare Library, the trusted and widely used Shakespeare series for students and general readers, includes:
-Freshly edited text based on the best early printed version of the play
-Full explanatory notes conveniently placed on pages facing the text of the play
-Scene-by-scene plot summaries
-A key to the play’s famous lines and phrases
-An introduction to reading Shakespeare’s language
-An essay by a leading Shakespeare scholar providing a modern perspective on the play
-Fresh images from the Folger Shakespeare Library’s vast holdings of rare books
-An annotated guide to further reading
Essay by Arthur F. Kinney
The Folger Shakespeare Library in Washington, DC, is home to the world’s largest collection of Shakespeare’s printed works, and a magnet for Shakespeare scholars from around the globe. In addition to exhibitions open to the public throughout the year, the Folger offers a full calendar of performances and programs. For more information, visit Folger.edu.
- Sales Rank: #121519 in Books
- Brand: Shakespeare, William/ Mowat, Barbara A. (EDT)/ Werstine, Paul (EDT)
- Model: 1668469
- Published on: 2005-01-01
- Released on: 2005-01-01
- Original language: English
- Number of items: 1
- Dimensions: 6.75" h x .80" w x 4.19" l, .55 pounds
- Binding: Mass Market Paperback
- 272 pages
About the Author
William Shakespeare was born in April 1564 in the town of Stratford-upon-Avon, on England’s Avon River. When he was eighteen, he married Anne Hathaway. The couple had three children—an older daughter Susanna and twins, Judith and Hamnet. Hamnet, Shakespeare’s only son, died in childhood. The bulk of Shakespeare’s working life was spent in the theater world of London, where he established himself professionally by the early 1590s. He enjoyed success not only as a playwright and poet, but also as an actor and shareholder in an acting company. Although some think that sometime between 1610 and 1613 Shakespeare retired from the theater and returned home to Stratford, where he died in 1616, others believe that he may have continued to work in London until close to his death.
Barbara A. Mowat is Director of Research emerita at the Folger Shakespeare Library, Consulting Editor of Shakespeare Quarterly, and author of The Dramaturgy of Shakespeare’s Romances and of essays on Shakespeare’s plays and their editing.
Paul Werstine is Professor of English at the Graduate School and at King’s University College at Western University. He is a general editor of the New Variorum Shakespeare and author of Early Modern Playhouse Manuscripts and the Editing of Shakespeare and of many papers and articles on the printing and editing of Shakespeare’s plays.
Most helpful customer reviews
3 of 3 people found the following review helpful.
Good choice for the serious Shakespeare student as well as the amateur actor.
By Alban Richey
This edition benefits from the editor's extensive knowledge of the Shakespeare canon, especially in the 50 pages of the technical introduction, in the footnotes to the text, and in the appendices that deal with performance history. Highly recommended.
0 of 0 people found the following review helpful.
Five Stars
By Kindle Customer
It was easier to understand Shakespeare.
1 of 1 people found the following review helpful.
Quadrapalooza
By Bill Slocum
Usually Shakespeare is easier to watch on stage than to read. Yet this one is bound to confuse no matter what form you experience it in.
Two sets of twins, one high born, the other their slaves, are cast in the ocean by a storm during childhood, splitting them into two sets of one son and one slave. Their father, searching for the lost pair, journeys into the right town, Ephesus, at the wrong time. He is to be executed as an political pawn. Meanwhile, the other pair of mismatched twins finds themselves in Ephesus, too, well confusing the good people of Ephesus, including the lost pair's wives.
William Shakespeare was just starting as a playwright when he wrote this, a comedy, sometime around 1594. Bigger fish were still to fry. This, his shortest extant play, has plenty of charm and slapstick to go along with what the Pelican edition editor notes are some pretty awful puns based on Elizabethan pronunciations. If you are looking for a good laugh, Shakespeare's a few centuries out of date. "Comedy Of Errors" works better as an appetizer for meatier Shakespeare works, showcasing his wondrous use of and joy with the English language.
Many of the best lines reflect the play's concern about misrepresentation and frustration with life's station:
"How many fond fools serve mad jealousy?" (Act II, scene i)
"For slander lives upon succession,/Forever housed where it gets possession." (III, i)
"The venom clamors of a jealous woman/Poisons more deadly than a mad dog's tooth." (V, i)
"Was there ever any man thus beaten out of season, where in the why and the wherefore is neither rhyme nor reason?" (II, ii)
The last line is one of the slaves, Dromio of Syracuse, lamenting another beating at the hands of his master, Antipholus of Syracuse. There's more slave beatings in this play than in the whole of "Roots", yet in this case they serve as comedy in Homer-strangles-Bart fashion.
Much of the rest of the comedy involve confusion between this Antipholus and Dromio and the other pair, who bear the same names, except they are known as Antipholus and Dromio "of Ephesus". People approach them knowing their names; Antipholus's "wife" upbraids him for being a stranger to her bed.
The Pelican edition is designed to be read with minimal expository interruption, giving you brief explanations of archaic terms but not the historical analysis of, say, Folger editions. I like the latter approach, but have to say I found myself with enough information to juggle here with the text itself. Keeping track of the misadventures of the two sets of mismatched twins requires some concentration.
Still, there's real merriment in this play, similar to that found in the superior Shakespeare festival of confusion, "A Midsummer Night's Dream". You also get a lot of interesting observations about male-female relations where Shakespeare is either sending up or celebrating the traditional male-dominant order. It's hard to tell.
It's hard to tell a lot of things where "Comedy Of Errors" is concerned. You have fun being kept guessing.
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